Inspired by the earlier signage from Binions Horseshose Hotel & Casino in Downtown Las Vegas, this font family comes in both standard and wide setups indicative to the two distinct widths displayed on the vintage style bulb & neon lettering on the casino.

More…

Pillow Puff JNL is a cottony-soft, fluffy, lighter-than-air display font for novelty applications.

More…

An older typeface belonging to a family of sans serif fonts known as Grotesque (or Grotesk in the classic spelling) has been re-drawn by Jeff Levine and released as Album Cover JNL. The font’s name is derived from the fact that this typeface was found on many long-playing record jackets during the 1950s and 1960s.

More…

Off the Wall JNL is a unique typeface that combines graffiti-style lettering with a brick wall background. special keystroke features give you a complete “wall of text”:

More…

Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

More…

A modernistic stencil design with
two sets of capital letters. The bold version was created first and the
plain version was added as an afterthought.

More…

Aphrodite Pro is an amazing handmade font full of alternate and ligature forms designed by Sabrina Lopez and Maximiliano Sproviero.

More…

Christmas A uses the following OpenType features to set up to four different color layers.

More…

The Lanston Christmas Ornaments collection has a definite nostalgic feel for classic Christmas and Winter iconography.

More…

DoodleBat Falalalala Doodle combines Holiday themed words and doodles to make one very merry DoodleBat!

More…

Vatican is a calligraphic face. The lower case is influenced by the lettering of Arthur Baker but the caps are more formal, the shape of the Cap V reminded me of a Bishops Mitre which led eventually to the name. The lighter weight works particually well in smaller text.

More…

The inspiration behind Snow, Kapitza’s 2009 festive font, is the beauty of snow crystals and the interplay between their unique designs.

More…

Kapitza’s 2009 Ice Flowers font is a derivative of their snowflake font Snow. It is a much bolder interpretation of the theme, with strong black and white contrasts.

More…

Christmas Dingbats 1 and Christmas Dingbats 2 are two Christmas fonts with different styles.

More…

Christmas Dingbats 1 and Christmas Dingbats 2 are two Christmas fonts with different styles.

More…

A bold weight of a moderately flourished script designed for ATF by Morris Fuller Benton in 1908, and an industry standard since then.

More…

This bitmap font is made of 97 icons to use to express this time of the year...

More…

DoodleBat Circles - Christmas is a collection of Christmas themed words and clipart thrown together in classic circles.

More…

Stephanie is a rounded geometric display font and works best in display applications, such as posters, headline, magazine, product branding, corporate branding, signage, logos and titles.

More…

DoodleBat Circles - 'Tis the Season places fun Holiday themed words and clipart into circles.

More…

Insigne Fleurons offers a wide range of diverse text ornaments to enhance your designs. These 52 ornaments can be used as components of a logo, background patterns or elements, border patterns or to add flourishes and refinement to your designs.

More…

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface by the legendary Eric Gill. Discovering a lost typeface by one of the major designers of the 20th Century, was the discovery of a buried treasure, and being the first type company to release it was an honor.

More…

Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts.

More…

P22 Yule by James Grieshaber is a series of display fonts inspired by a mélange of ancient inscriptional writing, with visual references to Anglo-Saxon, Celtic, medieval and even a bit of ancient Greek and roman letterforms.

More…

This set of decorated initial letters was inspired by those used in 1510 in Nancy (France, Lorraine) for printing of "Recueil ou croniques des hystoires des royaulmes d'Austrasie ou France orientale[...]" Author Symphorien Champion, unknown printer.

More…

Christmas Doodles Too is the follow up font to Christmas Doodles. More Christmas icons including a tree, fun new ornaments, a dove, gifts, pine trees, a church, drinks, sleigh, tree lights, drum, horn, Santa hat, holly, snowflakes, stockings, candy, and mistletoe.

More…

The idea of a brand-new grotesk is certainly rather foolish – there are already lots of these typefaces in the world and, quite simply, nothing is more beautiful than the original Gill. The sans-serif chapter of typography is now closed by hundreds of technically perfect imitations of Syntax and Frutiger, which are, however, for the most part based on the cool din-aesthetics. The only chance, when looking for inspiration, is to go very far...

More…

In this typeface I was trying to
make the letters as simple as possible but still have them legible.
There are no curves. It is part of my trialNerror package.

More…

Parametra is a very elegant and modern typeface achieved by the strong form reduction of the individual characters and at the same time harmonizing them by given parameters.

