<![CDATA[MyFonts Search: tag:"1990s"]]>

<![CDATA[MyFonts Search: tag:"1990s"]]> en-us Thu, 24 Dec 2009 19:41:55 -0500 Thu, 24 Dec 2009 19:41:55 -0500 http://blogs.law.harvard.edu/tech/rss 1440 ©2009 MyFonts, Bitstream Inc. webmaster@myfonts.com <![CDATA[Baucher Gothic™]]> family of 12 fonts from URW++

Baucher Gothic™

]]> Wed, 23 Dec 2009 16:04:46 -0500 <![CDATA[Shortwave Gothic™]]> family of 4 fonts from Red Rooster Collection

Shortwave Gothic™

]]> Wed, 23 Dec 2009 16:07:00 -0500 <![CDATA[Insignia®]]> family of 1 font from Adobe

Insignia is a 1986 typeface by British designer Neville Brody. Originally developed as a headline face for Arena magazine, Insignia is a monoline display typeface immediately identifiable by cross-strokes on the capitals that cut through the main stems of the capital letters.

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]]> Sun, 20 Dec 2009 05:08:54 -0500 <![CDATA[Mentone™]]> family of 8 fonts from Paragraph

Mentone is a new general purpose typeface, an attempt at extending the line of the great sans-serifs of the previous century, Frutiger - Stone Sans - Myriad.

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]]> Thu, 24 Dec 2009 01:39:15 -0500 <![CDATA[ITC Stone Informal®]]> family of 6 fonts from Adobe

ITC Stone Informal®

In 1987, Sumner Stone completed his designs for the Stone type family. ITC Stone solves the problem of mixing different styles of type on the same page. Most combined type styles, because they arent designed to work together, often have radically different characteristics such as cap heights, stem weights, and proportions.

]]> Sun, 20 Dec 2009 18:49:53 -0500 <![CDATA[Sudsy]]> family of 2 fonts from SparkyType

Sudsy has been copied out of that school project you did when you were 12. Spending two weeks of homework time on the headings got you the most unfair C ever!

]]> Mon, 21 Dec 2009 14:00:40 -0500 <![CDATA[Roman Solid™]]> family of 3 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Mauritius I™]]> family of 1 font from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[DTC Imperial™]]> family of 3 fonts from URW++

Both Hermes DTC and Imperial DTC font families are strongly influenced by Schnebel`s work on Latin characters to fit Japanese Kanjis.

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Avant Garde Gothic®]]> family of 20 fonts from Adobe

Herb Lubalin and Tom Carnase based their 1970 design of ITC Avant Garde Gothic on Lubalins logo for Avant Garde Magazine. The condensed fonts were designed for the International Typeface Corporation in 1974 by Ed Benguiat. ITC Avant Garde Gothic is a geometric sans serif type, that is, the basic shapes were made with a compass and T-square; the design is reminiscent of the work from the 1920s German Bauhaus movement.

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]]> Tue, 22 Dec 2009 03:36:59 -0500 <![CDATA[Barmeno® BE]]> family of 8 fonts from Berthold

]]> Tue, 22 Dec 2009 16:49:20 -0500 <![CDATA[Bodoni]]> family of 7 fonts from Adobe

Giambattista Bodoni of Parma, Italy, designed and cut his typefaces at the end of the eighteenth century. The Bodoni types were the culmination of nearly 300 years of evolution in roman type design, in which fine hairlines contrast sharply with bolder stems, and serifs are often unbracketed. Bodoni is recognized by its high contrast between thick and thin strokes, pure vertical stress, and hairline serifs. This particular version of Bodoni was first created by Morris Fuller Benton for American Type Founders between 1908 and 1915. It brings elegance and sparkle to any graphic image, including headlines, text, and logos.

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]]> Mon, 21 Dec 2009 05:58:17 -0500 <![CDATA[Franklin Gothic]]> family of 26 fonts from URW++

]]> Tue, 22 Dec 2009 08:05:24 -0500 <![CDATA[Bentwood™]]> family of 6 fonts from Paragraph

This font takes its name and the overall shape from modern bentwood furniture, namely Scandinavian designs since the 1940s. The curved corners of the letterforms are practically hyperbolic, to convey the tension and strength of the bent plywood. These curves are meant to appear more dynamic than circular or elliptical segments of traditional sans serif fonts.

]]> Thu, 24 Dec 2009 15:16:40 -0500 <![CDATA[Barmeno® BQ]]> family of 8 fonts from Berthold

Hans Reichel designed Barmeno for H. Berthold in 1983.

