<![CDATA[MyFonts Search: more_like_this:2504]]>

<![CDATA[MyFonts Search: more_like_this:2504]]> en-us Mon, 14 Dec 2009 19:09:23 -0500 Mon, 14 Dec 2009 19:09:23 -0500 http://blogs.law.harvard.edu/tech/rss 1440 ©2009 MyFonts, Bitstream Inc. webmaster@myfonts.com <![CDATA[Alternate Gothic]]> family of 1 font from Tilde

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[MVB Solano Gothic®]]> family of 36 fonts from MVB

MVB Solano Gothic®

MVB Solano Gothic Bold was originally designed as a display face for the City of Albany, California, located on the San Francisco Bay facing the Golden Gate Bridge and bordering the the Berkeley hills. Named for the City’s main street, the typeface needed to work on signage in proximity to older buildings, in contemporary settings, and for general print and web use. Rather than creating a neutered design to cover all bases, Mark van Bronkhorst chose to develop a simple, strong, condensed face that would offer flexibility of style by providing both retro and neutral forms.

]]> Mon, 14 Dec 2009 14:00:49 -0500 <![CDATA[BF Corpa Gothic™]]> family of 4 fonts from Brass Fonts

BF Corpa Gothic™

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[URW Grotesk™]]> family of 58 fonts from URW++

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Alternate Gothic]]> family of 3 fonts from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Alternate Gothic EF™]]> family of 3 fonts from Elsner+Flake

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Alternate Gothic]]> family of 1 font from Bitstream

A set of three condensed sanserifs prepared for ATF as text and titling by Morris Fuller Benton in 1903 and popular for the next half century.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Alternate Gothic SB™]]> family of 3 fonts from Scangraphic Digital Type Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[News Gothic SH™]]> family of 7 fonts from Scangraphic Digital Type Collection

News Gothic SH™

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[News Gothic]]> family of 14 fonts from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[News Gothic]]> family of 14 fonts from ParaType

News Gothic was the standard American sanserif of the first two thirds of the twentieth century with narrow proportions and a large x-height.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[News Gothic SB™]]> family of 7 fonts from Scangraphic Digital Type Collection

News Gothic SB™

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Franklin Gothic]]> family of 3 fonts from Adobe

Franklin Gothic

Franklin Gothic, one of the most popular sans serif types ever produced, was designed by Morris Fuller Benton in 1902 for American Type Founders. In 1979, under license with ATF, Vic Caruso began work on more weights of the design for ITC.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[News Gothic™]]> family of 14 fonts from Bitstream

The standard American sanserif of the first two thirds of the twentieth century, prepared for ATF by Morris Fuller Benton in 1908 under the name News Gothic, with a matching lightface known as Lightline Gothic. Linotype’s Trade Gothic follows News Gothic except for its widely-spaced straight-sided boldface based on ATF Alternate Gothic No.3. Linotype matches News Gothic Bold, a boldface version that originated at Intertype, with Trade Gothic Bold No.2. Ludlow Record Gothic follows News Gothic more loosely.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[News Gothic]]> family of 4 fonts from Adobe

In 1908, Morris Fuller Benton designed News Gothic for American Type Founders. The original design, with two condensed faces, is essentially a light version of Franklin Gothic.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[News Gothic EF]]> family of 4 fonts from Elsner+Flake

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[TS Hamburg™]]> family of 14 fonts from TypeShop Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[News Gothic]]> family of 14 fonts from Tilde

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Amescote™]]> family of 12 fonts from Aah Yes

On the border between formal and informal, Amescote is a fairly conventional sans-serif but it’s a font which has a bit of its own personality.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Secca Std™]]> family of 14 fonts from astype

Secca is a fine and simple typeface honoring the roots of early German grotesque type designs but mastered for the needs of today.

]]> Mon, 14 Dec 2009 15:23:44 -0500 <![CDATA[Houschka]]> family of 24 fonts from G-Type Collection

Houschka has the humanist qualities reminiscent of Gill and Johnston but is quite unique. It is more monolinear with rounded corners giving it a softer appearance, and has a few interesting character quirks like the capitals A, G, Q, W and lower case u and w.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Franklin Gothic™]]> family of 4 fonts from Bitstream

Franklin Gothic™

Produced by ATF in 1904, Morris Fuller Benton’s personal version of the heavy sanserifs first made popular by Vincent Figgins in 1830. Franklin Gothic remains popular after nearly a hundred years of use.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Franklin Gothic]]> family of 26 fonts from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Franklin Gothic SH™]]> family of 4 fonts from Scangraphic Digital Type Collection

Franklin Gothic SH™

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[OL Franklin Triple Condensed]]> family of 1 font from Dennis Ortiz-Lopez

OL Franklin Triple Condensed

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Monolith Sans™]]> family of 8 fonts from ABC Types

