<![CDATA[MyFonts Search: tag:"antiqued"]]>

<![CDATA[MyFonts Search: tag:"antiqued"]]> en-us Tue, 01 Dec 2009 21:24:20 -0500 Tue, 01 Dec 2009 21:24:20 -0500 http://blogs.law.harvard.edu/tech/rss 1440 ©2009 MyFonts, Bitstream Inc. webmaster@myfonts.com <![CDATA[Old Glory]]> family of 1 font from Fonthead Design

]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Gothic Trashed]]> family of 1 font from Intellecta Design

]]> Tue, 24 Nov 2009 08:02:16 -0500 <![CDATA[Dear Sarah Pro™]]> family of 1 font from Betatype

Carefully considered letters written long-hand, sealed in an envelope and sent across continents were once the only connection for distant friends and lovers. Dear Sarah is a type that evokes the emotion of those handwritten messages. Using alternates, ligatures and a complex system for randomization and natural connected characters, Dear Sarah seeks to push the boundaries of digital type. ]]> Tue, 24 Nov 2009 08:02:23 -0500 <![CDATA[Applewood™]]> family of 2 fonts from Aerotype

The OpenType versions of Applewood and Applewood Alternate have 26 ligature features that when used with OpenType-savvy applications will automatically substitute a unique pair of distressed characters when any lower case letter is keyed twice in a row.

]]> Sun, 29 Nov 2009 17:40:22 -0500 <![CDATA[Letterpress Text]]> family of 6 fonts from Chris Costello

This font, based on the popular and timeless Caslon design, was carefully digitized from the pages of an antique book which was printed in England during the late 18th century.

]]> Tue, 27 Oct 2009 02:51:13 -0400 <![CDATA[Parcel]]> family of 1 font from The Type Fetish

]]> Tue, 24 Nov 2009 08:08:20 -0500 <![CDATA[1470 Jenson Latin]]> family of 4 fonts from GLC

This family was inspired by the pure Jenson set of fonts used in Venice to print De preparatio evangelica in the year 1470. The present font contains all of the specific latin abbreviations and ligatures used in the original. Added are the accented characters and a few others not in use in this early period of printing, also small caps, these, contained in a separate file in the Mac TT version.

]]> Mon, 16 Nov 2009 06:46:49 -0500 <![CDATA[Archive Tilt]]> family of 1 font from Archive Type

Engraved display typeface]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Old Times American]]> family of 5 fonts from Baseline Fonts

The Old Times American Family is derived from several letterpress books from the 1880s in the midwest. The fonts were painstakingly compiled from over 100 pages of text and optically balanced for optimum results.

]]> Thu, 19 Nov 2009 22:41:25 -0500 <![CDATA[Black Beard]]> family of 1 font from Fonthead Design

]]> Tue, 24 Nov 2009 08:02:21 -0500 <![CDATA[Diecast]]> family of 1 font from Device

A companion piece to Mulgrave, this font is the intermediary design between the chunky Victorian style that Mulgrave reproduces and the Ministry of Transport sans introduced in 1933 and digitised as Ministry.

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]]> Tue, 24 Nov 2009 08:01:59 -0500 <![CDATA[Coldstyle]]> family of 3 fonts from E-phemera

Coldstyle is inspired by Old Style 1 from the 1935 Linotype catalog.

]]> Mon, 16 Nov 2009 06:42:56 -0500 <![CDATA[P22 Mayflower]]> family of 3 fonts from Sherwood Type

A classical Roman font taken from a Bible of 1610, the edition likely carried to America by the pilgrims on the Mayflower. Good for period reproductions, with its companion italic.

]]> Mon, 16 Nov 2009 06:42:36 -0500 <![CDATA[LTC Pabst Oldstyle™]]> family of 3 fonts from Lanston Type Company

This lettering was used by the Pabst Brewing Company for their promotional materials. It was later developed into type for ATF.

