Whether you prefer Drip or Automatic, there is nothing quite like quality Coffee Service!

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Yet another member of the Weird Bill dysfunctional font system!

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Dig this cats n' kittens ... A whole heapin' helpin' of tasty art bits from Tiki retro artist Derek Yaniger!

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Savage Hipsters was designed by German pinstriper Tom Plate for Sideshow and all you retro kustom beatniks.

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Creaky Solid is for all you hipsters that prefer a nutty retro font that’s a little less freaky and a lot less tiki. Dig 'em all daddy!!

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Goofball is yet another wacky decorative typeface from Squid and Sideshow. As with most of his art and font design, Goofball is derived from Squid’s cluttered childhood recollections of greeting card and advertising lettering. Somehow it got all mushed together in his noggin and out came Goofball!

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Weirdbats are the perfect complement to the Weird Bill font, Squid’s tribute to the wacky Weird-Ohs! art of Bill Campbell.

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Creaky Frank is for all you boils n' ghouls who dig your fonts fresh from the grave...you know, like creepsville, man!

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Creaky Tiki was created for the rum-swillin' castaways out there who crave exotic tribal rituals with a crazy jungle beat!

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Looking for a fun, funky dingbat font that works well with your wacky and weird projects? May we suggest..... DOINKBATS! Not unlike its designer famous tiki artist and sculptor Squid, Doinkbats are a little unbalanced and a little off-kilter yet still gets the job done.

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Hey kids! What’s wacky, bouncy, and jam-packed with excitement and thrills? It’s DOINKY! That’s right, you'll have bucket-loads of fun with this new OpenType font from Sideshow. Amaze your friends with tons of DOINKY ALTERNATES! Yes, DOINKY will make you the envy of all your pals so order yours today! (Batteries not included. Sold separately or in the big action-packed Doinky Play Set!)

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Hey kids! What’s wacky, bouncy, and jam-packed with excitement and thrills? It’s DOINKY! That’s right, you'll have bucket-loads of fun with this new OpenType font from Sideshow. Amaze your friends with tons of DOINKY ALTERNATES! Yes, DOINKY will make you the envy of all your pals so order yours today! (Batteries not included. Sold separately or in the big action-packed Doinky Play Set!)

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Weird Bill is Squid’s tribute to his most prominent influence, Bill Campbell, model kit box illustrator extraordinaire and creator of the Weird-Ohs!.

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Wrap your chilly fingers around this ultra cool swingin' typeface! Cocktail Shaker is a swanky retro connecting script born out of 1950s lounge culture. Often referred to as the ‘googie’ look, Cocktail Shaker blends a casual loungy script with clean readability and a twist of modern Atomic Age charm.

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Get the chills with Blackcat and Blackcat Fever by the talented artist and illustrator Sam Gambino!

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Get the chills with Blackcat and Blackcat Fever by the talented artist and illustrator Sam Gambino!

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Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

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Mahalia draws inspiration from vintage hand-lettering, but adds a modern, European twist.

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Florencia flows with the spirit and excitement of a beautiful dancer. Its extended and flowing letterforms are designed to glide across the page.

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Inspired by logotype of the Mirage Resort and Casino in Las Vegas comes the Montelago typeface, complete with a restrained capitals version, and a flare version with true to form lengthy capitals.

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Mullen Hand is the fresh digitization and expansion of a Jerry Mullen metal typeface called Repro, originally published by ATF in 1953.

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A casual retro script refined and developed from some old handwritten letters.

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Intense Eve is a crunchy, girly font with jumpy letters. Romantic indeed, and comes with extra heart swashes to jazz up your text!

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This typeface was created by writing with a brush pen, selecting the best characters, scanning and tracing exactly to maintain maximum character integrity. Extensive kerning ensures an even flow when set as text, so Gizmo appears as quickly-written handwriting.

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This frilly script has been acid dipped, scratched and destroyed for use in grungy design jobs or any other use that calls for a ragged script.

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Stefania Antique is an aged version of Stefania, an elegant italic script.

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Inspired by logotype of the Paris Resort and Casino in Las Vegas comes the Paradiso typeface, complete with an unusual array of leaning and unusually large capitals versus a petite lowercase that have a loosely drawn feel.

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Whiteboard Modern is a hand-drawn face resembling the flowing motion and freedom of writing in an open space, such as a dry-erase board.

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A fresh new decorative display face bubbling with life & spontaneity, Jabberwub belongs to a rare genus of creature fonts that time forgotócasual animated. A fun & bouncy eye-catcher that crosses into the land of the zany, dancing a whacky line between discord & rhyme, Jabberwub packs tons of fun into a state-of-the-art OpenType font loaded with 270 extra glyphs, including stylistic alternates, discretionary ligatures, word ligatures and capitalized ligatures, allowing creative typographers to achieve a custom hand-lettered look without all the mess & spilt glue of a manual paste-up job. Just like using rub-down type but it never cracks or splits, and it never runs out. The moment you start using Jabberwub you'll be laffing!

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Coral had its origins in the font Leah. I had requests from users that I create a cursive version of Leah. (In a cursive font the letters are joined together as in handwriting). In the process of development it changed sufficiently that I decided to release it under its own name. Hence “Coral”.

