The clever design of Zinjaro effectively captures elements of both African and Latin American art in its letterforms. A combination of decorated and solid capital strokes gives it an exciting, unpredictable appearance in word settings. An array of devices and border elements are included to further enhance the font. Created by English lettering designer Carol Kemp.

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Manuel Corradine and Carlos Fabián Camargo G. share the pleasure for the old fashioned signature of Bogotá's (Colombia) La Candelaria historical neighborhood. Inspired by this colonial period’s house signs they developed the Candelaria family with 6 variations that supplement each other to achieve great impact.

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The smooth curves and big wondrous eyes of the Tango dancer in all her charm.

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The inspiration for Cuba comes from a sign for the restaurant “La Flor de Cuba” on Bergenline Avenue in Union City, New Jersey. Its blocky, dimensional forms are reminiscent of letterforms seen in signs throughout Latin America from, Colombia, to Mexico, to Spain, to Union City. Its quirky forms are meant to evoke a sense of hand painted signage.

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Vitrina is a script based on letterforms painted on a window for a restaurant called “Latin American Cafeteria”. Its quirky script forms are meant to evoke a sense of hand painted signage. Vitrina means “store front window” in Spanish.

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Based in Manuel Corradine’s handwriting, Salpicon is a very spontaneous font.

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Gancho Petare follows the naivety marks typical in the paintbrush letters drawn in the popular market’s planks of Petare in Caracas, Venezuela.

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Based in Manuel Corradine’s handwriting, Masato is a very spontaneous font.

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Based in Manuel Corradine’s handwriting, Mucura is a very spontaneous font.

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Carumba sizzles and snaps with hot Latin American exuberance and style! This exciting three-in-one design offers a spicy trio of initialling capitals plus a versatile lowercase that compliments them all. Alternative letters abound, so have fun experimenting with this zesty, expressive alphabet! Designed by noted American west coast designer Jill Bell.

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Rumba is ideal for any informal projects when youthful and free style are required.

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The letterforms for this unique face were found on a luggage tag designed by the Richter Studio of Milan in the 1930s; the treatment was suggested by a recent Dutch ad for the opening of a service garage. The meeting of the twain results in a three-dimensional delight.

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SL Che is a homage to Ernesto Guevara de la Serna, “El Che”, who lived between 1928 and 1967.

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This casual typeface effectively captures a popular Latin American look. Lambada may be used to create eye-catching headlines wherever a festive or carnival appearance is desired. Lambada looks best when closely letter and word spaced. Created by prolific British artist David Quay.

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Cazon follows the naivety marks typical in the paintbrush letters drawn in the popular market’s planks of La Guaira in Caracas, Venezuela.

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Xalapa is a wavy and rugged script.

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Parche is an urban font ideal for any informal projects when impact and youthful style are required.

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A bold, beautifully rendered script incorporating an internal zigzag decoration that gives it an impressive Latin American flavour. Expansive initial capitals enhance the design and harmonize with a lowercase that should be set closely for maximum effect. Designed by leading British designer Phill Grimshaw.

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The sky’s the limit for this saucy, hot-blooded Latin American type design. It’s angular, simulated broad brush style is bound to give a visual kick to all sorts of film, video, print and multi-media work. For maximum creative flexibility, a broad range of alternatives plus a border system are included. Letters should be set closely for best effect. Created by talented English graphic designer Phill Grimshaw.

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“A man purposes himself the task of drawing the world. Among the years, he populates a space with images of provinces, reigns, mountains, bays, ships, islands, fishes, rooms, instruments, heavenly bodies, horses and people. A while before he died, he discovers that patient labyrinth of lines traces the image of his own face.”

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Carumba is the work of California designer Jill Bell and like the name suggests, it exudes liveliness and festivity. The typeface includes three different styles of capital letters complemented by a versatile lower case alphabet. Carumba is perfect for anything which says FUN!

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Lambada is the work of British designer David Quay, a typeface with a Latin American look. It should be used with closer letter and word spacing. Lambada will create eye-catching headlines and is perfect for wherever a festive appearance is desired.

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Zinjaro is the work of English designer Carol Kemp. Its clever design captures elements of both African and Latin American art in its forms. A combination of decorated and solid capital strokes gives it an exciting, unpredictable appearance and an array of devices and border elements further enhance the font.

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Zaragoza is the work of British designer Phill Grimshaw, a bold and beautifully rendered script which incorporated an internal zigzag decoration. Generous capitals harmonize with a lowercase that should be set close to reproduce the look of true handwriting.

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Arriba is the work of English designer Phill Grimshaw. The angular forms and the simulated broad brush style results in an alphabet which can be used in a variety of applications, whether print or new media. Arriba also includes a number of alternate characters for even more flexibility. This font is best used with its letters set close together. The lively Latin American look of Arriba make it perfect for work requiring a dash of spice.

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