A disconnected script designed by Martin Wilke for the Monotype Corporation in 1965; Wilke designed several other scripts for German foundries, namely Berthold and Stempel.

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One menorah that I have long found particularly appealing was named The Tree of Life Menorah, a replica of which I gave as a gift one holiday to a kindly old couple who were neighbors and became friends.

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One of a set of three script fonts in three different styles (Ballpoint, Brush and Calligraphic) plus a font of companion ornaments in the same three styles.

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DF-Tapa is a typeface based on the vernacular, popular graphics used in Spain.

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Imagination Theory is an informally elegant handwritten font, crafted with informal, elegant love and care.

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Present Script was designed by Friedrich Karl Sallwey, and jointly issued by the Stempel and Linotype foundries in 1974. A light brush script with open counters, Present Script has many capital letter shapes based on uncial forms from the ninth century.

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Adams is a revival and major expansion of Dolf Overbeek’s Studio typeface and Flambard, its bold counterpart, originally published by the Amsterdam Type Foundry in 1946 and 1954. This digital version adds small caps and a new light weight.

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As a follow-up to his popular Chocolate font, Angel Koziupa softens his brush again to produce Felipe, a font made in the memory of his brother.

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A nice loose hand written brush or marker type script.

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A sound-effects font inspired by Japanese manga. Designed to resemble an overloaded calligraphy brush.

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This fresh, informal style emulates all the spontaneous hand-crafted qualities of a highly skilled lettering artist. This effect is evidenced by the strong textured edge on the right side of each character. Pendry Script benefits from close letter spacing whether all capitals or lowercase letters are used. A fine choice for powerful, attention-getting headlines. Created by British designer Martin Wait.

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When I was in high school, I would wreck my notebooks with multiple layers of graffiti tags, which would start in the margins, and then creep in to cover the entire page. I developed a sensibility towards a very fast, expressive use of my hand, which later easily and naturally translated into brush. I used this style typographically on several projects throughout the years, and even turned it into a signature illustration style. Recently, by repeating letters hundreds of times each with brush on paper, this ad-hoc brush style became Streetbrush.

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Get creative with the adventurous new brush casual Alpine Script from Charles Borges de Oliveira. This stunning typeface contains 29 alternate characters waiting to be explored.

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A font that resembles handwriting done with a watercolor brush? Why not?

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Sonora is a new profonts script typeface family supplied in the new OpenType Pro font format. Sonora contains six styles as light, medium, bold and the corresponding italics. The character set covers about 1.500 glyphs for the complete Latin character set (West, East, Baltic,Turkish, Romanian), and a huge number of handmade ligatures and alternates to make it a perfect OpenType Pro connecting script.

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Rosadelia is a family of Calligraphic grunge origin, consisting of 4 styles: Uno, Dos, Blanca and Dingbats (Dingbats includes 26 illustration characters).

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Lavender Script is a brush drawn script face done in the copperplate style. It’s not overly flourished so it fits nicely in almost any situation.

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Schwung is a brush script headline typeface. It has round elegant swirls that get stronger in the alternate version.

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Prolific calligrapher Angel Koziupa and designer Alejandro Paul charm us once again with an imaginative typeface.

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Musashi BB is a loose, ink brush-like typeface with all-caps lowercase and enlarged caps uppercase. Named after the legendary Japanese swordsman and author of the Book of Five Rings, Miyamoto Musashi. This font contains a samurai-sized compliment of European characters.

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Designed by Carl Reissberger for the Monotype Corporation in 1962, Forte is a bold display script that has no connections between the letters of the lowercase alphabet.

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Inspired in one of my fonts called Rosadelia.

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Semi-formal and eye-catching elegance is the name of the game, says Aguafina Script, Koziupa and Paul’s latest creation.

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Plz Print Brush is a good solid font for posters, headlines and accent words like - SALE! It gives the slightly irregular look of handlettering.

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A sign painter’s sans serif, sun-bleached and worn . . . paint barely clinging to the substrate. That’s Bristles.

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Wingbrush is a whimsical, hand-drawn brush font.

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Lombriz attempts to bridge the gap between different kinds of typography - including packaging, signage, and sporting. The result is a heavy, yet casual, 1950s-inspired semi-connected script.

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What better way to say goodbye than with this handy font from retrosville?

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A bold italic brush script style with slick, dashing letterforms that have an almost globular quality. Zennor has the benefit of an uppercase that can be used alone or as initials with a strong authoritative lowercase. An ideal choice for work requiring a casual, but confident and controlled look. Created by leading British type designer Phill Grimshaw.

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Master Flo is a freestyle script based on handwriting. The face inspired by flat-nib felted pen or brush calligraphy.

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Poozer is a hand drawn stencil font that started out as a doodle and ended up on a custom skate deck.

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Paola is a redesigned, new interpretation of a typeface from Carl Rudolf Pohl.

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The 1912 American Type Founders specimen catalog carried the pattern for this typeface, under the rather unimaginative name of “Pen Print”.

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Founder offers fonts in up to 4 encodings:

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Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.

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An adaptation of the original Hand Drawn typeface from the Letraset range by Michael Gills. A set of numerals has been added to complete the font. Hand Drawn evokes all the charisma of 1950’s brush lettering and should be set closely for maximum impact.

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Sumi Strokes was created as a set of simple abstract brush stokes that could be used on their own or in conjunction with one another to form a painting.

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A decorative face of freestyle flowing letterforms, it is stylized a little under wide brush calligraphy. Its letterforms are characterized with one-side serifs. For use in book heading, advertising and display matter. The face designed by Natalya Vasilyeva and licensed by ParaType in 2007.

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Fox was originally designed by W. Rebhuhn for the former German Genzsch & Heyse foundry.