More…

Duro was inspired by the shape of today’s common electronic devices such as mp3 players and cell phones. The smooth shapes work nicely with branding. Duro features bold rounded-corner rectangular shapes.

More…

This sans serif type was completed in 1985, a descendant of the earlier serifed Congress shown for the first time at the Association Typographique International Congress, which proved to be so popular in 1980 at Kiel; designed to present a style equally appealing in European languages.

More…

A Festive look creates that happy feeling!

More…

Webdings is a symbol font designed in 1997 as a response to the need of Web designers for a fast and easy method of incorporating graphics in their pages.

More…

The astype series Accolades B offers the advanced designer a fine set of calligraphic swashes, swirls and figural ornaments.

More…

The Carol family are decorated faces and can be used in any application calling for a 19th century engraved style. The ‘extra’ face allows decorated frames to be made and includes some titles such as Dr. Mrs. Mr etc. It is also possible to create 2 colured texts in most drawing packages by using the regular weight plus a cut weight and the packages cloning tool.

More…

RA Holiday is a happy-go-lucky font of Christmas images that’s fun to play with. All the characters are hand drawn with a pen tablet. Spice up cards, letters, anything for Christmas with this fun, cartoon, non-commercial freeware font.

More…

Santa Fe is a profonts script typeface family supplied in the new OpenType Pro font format. Santa Fe contains six styles as light, medium, bold and the corresponding italics. The character set covers about 500 glyphs for the complete Latin character set (West, East, Baltic, Turkish, Romanian), and a large number of handmade ligatures and alternates to make it a perfect OpenType Pro connecting script.

More…

The inspiration for Jeeves came from Leslie Carbarga’s wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit.

More…

The thinking behind Fairway was to create a relatively conventional soft sans with a certain amount of movement at the top of the x-height line.The face is casual and quirky but can still be used as a text face.

More…

Duality is a rugged, condensed display font with class based kerning, math symbols, fractions and numeric ordinals.

More…

The newest addition to the Outside the Line collection of picture Doodle fonts...

More…

Stuffed with goodness, Carrotflower Christmas icons are surefire delights. A collection of 49 various icons including holiday lights, christmas cookies, holly, poinsetta, snowman, presents, stockings, letters to Santa and of course, Santa Claus himself.

More…

Sunitials JNL contains twenty-six initials inside of a sunburst pattern for monograms, page headers, stationery and other creative projects.

More…

Originally cut in metal in 1937, Bernhard Modern seems to presage the demise of letterpress printing and the eventual rise of digital typography. Witness this comment on the typeface by its designer, Lucian Bernhard: “My aim was to get all the spice and contrast into the contour ... without counting on the ink spread.” Lucian Bernhard was one of this century’s eminent graphic designers, and Bernhard Modern is his enduring masterpiece of type design.

More…

Being constructed from basic elements on a simple orthogonal grid, SuperGrid initially was an experiment in the field of constructed, elemental typefaces, another attempt to get the most out of very little.

More…

Typewriters are becoming scarce, but fonts designed to look like they came from typewriters aren't.

More…

Accomplished British designer Alan Meeks created Belwe Mono Italic to closely follow the original Letraset Belwe Italic. The modern, monolineal design of its letters make it suitable for use on its own, or in combination with Belwe Mono for almost any headline requirement.

More…

A bold sans serif typeface in which a stencil element has been incorporated that creates a strong feeling of immediacy. Campaign looks best when closely letter and word spaced. It is a striking choice for large display sizes such as posters and billboards. Created by leading British designer Alan Meeks.

More…

Lavigne Display is the first release of a type-family aimed at publications such as interior design and women magazines—anywhere a touch of distinction is to be desired. In the opinion of its designer, glossy magazines have been boring us with the same type families for years, with only a small group of fonts being used to denote refinement and sophistication.

More…

All Pro JNL is a sports font embellished with stars and stripes and is perfect for team banners, sportswear and sports-oriented ads.

More…

Blackoak is an Adobe Originals typeface designed in 1990 by Joy Redick. Blackoak, adapted from proofs of wood type from the collection at the Smithsonian Institution, has slab serifs and extremely wide letterforms.

More…

Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.

More…

Nick Cooke’s G-Type foundry continues to trailblaze and top of the sales charts is the fabulous Olicana typeface.

More…

DoodleBat Christmas Fun Doodles highlights the fun times of this Holiday season, the presents, snowmen, and gingerbread cookies.

