An industrial-weight typeface inspired by graphics laser-cut from sheet metal.

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Introducing Tank, a display font so big and massive you won't know what hit you. Rugged, readable and stocky, Tank has a heavy mechanical look and tight spacing for a precision impact effect.

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Atomgeek is inspired by old arcade games.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Rexlia is seven weights of ruggedness. Tough. Smart. Armed to the teeth with robot-precise curves.

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Structia pays tribute to the classic font, Machine. Structia includes four styles: regular, italic, panel and war. Panel features thin stencil lines. War has a spraypainted stencil effect.

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Nantua is inspired by the Russian Constructivism from the early 1920s. Artists like Aleksandr Rodchenko used typography as forms.

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Fracture is a broken font -- broken into many pieces -- yet it still conveys a powerful and modern message. It is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its fragmented look brings to mind graffiti, contemporary youth culture, kids-on-the-move. Fracture is a must for movie posters, event posters, CD & DVD covers, clothing ads & swing tags, funky magazines, in fact, any product aimed at the young, trendy market.

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Barge is massive and compact. Bold, non-retro monoliths with smooth chamfers deliver bunches of punches.

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Codiga is perfect for titles and badges that need to show a futurist and space sensation. Its angles formed by straight lines and its san serif monolineal design allows its solid and rigid shapes stress its industrial and technology Look.

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A simple rough font. Kraft is a rough techno-style sans serif meant for setting text in all capitals.

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Jesus Saves is a font designed by Harry Warren based on the familiar old logo that has “JESUS” hidden within a maze-like set of multi-branched vertical bars.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Based on the popular VGC typeface from the early 70s.

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The IronOn fonts are a collection of geometric display faces that were inspired by the iron-on t-shirt lettering of the 70s. The original source came from a submitted sample to the MyFonts “What the Font” forums, and while it had similarities to ITC Machine, it could not be tied to any existing typeface. And so, this new geometric sans family was born, exhibiting a more open letterstyle with several weights and widths, with a complete capital and lowercase set, no allcaps set here.

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Antigen is a forceful and fresh typeface with a strong futuristic feel. Its characters have a wide stance, and the lettering is subtly rounded.

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Force is a contemporary sans serif ultra-black family designed by Ricardo Esteves.

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Originally conceived as part of a unique display design created for Hershey’s Times Square flagship store, the PowerStation family is the perfect choice when looking for a font that speaks of strength, solidity and character. It comes in two “faceted” 3-D versions: “Block” where the dark side is dominant, and “Wedge” where you see more light than shadow. The family also includes both “Solid” and “Outline” versions of the font. They are all available in both normal and wide versions.

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Aldo is a 5 font family. A bold stylized type face re-worked from the original 1970s movie poster The Battle For The Planet Of The Apes.

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A round modular typeface inspired by British movie posters of the 1970s such as Stanley Kubrick’s A Clockwork Orange.

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R5D8 is seven weights of hot capitals, inspired by events which occurred in the distant past in a galaxy which could be described as being somewhat distant.

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Nikona is a typographic family composed of eight fonts. The leading thread that typifies this family is its “mutant spirit”; a result of my personal and typographic interpretation of the three robotic laws created by Asimov in 1940, and reflected many times in sci-fi movies, comics and Japanese anime.

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Grunge, in a painterly sort of way; excellent for a wide variety of uses in headline and display.

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Based loosely on a VGC design, Serpentine, circa 1970.

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Here’s a unique new sans that’s infused with the discernible flavor of Blackletter Style.

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Quanta is the stencil to beat all stencils!

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A set of square capitals developing from the interest in geometric forms stimulated by the Bauhaus, Bank Gothic was designed by Morris Fuller Benton for ATF in 1930, the same year that Georg Trump designed City for Berthold.

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Designed at American Type Founders in 1930-33 by Morris F. Benton.

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Based on the earliest ATF/M.F. Benton versions of the Bank Gothic typefaces. ‘Fleshed-out’ into a full family.

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A longtime font favorite of his, Michael felt that a set of lowercase characters would make Bank Gothic a more universally useful font. He set out on this ambitious task always mindful of the huge presence of its original designer, Morris Fuller Benton, hoping that whatever he did would live up to the high standards of this former giant of the font world.

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A bold sans serif typeface influenced by Ed Benguiat's work for the 1968 movie poster for Planet of the Apes.

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Lazar takes its inspiration from the designs of early Russian designers like El Lissitzky.

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Based on the Albert Augspurg design, circa 1921-27.

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The Player family started as a straight-forward revival of a film face called Ivy League, an early 1970s VGC classic that was very popular with designers of sports paraphernalia. A few hundred liters of coffee later, the revival of a single condensed font has become an 11-font ambitious attempt at being the last word in athletic lettering.