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]]> Mon, 16 Nov 2009 06:44:03 -0500 <![CDATA[Handmade Bugler™]]> family of 2 fonts from Breauhare

Handmade Bugler is a font based on the first logo created by Harry Warren in late 1974 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

]]> Mon, 16 Nov 2009 06:46:56 -0500 <![CDATA[MVB Chanson d'Amour®]]> family of 1 font from MVB

Rustic script]]> Tue, 24 Nov 2009 08:02:18 -0500 <![CDATA[Archive Copperplate Head]]> family of 1 font from Archive Type

Engraved shaded display typeface]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Archive Kludsky]]> family of 1 font from Archive Type

Engraved display typeface]]> Tue, 24 Nov 2009 08:08:16 -0500 <![CDATA[Archive Garfield]]> family of 1 font from Archive Type

Inline and shaded display typeface]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Antique Macabre Ornaments™]]> family of 1 font from Aerotype

A set of authentic 18th century Belgian printers ornaments provided the reference for this creepy group of glyphs.

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]]> Tue, 24 Nov 2009 08:08:20 -0500 <![CDATA[Archive French Shaded]]> family of 1 font from Archive Type

Engraved display typeface]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Archive Copperplate Text]]> family of 1 font from Archive Type

Blackletter engraved display typeface.

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]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Ghost Train™]]> family of 1 font from Aerotype

Ghost Train features slightly alternate glyphs A-Z in the lower case that can be used to differentiate concecutive characters

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Snake Oil Salesman BB™]]> family of 2 fonts from Blambot

Snakeoil Salesman BB was inspired by 1890s era newspaper advertisements.

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]]> Mon, 16 Nov 2009 06:46:43 -0500 <![CDATA[Old Claude™]]> family of 2 fonts from LetterPerfect

antiquated Garamond version with rough edges]]> Mon, 16 Nov 2009 06:43:30 -0500 <![CDATA[REM Orange™]]> family of 1 font from Positype

Michael Stipe and Chris Bilheimer have been creating all of the art and design for R.E.M. together for 15 years. Their work together has garnered 3 Grammy nominations for Best Package Design and sold more than 15 million copies world-wide. Both attended the fine arts program at the University of Georgia. Michael Stipe, singer and lyricist, formed R.E.M. in 1980. Bilheimer began working with the band in 1994. While continuing to sing with R.E.M., Stipe is also an avid photographer and film producer. Bilheimer continues to work in the music industry, art directing bands such as Green Day and Weezer.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Temporal]]> family of 1 font from E-phemera

Temporal is one in a series of fonts designed for use in creating replica vintage newspapers.

]]> Tue, 24 Nov 2009 08:01:56 -0500 <![CDATA[Archive American Shadow]]> family of 1 font from Archive Type

Threedimensional shaded typeface]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Manuskript Antiqua™]]> family of 2 fonts from URW++

]]> Mon, 16 Nov 2009 06:44:25 -0500 <![CDATA[Veneribe]]> family of 2 fonts from Greater Albion Typefounders

Veneribe -the Venerable face- is an experiment in what many today might call 'grunge', though we at Greater Albion would probably prefer to talk of rustic charm. It's a derivative of our Clementhorpe family, and aims to combine a battered antique look with the charm of that decorative Roman family.]]> Mon, 16 Nov 2009 06:47:12 -0500 <![CDATA[Archive Steeler]]> family of 1 font from Archive Type

Engraved display typeface]]> Tue, 24 Nov 2009 08:08:16 -0500 <![CDATA[1492 Quadrata]]> family of 1 font from GLC

Font designed from that used in France in 1492 to print the peace treaty between French and Enqlish Kings in Etaples, French town in Normandy.

]]> Tue, 24 Nov 2009 08:08:21 -0500 <![CDATA[Tritura]]> family of 2 fonts from estudioCrop

Tritura is my personal take on textura fonts.

]]> Mon, 16 Nov 2009 06:46:46 -0500 <![CDATA[El Franco]]> family of 2 fonts from Fonthead Design

El Franco is a family designed by Ethan Dunham that represents what Roman lettering looked like in the 16th century.

]]> Mon, 16 Nov 2009 06:46:44 -0500 <![CDATA[Octoberfest™]]> family of 2 fonts from Aerotype

Based on a fifteenth century Textura Blackletter typeface, Octoberfest has an historically accurate companion with Lombardic style capitals, Octoberfest Alternate. Both feature a Germanic cross icon as the asterisk character.