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I wrote Freedom Writer out of a desire for a handwritten script that’s all-connecting. It’s partly based on my own handwriting style, and somewhat influenced by hand-lettered scripts of the 1940s and 1950s.

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Lourdes is an informal script font drawn with quick, thick brush strokes. The script appears to be quickly dashed down, and the characters were carefully designed to create a subtle rhythm. The strokes are slightly muted to avoid an overly aggressive appearance.

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Inspired by an example of French handwriting ca. 1935.

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Nick Cooke’s G-Type foundry continues to trailblaze and top of the sales charts is the fabulous Olicana typeface.

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Inspired by a piece of cigarette pack lettering by the great A. M. Cassandre, Nick designed the rest of the characters as an experiment. Geetype evokes the 1920s & 30s and is an unusual, eye-catching display face.

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One of the earliest fonts published by Canada Type was Almanac, Phil Rutter's digitization of Imre Reiner’s 1957 calligraphic typeface, London Script. In 2007, when the font was revisited for an update, it was shown that it too light for applications under 24 pt, and too irregular for applications over 64 pt.

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Would you hire one of the top hand lettering artists that worked for companies like Max Factor for your designs? Of course you would!

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Now is a great time to dust off your old motor scooter and take a ride along the Italian Riviera. Let’s head to the flower city of San Remo, Italy - the namesake for this versatile, 1950s style script.

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An original design. A memorial typeface by Pat for her mother, Alys, who was tragically killed.

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Based on a turn of the century design.

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Sweet Upright Script is the first release for Sweet Fonts Collection, published by MVB Fonts. It is an interpreted revival of a vintage, social engraving lettering style that was popular during the 20th Century. It is probably the first digital version of the design.

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Xalapa is a wavy and rugged script.

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Arendahl is a natural-looking, irregular connected handwriting script.

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An interpretation of the lettering of contemporary illustrator Amanda Duffy, aka Losergirl.

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Lorelei is an exuberant and bouncy script.

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Mirabel is based on the handwriting of Beverly Bouwsma (Philip’s mother), which she developed in the 1930s in, as she puts it, an act of teenage rebellion. In the 1960s, Philip gave her a broad-edged Osmiroid fountain pen which she took to immediately and has used ever since, along with the computer fonts he made from her script.

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Based on the earliest ATF/M.F. Benton versions of the Bank Gothic typefaces. ‘Fleshed-out’ into a full family.

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Queen is based on the designer’s own hand. It is a handwriting font with a difference (just like Affable). It has all the vigor and spontaneity of a hurried note, combined with a skilled and precise joining of characters to give a true cursive script.

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With all the aloha you could ask for, famous tiki artist and sculptor Squid has created Bamboozle! It looks like real bamboo because it’s made from real bamboo! Really! Bamboozle is perfect for any Hawaiian luau, pig roast, tropical gathering, or enjoying strong rum drinks with friends!

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Felt tip-written and full of expressive lines, Brandy BF exudes much verve and energy; and unlike many scripts, sets rather well in all caps situations.

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Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.

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Stephanie is a rounded geometric display font and works best in display applications, such as posters, headline, magazine, product branding, corporate branding, signage, logos and titles.

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Pauline is a sans serif with a strong influence from retro scripts. Pauline is a geometric face formed with slow and deliberate rounded brush strokes. The tall ascenders give it a useful touch of naïveté. It’s a face suitable for some interesting titling and short bits of copy.

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The script equivalent of the cool, header font.

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Originally designed by Morris F. Benton for ATF in 1920, it was not completed for production until 1926.

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Based on the Morris F. Benton for ATF in 1920, it was not completed for production until 1926. The serif version we released a few years ago was so popular, that we decided to design a complementary sans serif version in three weights, along with three corresponding Swash fonts.

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Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote.

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Genevieve combines the elegance of classical calligraphy with a feminine, yet contemporary, economy of line.

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Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts.

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Natalya is a flashy and rhythmic script. The script has more space between characters than most for better legibility, and the basis point for the ornate swirls is the golden ratio. This makes for an especially harmonious typeface with timeless appeal.

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Silver Dagger is a contemporary script-inspired font that combines the elegance of graceful handwriting with clean, modern, incisive calligraphy.

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In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface by the legendary Eric Gill. Discovering a lost typeface by one of the major designers of the 20th Century, was the discovery of a buried treasure, and being the first type company to release it was an honor.

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Discover why Pickle Sans is the font the makers of Comic Sans don't want you to know about! Why not convey a casual professionalism that is a step above the competition?

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Designed in 1953 by leading French designer Roger Excoffon based on his own handwriting, Mistral has become an institution among script typefaces. It was the first of the textured edge styles and its fresh, distinctive appearance makes it very popular. The capitals can be used alone or with the lowercase that joins in true script fashion.

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Mildly abstract letterforms constructed with a decisive, flamboyant brush stroke are the hallmark of revered French designer Roger Excoffon. Choc was designed in 1955 by Fonderie Olive, but has only recently come into widespread popularity as the trend for casual display typography has grown.

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Named for the strong, cold winds of southern France, Mistral was designed by Roger Excoffon for the Olive foundry in 1953.

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