Diglossia is based on geometry; the weights can be integrated to achieve a interesting typographic headlines. Diglossia contains OpenType features such as stylistic alternates and discretionary ligatures.

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The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura.

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Uni Sans is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an alphabet for texts. Although the type family has a geometric or “technological” construction, the rounded finish provides it a warm appearance, making the typefaces nicer and nearby.

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Geogrotesque Stencil is the newest member of the popular Geogrotesque family, it has been thought as a display typeface, but it goes one step further and tries to solve some of the typical problems of stencils fonts.

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Oporto is a modern font which blends the cosmopolitan and bohemian mood from Oporto city in a elegant and timeless design.

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The Sonica font family represents a modern typeface that is designed the express fluidity of motion. Sonica is the second font designed by the Sonic Savior team, and was specifically build for the group’s website.

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Antigen is a forceful and fresh typeface with a strong futuristic feel. Its characters have a wide stance, and the lettering is subtly rounded.

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Mtwane is a contemporary font, fusing the vigor of African design with the clean-lined sophistication of the European fonts popular at the turn of the 20th century.

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The Ornaments of Paris were inspired by a recent trip to Paris.

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Five years into the 21st century and the promise of nanotechnology, high-end popular culture design seems to thrive on combining opposites and drawing a fine line between traditionally contradictory ideas. This is seen in modern society’s usual cultural frontrunners - like consumer electronics, fashion items, music packaging and publications, where it is evident that traditionally complex marketing statements of fashionability and lifestyle are attempted with simple minimalism. But at the typographic end of this realm, the creative majority still uses old faces that help the modern statement only in passing. Some of the more adventurous creative professionals actively seek new elements to emphasize contemporary impact in their modern design.

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The FaRer family was originally made in 1997.

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A heavily geometric design, SB Superbloc is designed to pack a punch both on screen and in print.

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