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Since 1985 Cartoonists Across America & The World have been promoting literacy, creativity, the arts, and other positive issues using cartoons and humor. Founder Phil Yeh and his band of artists -- including Comicraft President and First (Flying) Tiger, Richard Starkings -- create books, paint murals, take part in school assemblies, conventions, conferences and other public events for all ages throughout the world!

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This font is intended for use with simplified Chinese. It contains the GB2312 character set.

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This font is intended for use with simplified Chinese. It contains the GB2312 character set.

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From the technical hand of Alejandro Paul and the creative jungle in the mind of Angel Koziupa, comes a wild-natured script.

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This font is intended for use with simplified Chinese. It contains the GB2312 character set.

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Mustang is a powerfully expressive brush font that combines an edgy urban aesthetic with a smooth feminine flow. Some have suggested that Mustang is romantic. Some say it has something to do with speed or freedom. While precisely what Mustang expresses is up to debate, there’s no doubt that it’s expressing it with intensity.

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Michael Doret had been doing lettering in styles similar to Metroscript in his design work for many years, but with the advent of OpenType technology he realized that he could actually put together a script font that would finally do justice to this style, and be almost indistinguishable from hand-lettering.

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Schoko is a brush script headline typeface. It is elegant and still clear and self-confident.

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Wrap your chilly fingers around this ultra cool swingin' typeface! Cocktail Shaker is a swanky retro connecting script born out of 1950s lounge culture. Often referred to as the ‘googie’ look, Cocktail Shaker blends a casual loungy script with clean readability and a twist of modern Atomic Age charm.

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Flavour is an elegant brush script headline typeface.

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Whether you prefer Drip or Automatic, there is nothing quite like quality Coffee Service!

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Buffet Script is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time.

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Bello is a brush typeface for headline point sizes - it’s big & beautiful. Bello has lots of ligatures and start and ending swashes. They are automatic in Bello Pro, which is a cross-platform OpenType font with many OpenType features.

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Bounce Script is a nice hand lettered upright font. This font has an appealing “bounce” characteristic which gives it its charm.

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Ability is a family of stylish and contemporary handwriting fonts that combine the vigor of hand-drawn fonts such as Affable with the elegance of fonts such as Blythe. What is unusual about Ability is that it enables a word to be formed from a group of letters in a variety of ways: not only the conventional linking of letters as in a cursive script or the placing of letters close to each other on a common baseline, but it uses the overlapping of the swashes and swirls that contribute to the individuality of the characters to integrate the letters into a single word.

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Tasty is an strong self-confident brush script headline typeface.

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Olidia is a script with tall sweeping ascenders packed with alternates and ligatures.

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An elegant, contemporary and quirky handwriting font inspired by fonts such as Satisfaction and Nothing. There are many handwriting fonts out there, almost all of them tending to highlight the individuality of a particular person’s handwriting. I wanted to go beyond this.

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Silken is a stylish and contemporary handwriting font that combines the elegance of fonts such as Zapfino with the immediacy of handwriting fonts such as Affable. There are many handwriting fonts out there, but many of them border on being grungy and irregular. This font combines beauty with individuality and spontaneity.

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Amorinda is a connected script that manages to be wild and disciplined at the same time. It can scream wildly within a design or smoothly blend in to make it more human. With its versatile character and a complete set of alternates, Amorinda is the perfect display face for everything from product branding to signage.

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The dynamic design duo of Koziupa and Paul strikes again.

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Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

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The Maiandra family of typefaces were inspired by an early example of Oswald Cooper’s hand-lettering, as seen in an advertisement for a book on home furnishing, circa 1909. Although many of Oz Cooper’s letterform designs were cast in metal type, this particular one was not.

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This typeface was created by writing with a brush pen, selecting the best characters, scanning and tracing exactly to maintain maximum character integrity. Extensive kerning ensures an even flow when set as text, so Gizmo appears as quickly-written handwriting.

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Spring is a lively contemporary script modeled on the brush lettering of its designer, Garrett Boge.

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Jezebel is all dressed up for you. And if she can't make your mouth water and eyes light up with love, nobody else can. She’s got bigger hair than Dolly and Elvira together, more tongue than a Kiss concert with Jagger opening, more leg than a Moulin Rouge premiere, more sword than a pirate ship, and more loop than a chartered accountant. She’s the queen of now, the essence of cool, the twenty-first century fox. She’s the ever playful and creative girl with so much talent her art just cannot be restrained. She’s got popular culture on a long but strong leash. She looks gorgeous and positively glamorous no matter what color she wears. And last but not least, she’s got the charisma to make people of all ages want more of whatever it is she feels like offering.

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Here at Comicraft we have seen the signs on the headline news, we have read the portents of things to come... yes, just as thunder is a sign of storm, just as pumpkins outside Ralph’s on November the 1st are sure to be on sale, just as fresh produce becomes rotten, as sure as night turns to day, dark turns to gray, winter turns to spring and milk turns sour if you leave it out on the kitchen table overnight...

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Mahalia draws inspiration from vintage hand-lettering, but adds a modern, European twist.

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Espectro is a fabulous font full of swashes and alternates.

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Kinescope is a dashing 1940s-style brush script.

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Coral had its origins in the font Leah. I had requests from users that I create a cursive version of Leah. (In a cursive font the letters are joined together as in handwriting). In the process of development it changed sufficiently that I decided to release it under its own name. Hence “Coral”.

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Arabesque is a romantic, ornamental font, in which intertwining, flowing lines and generous loops enhance the beauty of the basic shapes. Arabesque successfully combines legibility with a decorative, sumptuous style. In its European interpretation it was also called “Moresque”.

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Released by the Monotype Corporation in 1931, Script Bold is based on German script-lettering styles of the early twentieth century.

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The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs.

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