Nick Cooke’s G-Type foundry continues to trailblaze and top of the sales charts is the fabulous Olicana typeface.

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Colo Pro is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

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Espectro is a fabulous font full of swashes and alternates.

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Hemingway designed by Alessandro Segalini was inspired by the prize winning novel The Old Man and the Sea by Ernest Miller Hemingway.

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Olidia is a script with tall sweeping ascenders packed with alternates and ligatures.

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One waxy black crayon was used up, entirely down to the tiniest nub, by the making of this font.

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Inspired by an example of French handwriting ca. 1935.

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Angel Koziupa’s familiar brush goes upright and narrow with Pinguino.

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Shababa is a hand-drawn 3-D font. The linework is still kept fairly relaxed, mostly smooth with some distressed edges. There is lots of texturing from the pen strokes which becomes more evident at larger point sizes. This looseness enhances the smooth technicality of the properly extruded forms.

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Marquisette is a typestyle full of deco flair, with a dominant caps vs. smallcaps character set.

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Sweet Upright Script is the first release for Sweet Fonts Collection, published by MVB Fonts. It is an interpreted revival of a vintage, social engraving lettering style that was popular during the 20th Century. It is probably the first digital version of the design.

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The Timeless Letterforms of Rennie Mackintosh.

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Everything is a simple, yet beautiful handwritten font.

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The Classic Charles Rennie Mackintosh Font.

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WriteHand is a light-hearted, fluid, freeform script font. It is one of Anton Scholtz’s contemporary designs. Based on actual handwriting, the font contrasts a strong, artistic nature with a feminine sensitivity.

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Toasted Vein is a tight, deco, all-caps typestyle complete with regular, bold, a collegiate inline, and a drop shadow style, offering more range than a traditional art deco font.

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Japanese Brush Master was developed directly from the hand-written brushstrokes of experienced calligrapher, Shigeru Nomura.

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Okay Cotton is soft & gentle -- specially made for situations where a pointy hard-edged font just isn't up to the job.

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Bapalopa is inspired by classic graffiti “blockbuster” letter forms. These letters are made to look as big and as wide as possible. Bapalopa’s linework is kept very loose & relaxed, mostly smooth with some distressed edges.

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Since the launch of the original classic Charles Rennie Mackintosh Font in 1993, designer George R. Grant had been inundated with requests for a CRM font featuring lowercase characters.

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Epsiolet is wacky, crunchy and unpredictable!

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Oh,no - Oh, yes.. here is the new font “oh, no”.

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Nouveau Rock creates a blend of old & new combined.

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LOLO Cursive is sweet & funky lettering written with distinct character. Create a memorable look with this flowering, freehand script.

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Noveu is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

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3D Blocky is a hand-drawn 3-D font. Composed of friendly & fun letters, this font is sure to become a favorite for you.

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ITC Highlander was released in 1993 and is yet another tribute by David Farey to the American type designer Oswald Cooper. Farey modeled his sans serif design on the handlettering of Cooper, maintaining the original feel with the type’s diminutive x-height and the uneven letter strokes. The terminals on ITC Highlander, unlike most sans serifs, are soft, and create a sans serif that Farey finds to be more readable; the accompanying italic is a simple cursive design.

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Since the 2006 launch of Rennie Mackintosh Glasgow, the world’s first lowercase Mackintosh-style typeface, designer George R. Grant has been pleased with its acceptance by Mackintosh lovers around the world. In fact, “Glasgow” has proved to be as popular as the original “founding” font, the classic Charles Rennie Mackintosh Font.

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It creates art; Brushed.

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Orange Gush is a playful font with curls and unpredictable funky and funny curves!

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Charles Rennie Mackintosh’s artwork has an art deco feel that has been reproduced on fabrics, jewellery and all sorts of household items.

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Derived from the world famous Rennie Mackintosh Font, the Hillhouse version gives a 3D look to the genius of Charles Rennie Mackintosh.

