Copperplate Classic Light Floral is the latest addition to my Copperplate Classic Group of fonts. The floral decorations go perfectly well together with the classic forms of the Copperplate. Your decorative designer Gert Wiescher.

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Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

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Symphony Pro… sounds like music, elegance and classic quality. That’s exactly how Symphony Pro carries the message to the reader. Symphony Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

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The inspiration for Jeeves came from Leslie Carbarga’s wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit.

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Adagio Pro… sounds like music, elegance and classic quality. That’s exactly how Adagio Pro carries the message to the reader. Adagio Pro is a rather formal script with very beautiful, generous and swashy upper case that were redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

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profonts Sonata and profonts Concerto are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. profonts Concerto’s upper cases are more complex, swashier than those in profonts Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate.

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Based on a turn of the century design.

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Everything is a simple, yet beautiful handwritten font.

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The font to use for emulating credit card imprints. Caard emulates the small imprint text found on many credit cards. (Emboss effect not included.) There are two numeric styles on a typical credit card, so there are two versions of this font.

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Copperplate was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known.

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Valentine is new profonts script typeface family with versions in light, light italic, medium and medium italic, supplied in the new OpenType Pro font format. Valentine contains about 1,100 glyphs for every weight, covering the complete Latin character set (West, East, Baltic,Turkish, Romanian), and a huge number of handmade ligatures, character combinations and alternates to make it a perfect OpenType Pro connecting script.

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Ballerina Pro… sounds like music, ballet, elegance and classic quality. That’s exactly how Ballerina Pro carries the message to the reader. Ballerina Pro is more of a formal script, light-weighted and quite beautiful, redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

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profonts Concerto and profonts Sonata are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. Concerto’s upper cases are more complex, swashier than those in Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate.

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These four sets of game symbols include chess, dice, dominoes, and two styles of playing cards—French (plain) and English (includes the card name).

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Party Doodles Too is the companion font to the popular font Party Doodles. 29 fun icons including a tray of champagne glasses, appetizers, balloons, pinwheel, stork with a baby, ace of hearts playing card, top hat and tunes, dice, bowling ball and pins, gifts, party umbrellas, cakes, cupcakes, ice cream, lollipop, drinks, corkscrew, noise makers, banners and candy.

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Insigne Abstractions is a break from working with letterforms and a chance to play with pure abstraction.

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Euroscript Pro is the digital version of Ralph M. Unger’s handwriting, a very talented and hard-working German type designer. Unger has redesigned a large number of beautiful ancient typefaces during the last few years. Peter Rosenfeld of profonts persuaded him to try and design his own very beautiful handwriting. Kind of hesitant at the beginning of the design process, Unger’s joy and excitement about the project was continuously growing during the design process. He designed not only the standard character complement West, but added all of the Eastern European Latin glyphs and, on top of that, even the complete Cyrillic characters. Born and grown up in Thüringen, former East Germany, Unger has a fair knowledge of Polish and also Russian (Cyrillic).

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A collection of 174 hand icon and silhouette designs.

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As seen on Typophile.com, DTD Seriatim is a new and innovative take on the geometric sans-serif, with a wide variety of alternate characters and elegant ornaments to make it a highly versatile type for display or more discreet text use.

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The meaning of the word “Abuelito” in Spanish language is grandfather and this font is named by this way because it resembles the writing of an old man.

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Originally, Arabella Pro was designed by Arnold Drescher around 1936/1939. Drescher created this wonderful script for former Germany typefoundry Joh. Wagner. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio by Ralph M. Unger.

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The Art Nouveau styles of the the turn of the 20th century (1890 - 1905) exhibited a bold approach to organic lines and lavish decoration. This new style was spread throughout the world and helped usher in a new era that led to modern art and design. Art Nouveau SCF is strongly influenced by the style of decoration and typography created by Rennie Mackintosh as well as the Art Nouveau movement in general (with particular reference to Gustave Klimt and Alphonse Mucha). However, it differs from much of the art nouveau typography in that it largely avoids the use of straight lines in its letter forms.

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Signboard JNL is based on die-cut cardboard display lettering once made by the Duro Decal Company (now Duro Art Industries) of Chicago, Illinois.

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Marseille Tarot is based on a famous 16th century Italian Tarot deck.

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Based on the original design, circa 1927.

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Iova Nova is based on Jowa Script, designed by J. Wagner in 1967.

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The Redikut Letter Company of Hawthorne, California specialized in die-cut cardboard display letters used by sign makers to achieve a three-dimensional effect on show card and display work.

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In the days before vinyl sign lettering overran the landscape, talented neighborhood sign painters and show card writers made attractive displays for local merchants.

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This was a favorite of job printers in late Victorian times. They used it on cards and stationery, as well as small handbills. It was made in a range of sizes from 10 point to 36 point.

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Eckhardt Freehand JNL is the fourth font based on the lettering of sign painters and show card writers. Jeff Levine has chosen to name this “mini series” of fonts in honor of his friend Albert Eckhardt, Jr., a talented sign man who ran Allied Signs [in Miami, Florida] from 1959 until his passing in 2005.

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Eckhardt Showcard JNL and Eckhardt Showcard Two JNL are drawn from more lettering found in an old sign painting book.

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Eckhardt Signwriter JNL is based on a casual display lettering face popular with many sign painters and show card writers of yesteryear, best suited for large print projects.

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