]]> Mon, 16 Nov 2009 06:45:41 -0500 <![CDATA[Grit Primer]]> family of 8 fonts from Baseline Fonts

Grit Primer is a distressed, aged typeface resurrected from letterpress samples of schoolhouse primers common in the midwest around the turn of the century. Additional characters are also included in this expansive offering.

]]> Mon, 16 Nov 2009 06:42:33 -0500 <![CDATA[1479 Caxton]]> family of 1 font from GLC

This family was inspired by the two fonts used by the famous William Caxton in Westminster (UK) in the late 1400s. There is only one (Normal) style. We have added the accented characters and others not in use in the early time of printing, but the ligatures and the few abbreviations for the Old English language and Latin were present in the original fonts.

]]> Tue, 24 Nov 2009 08:08:24 -0500 <![CDATA[Captain Quill]]> family of 1 font from Ascender Corp.

Captain Quill is a lively calligraphic style script font designed by Jim Ford, based on the handwriting of a fictional pirate figure named Paul Pierce, aka Captain Quill.

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]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[P22 Canterbury]]> family of 4 fonts from Sherwood Type

P22 Canterbury is a late Medieval Gothic font with a rough edge.

]]> Sun, 29 Nov 2009 19:55:46 -0500 <![CDATA[1509 Leyden]]> family of 2 fonts from GLC

This script font was inspired by the type used in Leyden by Jan Seversz to print Breviores elegantioresque epistolae [...], author Francesco Filfelo, circa 1509. The original font contains all lower case characters, except w, eth, thorn, lslash, oslash and so... and almost upper case. In addition, one set of small lombardic initials were also nearly complete. It take place instead of the Bold style (in only one package)offering a real and rare complete historical printing set...

]]> Mon, 16 Nov 2009 06:46:26 -0500 <![CDATA[Recreant]]> family of 2 fonts from The Type Fetish

]]> Mon, 16 Nov 2009 06:45:44 -0500 <![CDATA[Four Score]]> family of 2 fonts from Fonthead Design

]]> Mon, 16 Nov 2009 06:44:24 -0500 <![CDATA[Otoboke]]> family of 1 font from Typodermic

Otoboke was hand lettered on the sides of adorable white ponies. Letter pair thingamajigs (autoligs) make repeating letters less obvious. They really, really do, but only if an OpenType savvy application is involved. Look closely: you can see real (sort of) pony fur texture. Otoboke’s curly-whirly letter forms were inspired by Louis Minott’s 1965 classic, Davida.

]]> Tue, 24 Nov 2009 08:02:20 -0500 <![CDATA[Rough The Type™]]> family of 1 font from Tour De Force

Dusan “Dustin” Jelesijevic wanted to make a font that would be “scary” and “serious” at the same time. Wanna-be-horror and punk-rock-out-of-beers typeface’s style invites all interest minors and adults to use this fonts for miscellaneous rebel-yeah situations.

]]> Tue, 24 Nov 2009 08:02:25 -0500 <![CDATA[Vogue]]> family of 1 font from E-phemera

Vogue is extrapolated from some words in a 1930s brochure from Western Union called The Vogue of the Social Telegram.

]]> Tue, 01 Dec 2009 14:40:21 -0500 <![CDATA[1557 Italique]]> family of 1 font from GLC

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mÈtamorphose d'Ovide figurÈe, a splendid book with numerous gothic style wood carved pictures.

]]> Tue, 24 Nov 2009 08:08:21 -0500 <![CDATA[LD Old Country]]> family of 1 font from Lettering Delights

This old fashion font looks like it belongs on a saloon sign. If you've got old west style photos, finish up your scrapbook page with title and journaling done in this cool font. It’s perfect for lettering on western themed invitations, newsletters, sign, flyers, even menus.

]]> Tue, 24 Nov 2009 08:08:25 -0500 <![CDATA[SandraOh]]> family of 1 font from Chank

Sandra Oh is a quirky modern take on the classic serif fonts of the 20th century, updated here with a wiggle in her walk and a giggle in her talk. A Chankstore classic from the earlier days of the internet, this font is now available in OpenType format for the first time. Perfect for indie films or youtube videos.

