Born out of an insatiable addiction to handwriting fonts, Andrea’s Handwriting fonts are simple, readable and easy on the eyes.

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FG Bethany is really decorative spontaneous handwriting.

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Murbia was written with a glimmer-pen which has left the letters with a grungy look. What’s even better is that the font comes with loads of ligatures for both double letters/numbers and the most common letter combinations...just to make the font look more like real scribbled handwriting!

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Felt Tip Roman began as an experiment in 1989, a straight adaptation of the designer’s handwriting. The Bold and Heavy weights were added in 2003 to broaden the usefulness of this very popular typeface.

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Riana is handwritten, scanned and then carefully worked over to keep the rough touch and the typical “fountainpen” look.

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This handwritten font was brought to our attention by one of our customers. Tom Bernard Anyz had offered his handwriting font at dafont.com, a free-font portal for private customers where Toms Handwritten is enjoying great popularity. We liked the design at first glance – it is so innocent and sketch-like, similar to a quick note or message.

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Stu’s Handwriting is based on the penmanship of the late Raoul “Stu” Stuart.

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This handwritten font is the result of trying to write in a different way to what I'm used to: sometimes taking a left turn when going straight was the more obvious way. Or the other way around.

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Drawzing is a font designed by Ethan Dunham that mimics the looks of either chalk or crayon.

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Friz Biz is an handwritten font; your designs will be really funny and fancy!

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In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since.

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Sunnydale really is a sweet little typeface, great for scrapbooking or any design where you're wishing to convey a friendly, casual message.

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Alie is a casual textured script with sophisticated flair.

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Plz Print Brush is a good solid font for posters, headlines and accent words like - SALE! It gives the slightly irregular look of handlettering.

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Designed after the unique handwriting style of Architects. This typeface reflects a more quickly jotted notation style than its sister font, Prov Draftsman NDP. Instead of lowercase characters it contains smaller caps like actual hand drawn blueprints etc. Also note the ` key has been changed to the symbol for square feet. Regular and Italic included.

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Picklepie was created by Lydia, aged around 6 at the time, for use in her own artwork and things like party invitations, birthday cards and secret files. It looked so lively, happy and original that, with encouragement from me, her dad, she went on to draw all the letter and number forms, including alternate versions of some, entirely unaided.

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This is the last version of the dearJoe 5 series; dearJoe 5 Casual.

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Lorelei is an exuberant and bouncy script.

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Tiza is a rough take on informal faces and handwriting, brought on by the recent demand for scripts and brush lettering. Its flow leaves traces simulating runny pen ink, which makes it very suitable for handwriting-like paragraphs as well as casual greeting card and invitation setting. The bold weight, Tiza Negra, fits very nicely on book covers as well as large signs. Tiza is the proverbial reminder that typefaces can sometimes be more human than they are normally perceived. Designed by lettering great Angel Koziupa, and digitized and completed for Sudtipos by Alejandro Paul.

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An elegant yet down-to-earth script based on the pen lettering of the writer, Christopher Stocks.

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The Ray Johnson font was inspired by the Father of Mail Art. It’s based on the block lettering style used by Ray to add the names of his correspondents to their bunny head portraits (the film How to Draw a Bunny is a superb introduction).

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The Galgo is a Spanish Greyhound, an ancient hybrid breed of dog. Just like the Galgo, the letters of this font are a mix of elegant brush calligraphy and the rough, weathered strokes of speedy scrawl.

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The idea for Lipstick came from a snippy little note Patrick Griffin’s better half left for him one night. The note was tacked to the bedroom door. “COUCH TONIGHT!” it exclaimed in red lipstick on a paper towel. All because the hockey game was on at the same time as American Idol. Sheesh. But since all is fair in love and hockey, and since Patrick was used to such cruel treatment, he shrugged his shoulders and let his mind wander about the concept of using lipstick as a writing tool, and pondering the possibilities of a lipstick font.

