Return Pass JNL is the solid version of Forward Passed JNL and can be used as a standalone font or in combination with Return Pass Fill JNL (the inline version with the main letters stripped away) for a dual color design.

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Some Impko decal letters and numbers with a “college look” from the 1960s were the inspiration for designing “Forward Passed JNL”; Jeff Levine’s second sports-themed font.

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Rushing Pass JNL is the italicized companion font to Forward Passed JNL and Return Pass JNL.

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Neuropol X, a futuristic font recalling sci-fi, video games, Vectorbeams, and flatbed plotters. Neuropol X bridges the style gap between the geometric sans serif fonts of the late 20^th century and superelliptical futuristic fonts.

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In the United Kingdom, Virgin Trains uses various weights of Generation Gothic extensively.

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The Player family started as a straight-forward revival of a film face called Ivy League, an early 1970s VGC classic that was very popular with designers of sports paraphernalia. A few hundred liters of coffee later, the revival of a single condensed font has become an 11-font ambitious attempt at being the last word in athletic lettering.

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Jezebel is all dressed up for you. And if she can't make your mouth water and eyes light up with love, nobody else can. She’s got bigger hair than Dolly and Elvira together, more tongue than a Kiss concert with Jagger opening, more leg than a Moulin Rouge premiere, more sword than a pirate ship, and more loop than a chartered accountant. She’s the queen of now, the essence of cool, the twenty-first century fox. She’s the ever playful and creative girl with so much talent her art just cannot be restrained. She’s got popular culture on a long but strong leash. She looks gorgeous and positively glamorous no matter what color she wears. And last but not least, she’s got the charisma to make people of all ages want more of whatever it is she feels like offering.

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This series of faces was designed initially by Morris Fuller Benton, circa 1900.

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The distinguishing characteristics of the serif Clearface family—the slight serifs atop A, and at the stroke ends of V and W; the curves of k and y; the slanted bar of e; and the open 4—are apparent in its companion, Clearface Gothic. Both were designed by Morris Fuller Benton for American Type Founders and released between the years 1907 and 1910. Clearface Gothic is also a legibility typeface and, therefore, is most distinguished when used for text.

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Zekton was inspired by the futuristic fonts found on electronic gadgetry. Zekton imparts a serious, high-tech look by its rounded curves and even line widths.

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Although Los Alamos was originally designed as a complementary sister typeface to Grand Canyon, it evolved into a comprehensive and unique type family in its own right.

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A revival of the Ludwig & Mayer type design from 1930.

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Antique Olive was designed by Roger Excoffon for the French typefoundry, Olive, which it issued in different weights and widths from 1962 to 1966. In France, “antique” is the generic term for sans serif designs. Antique Olive was initially designed to rival the popular sans serifs Helvetica and Univers, but is almost humanistic in its design approach, with no indication of a mechanical look. Although the x-height is large and the ascenders and descenders are short, the design maintains an elegant, statuesque quality. Antique Olive is a distinctive typeface that can be used in a variety of ways, from text work to display.

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Steve Jackaman has refined and optimized Jolly Roger for digital release. The original design was created in 1970 by the legendary American type designer Phil Martin, founder and creator of the Alphabet Innovations and TypeSpectra type collections.

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Assembly line efficiency tempered with softly rounded curves makes Kleptocracy purr where other factory-made fonts rattle and buzz. The cursive elements weld the warmth of soft curves to the utilitarian lines to create playful elements like g, y and l keeping it from appearing stark and cold.

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Venacti is a wry, clean, futuristic font commissioned by the BBC for a children’s program.

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Another variant of Bayer’s Universal Alphabet, resembling ITC Bauhaus in design, ITC Ronda in proportion and fit, prepared by FotoStar in the mid 1970s.

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The LifeAfterCollege family of four fonts is based on two styles of Ranger, which are slab-serif, geometric fonts with no curves.

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Fido is the official font of dog owners everywhere. Woof!

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Based on an early wood type design. An original creation, that kept growing...!

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Merc is a four-letter word that stops just one y short of Mercy. Merc is also the standard street abbreviation for mercenary, or a soldier for hire. Now that the global security business has become a two hundred billion dollar industry, we thought you would like to have your very own affordable merc.

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This typeface is a new and improved (really!) version of one of my most popular freeware fonts, Team Spirit, which has made appearances in the Tank McNamara comic strip and on Blue Collar TV.

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Based on the popular VGC typeface from the early 70s.

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Get your goggles on. You're on your way to the Metaverse, where no subject is off limits, everyone has an avatar, and reality is subjective. The world can be turned off or on at your very whim. Never mind the markets, resource counters, national inflations, caviar-loaded barons, environmental surprise, or who will nuke whom first. In 2D it’s all peace and understanding. This is the great escape, shell, shield, your real fury against furious reality. One fist in the air is the start of a revolution. Two fists are the end of a victory. You are in between.

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Based loosely on a VGC design, Serpentine, circa 1970.

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Based on an early wood type design. An original creation.

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Based on the 1898 Ludlow typeface.

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Based on the Haas 1928-30 design.

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Re-tooled from the QBF Collection.

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An original design.

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Based on the early ‘Pall Mall’ typefaces.

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The Original design was produced by the Keystone Type Foundry, circa 1903; this condensed version was added circa 1917 by Lanston Monotype

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Alphii is a high-tech, contemporary typeface family of four styles which includes Regular, SemiBold, Bold and Black weights.

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Based on the Albert Augspurg design, circa 1921-27.

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Blippo Black with its constructed style is a typical headline typeface. Its robust figures with their even strokes were composed using the basic forms of the circle and rectangle. Its curves are often not completely closed.

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