When you use this font, be sure to look for the two different sets of end and spacing pieces, one with stars, one without. The ends are on the Bracket and Brace keys, and the spaces are on the Vertical Bar and Backslash Key.

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This font was inspired by the embossed lettering on cigar boxes. The letters, or entire words, are often surrounded by raised dots, and that was our idea here. We drew this about 1997, and have been refining it ever since.

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Willoughby JNL by Jeff Levine is a typeface whose lettering was inspired by a 1950s package of toothpaste.

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Houschka has the humanist qualities reminiscent of Gill and Johnston but is quite unique. It is more monolinear with rounded corners giving it a softer appearance, and has a few interesting character quirks like the capitals A, G, Q, W and lower case u and w.

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In Cooke’s ongoing quest for simplicity and elegance he developed this striking alternative sans family.

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This typeface was created by writing with a brush pen, selecting the best characters, scanning and tracing exactly to maintain maximum character integrity. Extensive kerning ensures an even flow when set as text, so Gizmo appears as quickly-written handwriting.

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This font takes its name and the overall shape from modern bentwood furniture, namely Scandinavian designs since the 1940s. The curved corners of the letterforms are practically hyperbolic, to convey the tension and strength of the bent plywood. These curves are meant to appear more dynamic than circular or elliptical segments of traditional sans serif fonts.

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The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products.

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An all-capitals reversed sans-serif font, designed for easy creation of signs, labels and banners. Various endpieces are included, as well as accented letters for Western languages.

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BearerFond has been in my pen for years and I've used this way of writing a lot on cassette cases.

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Silverland is a revival of an old type font from the Bruce Type Foundry of New York, the original font included uppercase only plus 22 end caps. This 21st. century version has been expanded to include many more decorative end caps plus new lowercase, small caps, italic, italic small caps, swash, swash small caps and gothic version. Approximately six months of painstaking work has gone into making this font family over the last twenty two months.

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Our penchant for banner types lives on. This one is our take on an 1880s font called Mezzotint.

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Silverland is a revival of an old type font from the Bruce Type Foundry of New York, the original font included uppercase only plus 22 end caps. This 21st. century version has been expanded to include many more decorative end caps plus new lowercase, small caps, italic, italic small caps, swash, swash small caps and gothic version. Approximately six months of painstaking work has gone into making this font family over the last twenty two months.

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Supremaganda is a typestyle developed after reading too much propaganda.

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