]]> Thu, 24 Dec 2009 05:28:30 -0500 <![CDATA[Baskerville]]> family of 4 fonts from Bitstream

John Baskerville spared no effort to create the ultimate typographic book. He prepared deep black inks and smoothed paper to show to full effect the letters that he had John Handy cut from his own brilliant designs, based on a lifetime of calligraphy and stonecutting. Punches and matrices survive at the Cambridge University Press.

]]> Wed, 23 Dec 2009 15:07:56 -0500 <![CDATA[MVB Emmascript®]]> family of 2 fonts from MVB

MVB Emmascript®

Informal handwriting]]> Mon, 21 Dec 2009 23:29:45 -0500 <![CDATA[Trajan™]]> family of 2 fonts from Adobe

The inscription on the base of the Trajan column in Rome is an example of classic Roman letterforms, which reached their peak of refinement in the first century A.D. It is believed that the letters were first written with a brush, then carved into the stone.

]]> Thu, 24 Dec 2009 19:41:55 -0500 <![CDATA[MVB Cafe Mimi®]]> family of 2 fonts from MVB

Curly brush script]]> Tue, 22 Dec 2009 14:16:19 -0500 <![CDATA[URW Grotesk™]]> family of 58 fonts from URW++

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose.

]]> Tue, 22 Dec 2009 17:04:13 -0500 <![CDATA[LeScript]]> family of 4 fonts from FontHaus

]]> Tue, 22 Dec 2009 01:55:39 -0500 <![CDATA[Franklin Gothic™]]> family of 4 fonts from Bitstream

Franklin Gothic™

Produced by ATF in 1904, Morris Fuller Benton’s personal version of the heavy sanserifs first made popular by Vincent Figgins in 1830. Franklin Gothic remains popular after nearly a hundred years of use.

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Laudatio® BQ]]> family of 16 fonts from Berthold

Designed by German graphic designer and professor Friedrich Poppl, Laudatio was released by Berthold in 1982, the year of Poppl’s death.

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]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[BAQ Rounded™]]> family of 2 fonts from Thinkdust

BAQ Rounded is a fully developed solid typeface which contains full Latin characters, is highly legible, and always good for extra impact.

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]]> Wed, 23 Dec 2009 15:50:45 -0500 <![CDATA[Bodoni]]> family of 7 fonts from Bitstream

Morris Fuller Benton started the Bodoni revival with this version for ATF in the early years of the 20th century. We consider it the first accurate revival of a historical face for general use. Sturdy and a little mechanical in the 19th century tradition, this is the Bodoni series familiar to us all.

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[URW Imperial™]]> family of 50 fonts from URW++

]]> Mon, 21 Dec 2009 05:57:59 -0500 <![CDATA[Busted™]]> family of 5 fonts from Canada Type

Busted is the very strange and out-of-character outburst of Bill Troop, a guy who was classically trained in everything, from classical piano and literature to classical photography and type design. As far as we could tell, Bill Troop is the kind of guy whose appearance and voice instantly trigger thoughts of black and white photos, fedoras, and pre-industrial age Europe. A few years ago, he even moved from the United States to England, where it took him less than a week to feel at home and start sounding like a Norwich native. Then something happened and the poor dude just snapped. Busted is the controversial result of the blood rushing to his head. If you know what exactly happened to him, please let us know.

]]> Mon, 21 Dec 2009 05:27:01 -0500 <![CDATA[Eternity]]> family of 3 fonts from FontHaus

]]> Wed, 23 Dec 2009 19:38:13 -0500 <![CDATA[MVB Calliope™]]> family of 3 fonts from MVB

Informal handwriting]]> Tue, 22 Dec 2009 19:11:10 -0500 <![CDATA[Poster Gothic™]]> family of 4 fonts from ABC Types

]]> Mon, 21 Dec 2009 22:27:46 -0500 <![CDATA[URW Bodoni™]]> family of 50 fonts from URW++

]]> Sun, 20 Dec 2009 10:38:58 -0500 <![CDATA[Lucida Bright EF™]]> family of 8 fonts from Elsner+Flake

Lucida Bright EF™

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Casablanca™]]> family of 5 fonts from URW++

]]> Tue, 22 Dec 2009 19:50:20 -0500 <![CDATA[Palatino®]]> family of 10 fonts from Adobe

Hermann Zapfs Palatino, designed for the Stempel foundry in 1950, is one of the most widely used typefaces in the world today.