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Register Serif is a typestyle inspired by the clean, generic handwriting specimens from an old Speedball booklet modified for more friendliness and finesse.

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QueueBrick is an 8 font family consisting of 4 weights Open & 4 weights Closed. A block-work typeface inspired by East European movie posters.

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The characters in this font are the key players in a global conspiracy reaching down into the lives of every man, woman and child on the planet.

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Kairengu is a casual and lively rounded sans serif. The characters are “gloopy” as if ink was poured onto page surface. Kairengu is a great choice whenever you need an amusing face with a lot of character.

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Here’s an intriguing mixture of 1930s deco and modern tech fashion.

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Laserjerks is a brutal, polygonal display font.

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A computerized typeface inspired by the Matrix trilogy.

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This typeface has been influenced by the ongoing traffic congestion in Melbourne, and its lack of functional and reliable public transport as a possible solution.

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The Hondo Grunge fonts are a collection of ultrabold eroded slab serif typefaces with a dynamic look and extended functionality. Accented with decorative and functional inktraps and complete with Slant and Backslant styles, this heavyweight has a high performance hardcore edge to it. Ideal for titling, poster work, logos, and small bits of copy.

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In parts of Africa, in the poorer, rural and peri-urban areas there are many small shops or convenience stores which are called “Spaza” shops. The owners of these shops often don't have access to commercial signwriting and write their signs themselves. The font “Spaza” is based on these hand-lettered signs. This lettering has a refreshing simplicity and spontaneity, yet retains great legibility.

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Sink your teeth into the heavy-hitter Sistine Family consisting of Regular to Extra Black weights along with an extra black stencil style.

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Once I ate a knuckle sandwich after saying some things about some guy’s pregnant girlfriend. It turns out she wasn't pregnant at all. I felt like a real knucklehead. So I made this font.

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In the United Kingdom, Virgin Trains uses various weights of Generation Gothic extensively.

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Future Bugler is a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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Inspired in one of my fonts called Hiroformica. Navaja was created in connection with a design job for a football t-shirt.

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A heavy contoured all cap font, great for poster, school and sports, will also work in many other applications where a strong statement is needed.

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Octin Spraypaint is a tough headliner in 2 styles (sans & serif) & 3 weights: regular, bold & black. Octin Spraypaint is perfect for police, sports, prison, construction, school or military themes. Check out the rest of the Octin families: Octin Sports, Octin College, Octin Prison, Octin Stencil & Octin Vintage

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Another variant of Bayer’s Universal Alphabet, resembling ITC Bauhaus in design, ITC Ronda in proportion and fit, prepared by FotoStar in the mid 1970s.

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Squarity JNL is an ultra-bold font derived from Jeff Levine’s Yorso Square JNL.

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Canada Type released the first version of Gamer in August of 2004. It was modeled after a few 1972 magazine advertisement letters, the origin of which was later identified as a common film type called Checkmate.

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Octin College is a tough headliner in 7 weights: light, book, regular, semi-bold, heavy & black. Octin College isn’t just for school; it’s also great for prison, sports, construction, police or military themes. Check out the rest of the Octin families: Octin Sports, Octin Prison, Octin Stencil, Octin Vintage & Octin Spraypaint

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BlockOut is a family of fonts strongly influenced by old school video games.

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Dienstag is an extended sans-serif and a new companion to insigne’s popular Montag family.

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Klatter is a font that is “in your face”. It can't be ignored, and draws attention to itself no matter how noisy the environment.

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Octin Sports is a tough headliner in 7 weights: light, book, regular, semi-bold, heavy & black. Octin Sports isn’t just for sports; it’s also great for school, construction, prison, police or military themes. Check out the rest of the Octin families: Octin College, Octin Prison, Octin Stencil, Octin Vintage & Octin Spraypaint

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The Sommet series has been updated with a rounded variant.

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A heavily geometric design, SB Superbloc is designed to pack a punch both on screen and in print.

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Derailer’s eclectic character set is comprised mainly of disparate sans serif characters that claim to play well together, OpenType users also benefit from 26 ligature features that automatically substitute a unique pairing of letters when any lower case character is keyed twice in a row.

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Kvant is a custom font which is applicable for any type of graphic design - web,
print, motion graphics etc. and perfect for t-shirts and logos.

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Gendouki is a wide, futuristic sans-serif display font with filament stencil lines inspired by spaceship access panels.

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A tasty jambalaya of three different weights, Thunderhouse owes part of its unique flavor and diversity to 26 OpenType ligature features that automatically substitute a unique pairing of characters when any lower case character is keyed twice in a row.

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A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space. This gives the typeface an idiosyncratic almost arbitrary take on the utility Stencil aesthetic.

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StoneWash is a funky, grunge font, with a monumental marble finish. The font combines an “old as the hills grunge” look with IN YOUR FACE, modern lines.

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