More…

Christmas A2 uses the following OpenType features to set up to four different color layers.

More…

This family was inspired by the sets of fonts used in 1543 by Michael Isengrin, printer in Basel (Germany) to print the splendid New Kreüterbuch...(New herbal...), with numerous nice pictures, the masterpiece of Leonhart Fuchs, father of the modern botany.

More…

Kayla Sans is a sans-serif display font and works best in display applications, such as headline, magazine, posters, product branding, corporate branding, signage, logos and titles.

More…

R.H. Middleton for Ludlow, circa 1956. Digitally engineered by Steve Jackaman.

More…

Antique Olive was designed by Roger Excoffon for the French typefoundry, Olive, which it issued in different weights and widths from 1962 to 1966. In France, “antique” is the generic term for sans serif designs. Antique Olive was initially designed to rival the popular sans serifs Helvetica and Univers, but is almost humanistic in its design approach, with no indication of a mechanical look. Although the x-height is large and the ascenders and descenders are short, the design maintains an elegant, statuesque quality. Antique Olive is a distinctive typeface that can be used in a variety of ways, from text work to display.

More…

Stefania is an elegant chancery script, designed with wedding invitations specifically in mind.

More…

This frilly script has been acid dipped, scratched and destroyed for use in grungy design jobs or any other use that calls for a ragged script.

More…

Stefania Antique is an aged version of Stefania, an elegant italic script.

More…

Felt tip-written and full of expressive lines, Brandy BF exudes much verve and energy; and unlike many scripts, sets rather well in all caps situations.

More…

Halloween lends itself to graphic images: witches, ghosts, bats, jack-o'lanterns and haunted houses. When we think of a haunted house, we generally think of a large, abandoned, derelict Victorian wood-frame house. The style is usually Second Empire or Queen Anne. There tends to be a lot of decoration. There is usually a porch or two with decorative spindle work. There is probably a tower, either square with a mansard roof such as one might see in Paris or round with a conical roof borrowed from a Loire Valley chateau. These houses were generally in the United States between 1860 and 1900, products of the exuberance of a time before income tax. It took at least three servants to maintain such a house and was very expensive. Few can afford them today. That is why so many were converted to professional offices, multi-family dwellings or simply abandoned.

More…

Joseph Kaspar Sattler, one of the great German art nouveau artists created these nice initials in 1897 for the famous royal monumental book project Die Nibelunge for the Reichsdruckerei Berlin. Only 200 exclusive signed masterpieces were printed in four years from 1900 till 1904. Joseph Sattler was the art director, typographer and designer in one person. The Reichsdruckerei showed samples of the unfinished work in 1900 at the world exhibition in Paris to advertise the high craftsmanship of the German presses.

More…

I have improved and added diacritics to this elegant alphabet, and generally cleaned it up to a professional standard. It is well suited to logos, menus, invitations and other things wanting a touch of elegance.

More…

These four sets are based on the elegant and beautiful work of the German graphic designer Emil Rudolf Weiss.

More…

I have completely redone the spacing in this font, making the sidebearings more conventional. And after replacing the kerning with fresh pairs working together with the new spacing the font looks like a real gem. I love it!

More…

Ark is a combination monogram set based on the ATF Virkotype design.

More…

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

More…

Cooper Black is a very heavy version of Cooper Oldstyle (also known simply as Cooper), an innovative typeface with rounded serifs and long ascenders designed in 1919. The Cooper family was the work of Oswald Bruce Cooper, co-owner of the Bertsch & Cooper design firm in Chicago. Cooper Black was first released by the Barnhart Brothers & Spindler foundry of Chicago in 1922. Oz Cooper was fond of saying that the Black fit the needs of “far-sighted printers with near-sighted customers.” Cooper Black set a trend in ad types which prompted such designers as Fred Goudy (one of Cooper’s early teachers) to follow suit with their own black faces (compare Goudy Heavyface).

More…

A semiformal “ribbon” script designed by Robert Hunter Middleton, Coronet was first released by Ludlow in 1937. The small proportions of the lowercase letters are part of the elegance implied by the name and work best at medium or large point sizes, such as short blocks of display copy or headlines. The face has a soft, comfortable quality that lends itself to a wide range of applications, from invitations to bubble bath packaging.

More…

Two typefaces called Stencil were released in 1937 within a month of each other; this one was designed by Gerry Powell for American Type Founders. The characters are designed to emulate the look of bold, cut-out stencil letters.

More…