Murbia was written with a glimmer-pen which has left the letters with a grungy look. What’s even better is that the font comes with loads of ligatures for both double letters/numbers and the most common letter combinations...just to make the font look more like real scribbled handwriting!

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FG Bethany is really decorative spontaneous handwriting.

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Everything is a simple, yet beautiful handwritten font.

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Designed by Vincent Connare, this is a face based on the lettering from comic magazines.

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Pony Tale is a handwriting script face in three styles, Light, Regular and Bold.

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Here’s a simple, classic hand-lettered gem, based on an old photoface named Adonis.

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Lexia Readable was designed for maximum legibility, an attempt to capture the strength and clarity of Comic Sans without the comic book associations. Features like the non-symmetrical b and d, and the handwritten forms of a and g may help dyslexic readers.

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An elegant yet down-to-earth script based on the pen lettering of the writer, Christopher Stocks.

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Magical Mystery Tour and the Outline Shadow version are fonts based on the lettering used for the Magical Mystery Tour record sleeve. A full-fat and bulbous casual sans with a 1960s feel.

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Typedesigner Hannes von Döhren created Brevia, a soft sans serif type family consisting of seven weights plus matching italics. The fonts have a hint of a brushed feeling and come across casual and friendly. Nevertheless Brevia’s architecture is straight, making it perfect for longer texts. Because of its big x-height, it also performs nicely in very small sizes. Brevia’s heavier weights are slightly more curved and have an eye-catching appearance. They unfold their strength especially in bigger sizes. This contemporary type family is intended to be used in applications like: Cosmetics, Service, Food and Advertising – basically everywhere where a pleasant feeling should be conveyed.

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Ability is a family of stylish and contemporary handwriting fonts that combine the vigor of hand-drawn fonts such as Affable with the elegance of fonts such as Blythe. What is unusual about Ability is that it enables a word to be formed from a group of letters in a variety of ways: not only the conventional linking of letters as in a cursive script or the placing of letters close to each other on a common baseline, but it uses the overlapping of the swashes and swirls that contribute to the individuality of the characters to integrate the letters into a single word.

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The inspiration for Jeeves came from Leslie Carbarga’s wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit.

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Thought, with its versatile five styles, is ideal for contemporary display work. It has style, flair, legibility, and interesting, flowing letter shapes.

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Drawzing is a font designed by Ethan Dunham that mimics the looks of either chalk or crayon.

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Born out of an insatiable addiction to handwriting fonts, Andrea’s Handwriting fonts are simple, readable and easy on the eyes.

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Hemingway designed by Alessandro Segalini was inspired by the prize winning novel The Old Man and the Sea by Ernest Miller Hemingway.

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Barbieri is a casual sans type family, based on a German lettering style from the 1960s.

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Cenizas is another masterpiece of rough-and-tumble script from the prolific Argentine duo of Koziupa and Paul.

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Pedell is a new profonts script which simulates handwriting with chalk. Up to now, this type of design had not been available in profonts’ library of script fonts.

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The idea for Lipstick came from a snippy little note Patrick Griffin’s better half left for him one night. The note was tacked to the bedroom door. “COUCH TONIGHT!” it exclaimed in red lipstick on a paper towel. All because the hockey game was on at the same time as American Idol. Sheesh. But since all is fair in love and hockey, and since Patrick was used to such cruel treatment, he shrugged his shoulders and let his mind wander about the concept of using lipstick as a writing tool, and pondering the possibilities of a lipstick font.

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Miss Donna - contemporary, powerful, versatile and casual. Curvy, sassy, fast-talking, and utterly useable, she takes you into the world of movie posters, decor ads, fashion posters and tags, greeting cards and invitations. Her lines are bold, clean and legible.

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Pronto is a fast and breezy calligraphic handwriting font that moves to a timeless beat.

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Stu’s Handwriting is based on the penmanship of the late Raoul “Stu” Stuart.