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[FranklinGothicHandLight]]> family of 1 font from Wiescher Design

FranklinGothicHandLight

FranklinGothicHandLight is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[EF Franklin Gothic]]> family of 3 fonts from Elsner+Flake

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[DTC Franklin Gothic Variants]]> family of 51 fonts from URW++

DTC FunWorks consists of 450 extraordinary fonts divided into eight chapters: seven of which include 50 fonts each, and one of which includes 100 fonts*:

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Franklin Gothic SB™]]> family of 4 fonts from Scangraphic Digital Type Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Franklin Gothic]]> family of 4 fonts from Tilde

Franklin Gothic

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[FranklinGothicHandDemi]]> family of 1 font from Wiescher Design

FranklinGothicHandDemi

FranklinGothicHandDemi is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[OL Franklin Wide]]> family of 5 fonts from Dennis Ortiz-Lopez

OL Franklin Wide

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[TS Franklin Gothic™]]> family of 14 fonts from TypeShop Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Generation Gothic™]]> family of 21 fonts from ABC Types

Generation Gothic™

In the United Kingdom, Virgin Trains uses various weights of Generation Gothic extensively.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Poster Gothic™]]> family of 4 fonts from ABC Types

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Ranger™]]> family of 8 fonts from ABC Types

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Text Gothic™]]> family of 2 fonts from ABC Types

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Generation Headline™]]> family of 12 fonts from ABC Types

Generation Headline™

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Hiruko™]]> family of 15 fonts from Thinkdust

Hiruko is a full family of 16 different styles. Inspired by the early Swiss movements, Hiruko offers creativity and clarity within many media. Influenced by Japanese culture, Hiruko is based on the idea that less is more, however this applies in other directions when referring to the amount of work gone into producing the type family.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Normalise Din]]> family of 1 font from Mecanorma Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Snather™]]> family of 8 fonts from Aah Yes

Snather is a simple, slightly square sans-serif with modern (if not futuristic) clean lines, giving great clarity and legibility.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Isonorm]]> family of 1 font from Mecanorma Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Houschka Pro]]> family of 6 fonts from G-Type Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Tubo]]> family of 4 fonts from Jonahfonts

2 font faces that combine together with attached lower case glyphs. A combo type-face that can be used with or without joining its lower case.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Amplia]]> family of 2 fonts from Jonahfonts

Applications of Amplia include Posters, titles, book covers, books, greeting cards, signage, packaging, invitations, magazine articles and advertising.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[ALS Kraft™]]> family of 1 font from Art. Lebedev Studio

A simple rough font. Kraft is a rough techno-style sans serif meant for setting text in all capitals.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Museo Sans™]]> family of 10 fonts from exljbris

Museo Sans is based on the well-known Museo.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Isonorm]]> family of 1 font from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Isonorm SB™]]> family of 2 fonts from Scangraphic Digital Type Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Isonorm EF™]]> family of 2 fonts from Elsner+Flake

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Urbana]]> family of 6 fonts from César Puertas

Urbana is a contemporary sans-serif typeface inspired in the traditional lettering seen in one of the most popular, massive transportation mediums available in Bogotá (Colombia): “busetas” (small city buses).

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[ITC Franklin Gothic®]]> family of 20 fonts from Adobe

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[TS Plymouth™]]> family of 14 fonts from TypeShop Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Ultra Modern™]]> family of 2 fonts from Red Rooster Collection

Designed by Douglas C. McMurtrie. Digitally engineered by Steve Jackaman. Based on the original Ludlow drawings, circa 1928.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Impact™]]> family of 1 font from Ascender Corp.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Triple Condensed Gothic™]]> family of 3 fonts from Red Rooster Collection

Based on an early wood type design. An original creation.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[FranklinGothicHandBold]]> family of 1 font from Wiescher Design

FranklinGothicHandBold is another part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising.

]]> Sat, 12 Dec 2009 20:10:01 -0500 <![CDATA[Driver Gothic™]]> family of 2 fonts from Canada Type

Driver Gothic is based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this face is very similar to, if not outright identical with, the face used on car plates in 22 American states: Arizona, California, Connecticut, Florida, Illinois, Iowa, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Mexico, Ohio, Oklahoma, Vermont, Washington, and West Virginia.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Scheme]]> family of 4 fonts from Typodermic

Today’s heavy infoscape demands a viewer-friendly rounded sans serif with sweet-but-understated style. Scheme’s work-a-day character set puts it on solid ground. Bark-bark, woof. Its even-width capitals are solid and dependable, and the lower case features subtly curled stroke ends, for understated sweetness.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Maxima EF™]]> family of 7 fonts from Elsner+Flake

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Fairway™]]> family of 7 fonts from Alan Meeks Collection

The thinking behind Fairway was to create a relatively conventional soft sans with a certain amount of movement at the top of the x-height line.The face is casual and quirky but can still be used as a text face.