]]> Tue, 24 Nov 2009 08:02:16 -0500 <![CDATA[Chapter 11™]]> family of 1 font from Canada Type

Chapter 11 is a pseudo-random typewriter font with the ribbon on the fritz. The single font contains four different character sets of varying ranges. If your program supports advanced OpenType features, activate the contextual alternates to see the ghost in the machine while you type. Otherwise, character variations are accessible through any character map or glyph palette, so you can manually mix and match your setting.

]]> Tue, 24 Nov 2009 08:02:24 -0500 <![CDATA[Archive Grotesque Shaded]]> family of 1 font from Archive Type

Grotesque shaded display typeface]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Journalistic]]> family of 1 font from E-phemera

Journalistic is one in a series of fonts designed for use in creating replica vintage newspapers. It is inspired by the nameplate of a New England newspaper from the 1920s. Its rough character is apparent at headline sizes, and it remains nicely legible at smaller sizes for diplomas and other formal documents.

]]> Tue, 24 Nov 2009 08:02:09 -0500 <![CDATA[Woodgrit]]> family of 3 fonts from Baseline Fonts

The Woodgrit family could originally be found on broadsides (posters, playbills) throughout the midwest on any public announcements. All original letterforms available were incorporated into the set with little modification.

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]]> Mon, 16 Nov 2009 06:41:37 -0500 <![CDATA[Americanus™]]> family of 3 fonts from Aerotype

A unique selection of authentic antique ornaments and borders from various sources.

]]> Mon, 16 Nov 2009 06:45:41 -0500 <![CDATA[Hadank]]> family of 2 fonts from E-phemera

Hadank is a display typeface developed from hand-lettered words in a German printer’s letterhead from the 1920s.

]]> Mon, 16 Nov 2009 06:43:06 -0500 <![CDATA[Fifteen36]]> family of 1 font from Grummedia

16th century venetian oldstyle roman]]> Wed, 25 Nov 2009 16:52:24 -0500 <![CDATA[Sepia]]> family of 2 fonts from Wilton Foundry

Something magical happens when type is drawn by hand. Sepia is an attempt to capture that special controlled looseness when type is drawn with a pen. Emphasis is slightly exaggerated in key places resulting in an unusually pleasant visual that you simply don't find in a slickly crafted font.

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]]> Mon, 16 Nov 2009 06:44:43 -0500 <![CDATA[Flax]]> family of 1 font from Wilton Foundry

Flax Regular lives in a somewhat unusual space... it is not a normal “handwriting” font, nor is it a formal script, or a rounded italic. Flax is a slightly more formal handwriting script that is extremely legible and useful- it can stretch from invitations to packaging, to menus, to brochures to ads.

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]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Archive Mann]]> family of 1 font from Archive Type

Engraved display typeface]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Berliner Grotesk® BQ]]> family of 3 fonts from Berthold

Based on Berthold’s 1913 Berliner designed by Hausschnitt, Erik Spiekermann redesigned and digitized the typeface for the foundry.

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]]> Mon, 16 Nov 2009 06:44:47 -0500 <![CDATA[Augustine]]> family of 1 font from Typodermic

A pile of mouldy potatoes? Let’s make a font! The OpenType format of Augustine features autoligs to help break up noticeably repeating letters and numerals. If you use application such as Adobe CS products which supports OpenType ligatures, the autolig magic magically happens. For the rest of us, there are alternate letters you can access by alternating caps and lowercase.

]]> Tue, 24 Nov 2009 08:08:23 -0500 <![CDATA[Blue Plaque]]> family of 1 font from K-Type

Blue Plaque is a distressed font that simulates the low relief, white-painted lettering on English Heritage plaques attached to buildings where famous people have lived.

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]]> Tue, 24 Nov 2009 08:08:24 -0500 <![CDATA[Nero™ BQ]]> family of 9 fonts from Berthold

Designed by Professor Friedrich Poppl (1923-1982) for Berthold in 1982, Nero is the 10th Poppl design available exclusively from Berthold. He died before seeing this timeless typeface commercially released.