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FG Jordan is an artistic font ready to add its touch to your projects.

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Real crayons were used in the making of this font. Yes, design can be fun again!

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A very cute cursive font!

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Jamaistevie black is a very grungy but interesting 3D font, definitely better for a title than journaling, but particularly good for digital layouts as overlay text.

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The design process of OkayPaint began as hand-painted letters on paper. Thus, a variety of distressed paint effects can still be seen in the details, from splatters to dry-brush. This makes for a textured, artistic look.

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Just like the M.C. Escher impossible figures and optical illusions, “Denedo” is a font that is impossible to construct in three dimensions because it only exists as a drawing. This font is based on the “0, 1, 2, 3, 4, 5, 6, 7, 8, 9” characters of one of the alphabets published by Nedo Mion Ferrario in the “Letromaquia” exhibition that was shown in Caracas, Venezuela in the 70’s.

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Japoneh is a dynamic font set in all bold heavy brushed characters. It practically jumps off the page with the action of these fluid strokes!

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Salome is a revival, normalization and elaborate expansion of a 1972 film face called Cantini. The original film type, released by a tiny independent outfit called Letter Graphics, looked like it was hand drawn with little consideration for consistency in essential lettering flow measurements, like angles, stroke widths, and vertical metrics. All these issues have been resolved in this digital version, and the original character set, including the whole lot of alternates, was entirely redrawn and expanded to include even more alternates and many useful ligatures, as well as extended support for Latin-based languages.

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Furia is a very dynamic handwriting font; use it when you need to generate an impressive and powerful design.

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Derived from the world famous Rennie Mackintosh Font, the Moonlight version gives a hollowed effect with a drop shadow to the Classic Rennie Mackintosh lettering.

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Grunge Decay is an urban font with a unique look.

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This font opens a new era of typewriting and type design.

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A gritty, deeply textured font where each letter was sketched by hand!

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This “very elegant and British alphabet” was originally released in the 1920s as “Richmond Oldstyle” by the Blackfriars Type Foundry of London. Touted as highly artistic and graceful, it is exceptionally “at home” wherever style and charm are called for.

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Grut Stuph is a weird breed between serif and graffiti, and on top of that a good portion of comic!

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Milk Cursive is the healthy choice. Fortify your designs & fulfill your daily textual needs with these flowing, bubbly letters.

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Derived from the world famous Rennie Mackintosh Font, the Venezia version gives a very modern look to this classic font, especially when filled with a gradient fill in a graphics package such as Photoshop or CorelDraw - although it even looks great “out of the box”.

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Cenizas is another masterpiece of rough-and-tumble script from the prolific Argentine duo of Koziupa and Paul.

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Lost Souls is intended to represent something old, retro and innovative at the same time.

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Masha is a new 3D font notable for its unique style and attractiveness.

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Geisha Holiday is an urban font with a unique look. The letters express slightly the formalized strokes of kanji characters but the overall tone is relaxation.

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Derived from the world famous Rennie Mackintosh Font, the Scotland St. version gives an outline form of the genius of Charles Rennie Mackintosh.

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Linotype Caravan contains four sets of typographic ornaments that can add visual interest and personality to documents. The Caravan ornaments were adapted by Linotype for inclusion in the Electra series. The original designs were made by W.A. Dwiggins for several publishing projects.

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ITC Highlander is the work of Dave Farey and loosely based on the handwriting of the late American graphic artist and lettering master Oswald Cooper. ITC Highlander is a unique typeface family, but not so unusual that it is limited only to display applications.

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Caravan was designed in 1938 by William Addison Dwiggins and consists of a variety of ornaments. He based the forms of the ornaments on the same lines and curves found in his font Electra. He wanted printers and designers to have the chance to combine the two fonts for a more attractive or outstanding overall picture. Caravan is particularly popular for advertisements in newspapers. Caravan can be easily mixed with other fonts designed by Dwiggins.

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