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]]> Sun, 13 Dec 2009 21:02:58 -0500 <![CDATA[Negotiate]]> family of 10 fonts from Typodermic

Negotiate is a sans-serif family in five weights plus italics.

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]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Terfens™]]> family of 6 fonts from insigne

Terfens is a sans serif with inspiration from chancery scripts like Stefania. Subtly rounded and eschewing harsh technical lines, Terfens is a warm and inviting typeface. Its tall x-height gives it a friendly but not overly informal feel.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Roslyn Gothic LP]]> family of 1 font from LetterPerfect

bold design ideal for children's books]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Saint Louis™]]> family of 3 fonts from Red Rooster Collection

Based on ‘Players,’ a typeface from English designer Adrian Williams, circa 1976.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Tempo™]]> family of 1 font from Red Rooster Collection

Based on the Medium weight of Ludlow Tempo.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Impact Wide]]> family of 2 fonts from Geoffrey Lee

Impact wide was developed from the designer’s original drawings for the production of ‘Impact’ metal type, with many detail changes because of the density of the letters. These include the restoration of the bevelled i and j dots of the original. Character maps show some useful alternative characters in both roman and italic. Included are a crossbar numeral 1, mirror quotes and some sorts which were cast in metal but never reproduced in digitized versions of the typeface. There is also a font-specific Euro symbol. (Impact is a trademark of The Type Museum, London).

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Impact]]> family of 3 fonts from URW++

]]> Sun, 13 Dec 2009 18:31:23 -0500 <![CDATA[Impact™]]> family of 1 font from Adobe

Geoffrey Lee designed Impact for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Microgramma EF]]> family of 2 fonts from Elsner+Flake

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Roslyn]]> family of 3 fonts from Mecanorma Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Washington™]]> family of 5 fonts from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Concept Sans™]]> family of 20 fonts from ABC Types

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Permanent Headline™]]> family of 1 font from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[BF Portik™]]> family of 2 fonts from Brass Fonts

]]> Mon, 14 Dec 2009 19:09:23 -0500 <![CDATA[Shinn™]]> family of 10 fonts from Red Rooster Collection

Designed by Nick Shinn. Digitally engineered by Steve Jackaman.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Achiva]]> family of 3 fonts from Prime Graphics

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Maxima]]> family of 4 fonts from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Betique]]> family of 3 fonts from Prime Graphics

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Railroad Gothic™]]> family of 1 font from Red Rooster Collection

Digitally engineered by Steve Jackaman. Ludlow, circa early 1900.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Doradani]]> family of 10 fonts from Typodermic

Doradani is sans-serif corporate identity font. It has some of the friendliness of Franklin Gothic without the historical baggage.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Hemingway]]> family of 9 fonts from Red Rooster Collection

Hemingway designed by Alessandro Segalini was inspired by the prize winning novel The Old Man and the Sea by Ernest Miller Hemingway.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Backtalk Sans BTN]]> family of 8 fonts from Breaking the Norm

Backtalk Sans BTN

Backtalk Sans is a geometric font family that takes a clean, simple, and straightforward approach to legibility.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Baucher Gothic™]]> family of 12 fonts from URW++

Baucher Gothic™

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Figgins Sans™]]> family of 4 fonts from ShinnType

The first sans serif types were made in London in the early 19th century. They were severely modern, all caps and bold.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[California Grotesk™]]> family of 4 fonts from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Copperplate Modern]]> family of 6 fonts from Wiescher Design

Copperplate Modern

Copperplate Modern is my personal version of Copperplate with lowercase letters that contrast the standard rounded capitals.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Microgramma]]> family of 3 fonts from URW++

Designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Monolith Roman™]]> family of 4 fonts from ABC Types

Monolith Roman™

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Cinio™]]> family of 8 fonts from TeGeType

The Cinio family was specially designed for sign applications.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Dienstag™]]> family of 8 fonts from insigne

Dienstag is an extended sans-serif and a new companion to insigne’s popular Montag family.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Geometric 706]]> family of 4 fonts from Bitstream

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Simpliciter Sans™]]> family of 3 fonts from Lars Törnqvist Typografi

A rounded sans-serif with even stroke thickness, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century. Accented letters for Western and Central European languages are included.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Salzburg™]]> family of 5 fonts from Red Rooster Collection

Re-tooled from the QBF Collection.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[TS Salzburg™]]> family of 14 fonts from TypeShop Collection

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[OL Manhattan]]> family of 6 fonts from Dennis Ortiz-Lopez

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Bee™]]> family of 4 fonts from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Meter]]> family of 2 fonts from MunchFonts

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Micrograma MF]]> family of 1 font from Masterfont

]]> Wed, 09 Dec 2009 03:22:10 -0500