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Cenizas is another masterpiece of rough-and-tumble script from the prolific Argentine duo of Koziupa and Paul.

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Pedell is a new profonts script which simulates handwriting with chalk. Up to now, this type of design had not been available in profonts’ library of script fonts.

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Pronto is a fast and breezy calligraphic handwriting font that moves to a timeless beat.

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King15 is a beautiful script font based on signatures dated back from hundreds of years.

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Thought, with its versatile five styles, is ideal for contemporary display work. It has style, flair, legibility, and interesting, flowing letter shapes.

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AJHand is a confident font based on the designer’s own handwriting.

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A. R. Bosco made Romany for ATF in 1934, when there was much demand for script types in advertising and publishing. It was the high times of Speedball lettering, and a casual script in that fashion was naturally very welcome. It became an instant hit and was used widely for a good part of the 1930s and 1940s.

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Simple Serif is designed as a hand-lettered serif font. It is casual and informal and is ideal for used in conveying these qualities.

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Upbeat and casual, Steve Miggas’s Khaki captures the look of stiff brushstrokes—right down to the splatter of ink or paint that might realistically accompany them.

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A lone figure stands behind a national monument, in the shadows thrown by half-broken, flickering streetlights. A car passes, and the lurker takes out a fat marker, dripping with noxious ink. Black lines, smooth but slightly broken by the texture of marble, appear underneath the marker...

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Perfect for the private journals locked away from all eyes to chronicle the troubled thoughts of a duality (a double life).

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This fresh, informal style emulates all the spontaneous hand-crafted qualities of a highly skilled lettering artist. This effect is evidenced by the strong textured edge on the right side of each character. Pendry Script benefits from close letter spacing whether all capitals or lowercase letters are used. A fine choice for powerful, attention-getting headlines. Created by British designer Martin Wait.

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What do you imagine the ideal casual invitation font would look like? It has to be cheerful, inviting, legible, creative, and loads of fun. But first and foremost, it has to look like real handwriting. Fonts seeming like real handwriting are always a major task, and although Canada Type already has plenty of fonts that solve the “looks like handwriting” issue in a variety of ways, we're once again raising the bar a little higher with this one.

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Liebfraumilch is a vivid handwriting script that relies on the OpenType features Contextual Alternates, Discretionary Ligatures and Stylistic Alternates, which are available only in OpenType-aware applications such as the Adobe Creative Suite or Quark Xpress.

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Toothpaste is a font based on the idea of a continuous line creating connected script, as if written by a squeezed tube of toothpaste. Every letter and number connects, and there are 48 contextual alternate characters and ligatures to make the script flow even more smoothly.

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With a hand-inked look, Panhandler flows like decorative but unfussy cursive writing. The font has automatically substituting glyphs and ligatures to avoid some of the problems other connnecting scripts encounter. It also includes a set of swash capital letters and a decorative swash ending lowercase set.

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Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

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Madeleine is an open script face with influence from early 50s scripts. The stroke doesn't have much variation, and the characters are wide and flowing. The script also features OpenType end swashes and discretionary ligatures to extend the twirling and fluid nature of the script.

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An endearing upright script with outspoken shapes, casual connections and generous swashes. Somewhere between very legible handwriting and calligraphy, Dominique captures the attention of a much larger audience than either strictly elegant calligraphy or regular everyday handwriting.

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This script font was inspired from a lot of manuscripts, notes and drafts, written by the famous American poet Walt Whitman. It is a very elegant type, in spite of a few curious ligatures, often concerning the r or z small letters. Notice the very characteristic “th”.

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Satisfaction is a casual vintage script font developed from hand-lettered words in various 1930s cigarette ads.

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Alright is a cursive font is based on the handwriting alphabets used in education, but with modern short ascenders and descenders.

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Philip Bouwsma’s offbeat mind, always working in mysterious ways, brings us one the unlikeliest syntheses of historical influences in a perfectly fluid, organic, and highly expressive connected script.