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The Galgo is a Spanish Greyhound, an ancient hybrid breed of dog. Just like the Galgo, the letters of this font are a mix of elegant brush calligraphy and the rough, weathered strokes of speedy scrawl.

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Duality is a rugged, condensed display font with class based kerning, math symbols, fractions and numeric ordinals.

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Praline Smooth is a silky smooth connecting script with a thick gooey feel.

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King15 is a beautiful script font based on signatures dated back from hundreds of years.

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Tiza is a rough take on informal faces and handwriting, brought on by the recent demand for scripts and brush lettering. Its flow leaves traces simulating runny pen ink, which makes it very suitable for handwriting-like paragraphs as well as casual greeting card and invitation setting. The bold weight, Tiza Negra, fits very nicely on book covers as well as large signs. Tiza is the proverbial reminder that typefaces can sometimes be more human than they are normally perceived. Designed by lettering great Angel Koziupa, and digitized and completed for Sudtipos by Alejandro Paul.

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A misprinted sans serif loosely based on Phillip Cavette’s 1999 font 4990810, but with re-drawn outlines, more distress marks, a neater vertical aspect and no baseline irregularity.

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Tanked is one crazy and mixed up font, perfect for any fun project you can think of! Upper and lower case letters are dispersed throughout the font, no need to use caps...just bang away on your keyboard without regard for any typographic rules.

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I wanted to create a “handwriting” font which could be used professionally. I have often needed such a font with a variety of weights and styles for a particular project and have had to resort to mixing fonts, creating a rather messy, amateur job. Camy is named for a little village in South West France where I did much of the initial work on this font.

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Thump is a fat, casual, sans-serif headliner.

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Pupcat was inspired by posters from 1960s Hollywood comedies. It’s cute, thin and lives for fun.

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To my sister Lara.

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The Ray Johnson font was inspired by the Father of Mail Art. It’s based on the block lettering style used by Ray to add the names of his correspondents to their bunny head portraits (the film How to Draw a Bunny is a superb introduction).

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The Ivan Zemtsov font is based on the lettering of Russian mailartist Ivan Zemtsov, and features both the Latin and Cyrillic alphabets.

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The first handwritten font from CheapProFonts - and what a beauty it is!

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Daub captures the look of old-style graffiti—it’s graffiti from the days when vandals used a brush and a pot of white paint. Not an airbrush or aerosol in sight.

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Norton is a full character set based on the five letters in the famous Norton Motorcycles logo. K-Type has attempted to remain true to the spirit of the original identity, whilst updating the face, particularly the upper case, to sit more comfortably in contemporary usage.

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Mtwane is a contemporary font, fusing the vigor of African design with the clean-lined sophistication of the European fonts popular at the turn of the 20th century.

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Markup is a fresh, clean, handwriting font suitable for use in many applications. At large sizes, the letters showcase their smooth, natural curves. At text sizes, its sharp rhythm makes for a casual personality while still remaining legible.

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Brush Writing OC creates a look of lettering written freehand, from the brush of a skilled calligrapher.

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The master of the dancing brush, Angel Koziupa, and the node-obsessed perfectionist, Alejandro Paul, offer up another bucket of fun with Malambo. This time Koziupa allows his brush to jitter one whole millimeter, and Paul digitizes with two eyes instead of his usual three. Follow your heart, but consume an ounce of peroxide first.

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Vatican is a calligraphic face. The lower case is influenced by the lettering of Arthur Baker but the caps are more formal, the shape of the Cap V reminded me of a Bishops Mitre which led eventually to the name. The lighter weight works particually well in smaller text.

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Of all the fonts installed with Windows, surely Vincent Connare’s Comic Sans is the most characterful. Originally intended to be the speech-balloon font in Microsoft 3D Movie Maker, it has been bundled with most copies of Windows since 1995. Almost extravagantly unintimidating, Comic Sans has enjoyed huge popularity from Windows users in even the most inappropriate of circumstances (sightings that its designer is keen to record).

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