]]> Wed, 23 Dec 2009 14:33:58 -0500 <![CDATA[URW Wood Type™]]> family of 2 fonts from URW++

]]> Thu, 24 Dec 2009 13:40:37 -0500 <![CDATA[URW Typewriter™]]> family of 50 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Bouwsma Script™]]> family of 1 font from Canada Type

Bouwsma Script™

Bouwsma Script, based on Philip Bouwsma’s own handwriting, was originally released in 1994 and settled for nothing less than being an instant classic. One of Bouwsma’s widely used works in the 1990s, Bouwsma Script finds its home now at Canada Type, where it was updated with the Euro symbol and complete support for Turkish, Baltic, and Central and Eastern European languages. It now also comes in all popular font formats, including OpenType.

]]> Sat, 19 Dec 2009 18:37:21 -0500 <![CDATA[Roman Shaded™]]> family of 2 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Bee™]]> family of 4 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Monospace 821]]> family of 4 fonts from Bitstream

]]> Fri, 18 Dec 2009 17:59:03 -0500 <![CDATA[American Gothic™]]> family of 5 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[California Grotesk™]]> family of 4 fonts from URW++

California Grotesk™

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Emmascript MVB®]]> family of 1 font from Adobe

Named after her 1968 Volkswagen Bug Emma, Kanna Aokis Emmascript reminds us of the unmistakable quirks of everyday handwriting. Idiosyncrasies of this whimsical ballpoint script include the looping lowercase r, the A resembling an oversized a, and the curlicue question mark.

]]> Wed, 23 Dec 2009 16:48:13 -0500 <![CDATA[Firmin Didot™]]> family of 2 fonts from URW++

]]> Mon, 21 Dec 2009 00:34:27 -0500 <![CDATA[Industria®]]> family of 2 fonts from Adobe

Designed in 1984 by British designer Neville Brody for a magazine called The Face, Industria is an ultra-condensed sans serif display face that comes with an inline version.

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Generation Gothic™]]> family of 21 fonts from ABC Types

Generation Gothic™

In the United Kingdom, Virgin Trains uses various weights of Generation Gothic extensively.

]]> Wed, 23 Dec 2009 13:01:08 -0500 <![CDATA[Balaghat]]> family of 1 font from Flat-it

]]> Wed, 23 Dec 2009 23:21:55 -0500 <![CDATA[Florencia™]]> family of 2 fonts from insigne

Florencia flows with the spirit and excitement of a beautiful dancer. Its extended and flowing letterforms are designed to glide across the page.

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]]> Wed, 23 Dec 2009 15:01:16 -0500 <![CDATA[Bodega Serif®]]> family of 9 fonts from Font Bureau

Inspired by Font Bureau’s rapid success with the 1990 Bodega Sans, Greg Thompson designed Bodega Serif two years later.

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[URW Neuland]]> family of 2 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Jay Gothic™]]> family of 4 fonts from URW++

]]> Wed, 23 Dec 2009 16:03:14 -0500 <![CDATA[Nothing™]]> family of 1 font from Flat-it

]]> Thu, 24 Dec 2009 16:26:24 -0500 <![CDATA[Banana™]]> family of 1 font from Flat-it

]]> Mon, 21 Dec 2009 12:46:08 -0500 <![CDATA[Enviro]]> family of 3 fonts from URW++

]]> Tue, 22 Dec 2009 21:03:55 -0500 <![CDATA[Franklin Gothic]]> family of 3 fonts from Adobe

Franklin Gothic, one of the most popular sans serif types ever produced, was designed by Morris Fuller Benton in 1902 for American Type Founders. In 1979, under license with ATF, Vic Caruso began work on more weights of the design for ITC.

]]> Tue, 22 Dec 2009 19:54:37 -0500 <![CDATA[URW Egyptienne™]]> family of 50 fonts from URW++

]]> Wed, 23 Dec 2009 05:43:03 -0500 <![CDATA[URW Palladio™]]> family of 10 fonts from URW++

]]> Thu, 24 Dec 2009 05:56:15 -0500 <![CDATA[Gordon™]]> family of 3 fonts from URW++

]]> Tue, 22 Dec 2009 09:53:22 -0500 <![CDATA[Comic Sans®]]> family of 2 fonts from Ascender Corp.

Designed by Vincent Connare, this is a face based on the lettering from comic magazines.

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Plaza SH™]]> family of 5 fonts from Scangraphic Digital Type Collection

]]> Thu, 17 Dec 2009 16:15:08 -0500 <![CDATA[TS Quartz™]]> family of 6 fonts from TypeShop Collection

]]> Wed, 23 Dec 2009 04:09:44 -0500 <![CDATA[TS Baskerville™]]> family of 7 fonts from TypeShop Collection

TS Baskerville™

]]> Wed, 23 Dec 2009 14:45:42 -0500 <![CDATA[Van Dijk]]> family of 2 fonts from URW++

]]> Tue, 22 Dec 2009 17:43:10 -0500 <![CDATA[URW Antiqua™]]> family of 63 fonts from URW++

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose.

