I am a huge Moleskine notebook fan - This font is named Diario to celebrate everyone that uses a journal and everyone that appreciates a cool handwriting style.

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Pullman is based on turn-of-the-century lettering reminiscent of the signage on some luxury Pullman-style train cars of that period.

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A super-bold Victorian period display face.

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Ornaments from the rare, valuable and amazing Allerlei Zierat book from Schelter & Gieseck (1902). A research and free interpretation by Intellecta Design.

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One of the most successful new ornament fonts is CalligraphiaLatina. It is part of a trend that’s been quite popular lately: messed-up calligraphy. You can dirty up (or “deconstruct”) gracious classic-looking curves in many ways: using a variety of software filters; by superimposition; or even by hand. Brazilian designer Paulo W has his own method, possibly involving a scanner and some auto-tracing. The result works well when you want that worn-down grungy look, combining CalligraphiaLatina ornaments with the equally wobbly Liam.

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Historical printers ornaments researched by Intellecta Design; from the 1882 very rare Richard Gans first catalogue.

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The font here used is the Intellecta’s Frompac joined and art worked with the classical arabesques published in the Ludwig Petzendorfer’s Schriften-Atlas. Eine Sammlung der wichtigsten Schreib- und Druckschriften aus alter und neuer Zeit nebst Initialen, Monogrammen, Mappen, Landeskarten und heraldischen Motiven f¸r die praktischen Zwecke des Kunstgewerbes, 1889.

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