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Desiring to create a scrapbooking font, I based Sweet Pea loosely on my own handwriting. The characters don't sit on the baseline but tend to rise above or below it, giving a casual, handwritten appearance.

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Hey kids! What’s wacky, bouncy, and jam-packed with excitement and thrills? It’s DOINKY! That’s right, you'll have bucket-loads of fun with this new OpenType font from Sideshow. Amaze your friends with tons of DOINKY ALTERNATES! Yes, DOINKY will make you the envy of all your pals so order yours today! (Batteries not included. Sold separately or in the big action-packed Doinky Play Set!)

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FG Caroline is a thin handwriting font. It’s charming and looks like real notebook scrawls.

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The inspiration for Jeeves came from Leslie Carbarga’s wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit.

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This is not just a typeface inspired by a kid’s first attempts to write. This is in fact how exactly a kid writes. Alexandros Papalexis was born again kid when he became a father. This series came about while designing his daughter’s birthday invitations. Since its first release, it has been constantly on our most wanted list. You step into a supermarket, a bookstore or a clothing store and you see tens of products using this typeface. Anything from baby products, food, clothing, children’s books and magazines, print and TV campaigns, you name it. But don't just stick to the name. Every single weight serves the right purpose. This is why this typeface has also been used extensively for grown-up market. Recently, it was upgraded to include Latin, Greek and Cyrillic. Furthermore, the accompanied series of pictograms was completed and loaded with 125 western and eastern European pieces.

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P22 Zaner is based on ornamental penmanship as taught by Charles Paxton Zaner at his art college at the turn of the 20th century.

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Susa is an elegant and flowing brush script typeface.

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Designed by Vincent Connare, this is a face based on the lettering from comic magazines.

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Pony Tale is a handwriting script face in three styles, Light, Regular and Bold.

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Plumero is the wild, playful side of calligraphy.

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Just a straight and simple font with a character of its own: written with a HB pencil which is very recognizable in its appearance.

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Lindsey Pro is a new handwriting style font with advanced OpenType features including alternative characters and ligatures.

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Bounce Script is a nice hand lettered upright font. This font has an appealing “bounce” characteristic which gives it its charm.

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Segoe Script is part of the Segoe of fonts from Microsoft. The Segoe Script (2 fonts) contains stylish handwriting script fonts. The letterforms in Segoe Script feature extended strokes established in cursive handwriting.

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Jimmy Crack Corn Pro is a lively yet sophisticated handwriting font designed by Ascender’s Jim Ford.

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This font set, created for the Philadelphia Museum of Art, celebrates the work of influential French artist Paul Cézanne. P22’s Cezanne font allows you to beautify your documents with a faithful rendition of the artist’s handwriting, while Cezanne Sketches recreates a variety of imagery from the artist’s work.

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Dizzy pays homage to that great legend of bebop, John Birks ‘Dizzy’ Gillespie.

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Get creative with the adventurous new brush casual Alpine Script from Charles Borges de Oliveira. This stunning typeface contains 29 alternate characters waiting to be explored.

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Inspired by the look of elegant, hand-painted calligraphy using a pointed brush.

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A calligraphic handwritten script.

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Flax Regular lives in a somewhat unusual space... it is not a normal “handwriting” font, nor is it a formal script, or a rounded italic. Flax is a slightly more formal handwriting script that is extremely legible and useful- it can stretch from invitations to packaging, to menus, to brochures to ads.

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P22 Albemarle is a smooth reworking of the popular rough textured Roanoke font.

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A festive, elegant script, Corinthia flows with perfect connections and beautiful curves.

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The great French sculptor August Rodin was strongly inspired by the Italian sculptor, painter and poet Michelangelo. Created in association with the Philadelphia Museum of Art, this font set is a tribute to the achievements of both extraordinary artists.

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A stylish handwritten script.

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As marketing research shows, the first thing people read on a page is the handwritten notes; then the captions. Eventually they might read the body copy.

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