]]> Mon, 16 Nov 2009 06:44:49 -0500 <![CDATA[Ironbridge]]> family of 1 font from Device

An Industrial Revolution cast iron plaque from Bristol Temple Meads Station serves as inspiration for this antique font. The plaque commemorates the design contribution of Isambard Kingdom Brunel, who in March 1833 at 27 was appointed chief engineer of the Great Western Railway, the line that links London to Bristol. This helped established Brunel as one of the world’s leading engineers. Impressive achievements along the route include viaducts at Hanwell and Chippenham, Maidenhead Bridge, Box Tunnel and Bristol Temple Meads Station.

]]> Tue, 24 Nov 2009 08:01:59 -0500 <![CDATA[Archive German Text]]> family of 1 font from Archive Type

Blackletter typeface]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[NixRift]]> family of 4 fonts from New Fonts

Influenced by W.A. Dwiggins’ El Dorado, Rift reclaims some of the warmth of metal type pressed deep into paper.

]]> Tue, 24 Nov 2009 08:11:10 -0500 <![CDATA[P22 Numismatic]]> family of 1 font from IHOF

This set of letters and ornaments is loosely based on on a typeface that was offered by the DeVinne Press at the turn of the century. We can speculate from its name that this type was used as a display font to try to equate the look of letters on 15 16th century heraldic cartouches, seals, stamps, medals and other inscriptional lettering.

]]> Mon, 30 Nov 2009 12:52:27 -0500 <![CDATA[Banished GRP™]]> family of 1 font from Grype

A light destructive western slab serif typeface inspired by Astro Zombies, the 1968 Cult Cinema Classic.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Ink Gothic Inked]]> font style from Ink Gothic by VersusTwin

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Windsor Antique D Bold]]> font style from Windsor by URW++

]]> Tue, 24 Nov 2009 08:08:12 -0500 <![CDATA[Weiss Rundgotisch Antique D]]> font style from Weiss Rundgotisch by URW++

]]> Tue, 24 Nov 2009 08:08:12 -0500 <![CDATA[Tenebra Old Face]]> font style from Tenebra by Storm

]]> Tue, 24 Nov 2009 08:08:12 -0500 <![CDATA[P22 Morris Golden]]> font style from P22 Morris by P22

]]> Tue, 24 Nov 2009 08:01:41 -0500 <![CDATA[Archive Atlantique]]> family of 1 font from Archive Type

Art Deco display typeface]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Antigua™]]> family of 3 fonts from Corradine Fonts

]]> Thu, 15 Oct 2009 20:49:43 -0400 <![CDATA[Shiver Me Timbers NF]]> family of 1 font from Nick's Fonts

Avast, me hearties!

]]> Tue, 24 Nov 2009 08:01:59 -0500 <![CDATA[Archive Egipt Compressed]]> family of 1 font from Archive Type

Woodtype display typeface]]> Tue, 24 Nov 2009 08:08:16 -0500 <![CDATA[Crockstomp™]]> family of 5 fonts from Aah Yes

Resembles misprinted or degraded type]]> Tue, 01 Dec 2009 21:24:20 -0500 <![CDATA[Rosadelia]]> family of 4 fonts from Andinistas

Rosadelia is a family of Calligraphic grunge origin, consisting of 4 styles: Uno, Dos, Blanca and Dingbats (Dingbats includes 26 illustration characters).

]]> Mon, 26 Oct 2009 17:31:17 -0400 <![CDATA[Barnboard®]]> family of 1 font from BA Graphics

A true rustic design to give the feeling of real wood (no press board used here).

]]> Tue, 24 Nov 2009 08:01:33 -0500 <![CDATA[Majidah™]]> family of 2 fonts from insigne

Majidah is an attempt to replicate the look and feel of an ancient script taken from the pages of an antique document. It has a Middle Eastern feel to it, but could be used for a wide range of applications.