]]> Wed, 23 Dec 2009 14:47:23 -0500 <![CDATA[Atrax™]]> family of 1 font from URW++

]]> Mon, 21 Dec 2009 10:34:40 -0500 <![CDATA[URW Compress™]]> family of 1 font from URW++

]]> Thu, 24 Dec 2009 08:52:54 -0500 <![CDATA[Leger™]]> family of 2 fonts from URW++

]]> Sun, 20 Dec 2009 19:05:15 -0500 <![CDATA[Plaza]]> family of 1 font from Letraset

A fine Art Deco sans serif style created by English lettering designer Alan Meeks. Many alternative characters are offered, from which striking combinations can be formed. Ideal for work where a 1920’s or 30’s tone is desired.

]]> Tue, 22 Dec 2009 22:11:16 -0500 <![CDATA[Latin]]> family of 2 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Franklin Gothic]]> family of 4 fonts from Tilde

Franklin Gothic

]]> Mon, 21 Dec 2009 22:38:19 -0500 <![CDATA[SB Vibe]]> family of 4 fonts from SelfBuild Type Foundry

SB Vibe started life as a piece of custom lettering for a UK based techno label and was also used for a house and garage mix compilation before being developed into a full typeface. Vibe was designed, primarily, as a typeface for the music industry, taking its inspiration from the current fashion for retro styles.

]]> Tue, 22 Dec 2009 21:44:36 -0500 <![CDATA[Lucida Bright]]> family of 4 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Black Market™]]> family of 4 fonts from URW++

DTC Black Market is best used for price tags and signs in shops, especially in stores and markets.

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Brody EF™]]> family of 1 font from Elsner+Flake

]]> Tue, 22 Dec 2009 13:21:24 -0500 <![CDATA[Arab Brushstroke™]]> family of 1 font from URW++

Arab Brushstroke™

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Blacklight™]]> family of 1 font from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Future Bugler™]]> family of 1 font from Breauhare

Future Bugler is a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

]]> Wed, 23 Dec 2009 13:01:23 -0500 <![CDATA[OL Franklin Wide]]> family of 5 fonts from Dennis Ortiz-Lopez

OL Franklin Wide

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Franklin Gothic SH™]]> family of 4 fonts from Scangraphic Digital Type Collection

Franklin Gothic SH™

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Bodoni Antiqua]]> family of 18 fonts from URW++

]]> Mon, 21 Dec 2009 03:06:41 -0500 <![CDATA[DTC Brody Variants]]> family of 51 fonts from URW++

DTC FunWorks consists of 450 extraordinary fonts divided into eight chapters: seven of which include 50 fonts each, and one of which includes 100 fonts*:

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Philly Sport Script™]]> family of 1 font from URW++

Philly Sport Script™

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[URW Garamond™]]> family of 56 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[URW Linear™]]> family of 50 fonts from URW++

]]> Fri, 18 Dec 2009 17:51:33 -0500 <![CDATA[URW Topic™]]> family of 4 fonts from URW++

]]> Wed, 23 Dec 2009 16:00:37 -0500 <![CDATA[Apache™]]> family of 1 font from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Flamenco]]> family of 2 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Kolibri Isolated™]]> family of 1 font from URW++

Kolibri Isolated™

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[URW Baskerville™]]> family of 51 fonts from URW++

URW Baskerville™

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Brody]]> family of 1 font from URW++

]]> Tue, 22 Dec 2009 14:22:28 -0500 <![CDATA[Quartz]]> family of 2 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Las Vegas]]> family of 1 font from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[DTC Plaza Variants]]> family of 51 fonts from URW++

DTC FunWorks consists of 450 extraordinary fonts divided into eight chapters: seven of which include 50 fonts each, and one of which includes 100 fonts*:

]]> Mon, 21 Dec 2009 19:50:15 -0500 <![CDATA[Contemporary Brush™]]> family of 3 fonts from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Ice Age™]]> family of 1 font from URW++

]]> Wed, 09 Dec 2009 03:22:10 -0500 <![CDATA[Accent™]]> family of 1 font from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Giorgio™]]> family of 1 font from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Annual™]]> family of 1 font from URW++

]]> Thu, 17 Dec 2009 11:43:47 -0500 <![CDATA[Acid Haus™]]> family of 2 fonts from Schizotype

Acid Haus is a fat, geometric face inspired in equal measure by 1920s Bauhaus geometric design and 1980s rave culture.

]]> Tue, 22 Dec 2009 04:58:12 -0500 <![CDATA[Flywheel]]> family of 9 fonts from FontHaus

]]> Wed, 23 Dec 2009 11:07:31 -0500