]]> Mon, 16 Nov 2009 06:45:25 -0500 <![CDATA[Filomena™]]> family of 6 fonts from Andinistas

]]> Tue, 27 Oct 2009 09:54:33 -0400 <![CDATA[Archive Magno Script]]> family of 1 font from Archive Type

Conected handwriting script font.

]]> Tue, 24 Nov 2009 08:01:55 -0500 <![CDATA[Archive Ironlace]]> family of 1 font from Archive Type

Engraved display typeface]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Estro]]> family of 2 fonts from T-26

]]> Mon, 16 Nov 2009 06:41:43 -0500 <![CDATA[Headbutt]]> family of 2 fonts from Buttfaces

Headbutt is a san serif outline type with a rough halftone pattern applied to it.

]]> Mon, 16 Nov 2009 06:42:15 -0500 <![CDATA[Mob Concrete]]> family of 1 font from Larabie

]]> Tue, 24 Nov 2009 08:02:20 -0500 <![CDATA[Bad Comp AOE]]> family of 1 font from Astigmatic

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Denim]]> family of 5 fonts from T-26

]]> Mon, 19 Oct 2009 23:50:56 -0400 <![CDATA[Catwing Fuzz]]> font style from Catwing by Typodermic

]]> Tue, 24 Nov 2009 08:02:25 -0500 <![CDATA[Celestia Antiqua®]]> family of 4 fonts from Adobe

Mark van Bronkhorst designed Celestia as an alternative to Caslon Antique at a time when few rough-edged fonts were available. He borrowed the basic forms from an early attempt hed made at designing an oldstyle roman typeface, this time redrawing the letterforms with stronger serifs and adding the rough-edges. Designed to be more open and readable in text settings than Caslon Antique, Celestias gentle roughness becomes more apparent when used in display settings. An italic design, based on van Bronkhorsts calligraphy, complements the roman character set.

]]> Mon, 16 Nov 2009 06:39:47 -0500 <![CDATA[Kab]]> family of 1 font from Typo5

Kab has a big impact, is very legible and at the same time has plenty of details that makes it really unique.

]]> Tue, 24 Nov 2009 08:01:55 -0500 <![CDATA[Typeka]]> family of 3 fonts from T-26

]]> Mon, 16 Nov 2009 06:41:47 -0500 <![CDATA[Shenzhen Industrial]]> family of 1 font from Device

With its contours roughened by ink spread on porous cardboard, Shenzhen Industrial evokes packing crates, stamped documents and urban grit with high-impact urgency.

]]> Tue, 24 Nov 2009 08:01:59 -0500 <![CDATA[Obsolete™]]> family of 6 fonts from Aerotype

The Obsolete family has Regular, Light, Bold each with an associated Alternate version.

]]> Mon, 16 Nov 2009 06:45:55 -0500 <![CDATA[1584 Rinceau]]> family of 1 font from GLC

This set of initial letters is an entirely original creation, inspired by French renaissance patterns used by Bordeaux printers circa 1580-1590.

]]> Tue, 24 Nov 2009 08:08:23 -0500 <![CDATA[Antihistory]]> family of 2 fonts from Typodermic

Antihistory is a distressed serif type based on Corzinair available in regular and italic styles.

]]> Mon, 30 Nov 2009 14:41:04 -0500 <![CDATA[Flying Dutchman™]]> family of 2 fonts from FontMesa

From nautical folklore the Flying Dutchman is a ship that can never go home and doomed to sail the seas forever as a ghost ship. The story of the Dutchman appeared in print in the 1820s. With different versions writen over the years, some versions date the legend to the 1640s or the early 1700s.

]]> Mon, 16 Nov 2009 06:45:43 -0500 <![CDATA[Tudor Auld]]> family of 1 font from Bogusky 2

]]> Tue, 24 Nov 2009 08:01:55 -0500 <![CDATA[Brigette™]]> family of 3 fonts from insigne

This frilly script has been acid dipped, scratched and destroyed for use in grungy design jobs or any other use that calls for a ragged script.

]]> Mon, 16 Nov 2009 06:45:55 -0500 <![CDATA[Blackstock™]]> family of 1 font from Aerotype

]]> Tue, 24 Nov 2009 08:08:20 -0500