profonts Concerto and profonts Sonata are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. Concerto’s upper cases are more complex, swashier than those in Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate.

More…

Its manuscript and informal profile emphasizes its sweet and feminine style.

More…

Register Serif is a typestyle inspired by the clean, generic handwriting specimens from an old Speedball booklet modified for more friendliness and finesse.

More…

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983.

More…

This revival of Harry is based on the original design by Marty Goldstein (and C.B. Smith).

More…

Houschka has the humanist qualities reminiscent of Gill and Johnston but is quite unique. It is more monolinear with rounded corners giving it a softer appearance, and has a few interesting character quirks like the capitals A, G, Q, W and lower case u and w.

More…

I wrote Freedom Writer out of a desire for a handwritten script that’s all-connecting. It’s partly based on my own handwriting style, and somewhat influenced by hand-lettered scripts of the 1940s and 1950s.

More…

To best extend the range of the ITC Officina family, Erik Spiekermann and his team at MetaDesign added a sans serif companion face in two weights.

More…

Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

More…

It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin).

More…

Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.

More…

Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

More…

Influenced by the 1960’s typeface, Design Fineline.

More…

Based on the Keystone Type Foundry design, circa 1919. The l/c ‘g’ appears as an alternate character in our font.

More…

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983.

More…

This typeface was created by writing with a brush pen, selecting the best characters, scanning and tracing exactly to maintain maximum character integrity. Extensive kerning ensures an even flow when set as text, so Gizmo appears as quickly-written handwriting.

More…

In Cooke’s ongoing quest for simplicity and elegance he developed this striking alternative sans family.

More…

Espectro is a fabulous font full of swashes and alternates.

More…

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This typeface is used by a famous European car company in all their marketing!

More…

Register Sans is a typestyle family inspired by the draft-letter handwriting samples from old Speedball booklets, with a little variation for a more friendly flair.

More…

Based heavily on Gill Sans especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specificaly as a text face it still works very well as a headline font.

More…

Re-tooled from the QBF Collection.

More…

The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products.

More…

This frilly script has been acid dipped, scratched and destroyed for use in grungy design jobs or any other use that calls for a ragged script.

More…

Named after her 1968 Volkswagen Bug “Emma,” Kanna Aoki’s Emmascript reminds us of the unmistakable quirks of everyday handwriting. Idiosyncrasies of this whimsical ballpoint script include the looping lowercase “r”, the “A” resembling an oversized “a,” and the curlicue question mark.

More…

Re-tooled from the QBF Collection.

More…

Felt tip-written and full of expressive lines, Brandy BF exudes much verve and energy; and unlike many scripts, sets rather well in all caps situations.

More…

profonts Sonata and profonts Concerto are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. profonts Concerto’s upper cases are more complex, swashier than those in profonts Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate.

More…

Symphony Pro… sounds like music, elegance and classic quality. That’s exactly how Symphony Pro carries the message to the reader. Symphony Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

More…

Adagio Pro… sounds like music, elegance and classic quality. That’s exactly how Adagio Pro carries the message to the reader. Adagio Pro is a rather formal script with very beautiful, generous and swashy upper case that were redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

More…

Inspired by an example of French handwriting ca. 1935.

More…

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Another typeface from Les Usherwood that was released after his 1983 death.

More…

Based on a turn of the century design.

More…

Balladeer is an elegant, classical script available in several weights.

More…

Here is an extremely efficient and uncluttered typeface that you can use in a variety of situations.

More…

These 3 weights were developed as the corporate typefaces for a design company in 1997. The starting point was the word ‘accent’ in lower case. It is essentially a sans typeface with the thick/thin contrast of a serif and is the only family in the G-Type collection that was designed for a client.

More…

In the United Kingdom, Virgin Trains uses various weights of Generation Gothic extensively.

More…

Sweet Upright Script is the first release for Sweet Fonts Collection, published by MVB Fonts. It is an interpreted revival of a vintage, social engraving lettering style that was popular during the 20th Century. It is probably the first digital version of the design.

More…

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful version of Century Old Style by Les may be superior to any existing versions.

More…

Based on the Ludlow/ATF versions of this great typeface.

More…

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface by the legendary Eric Gill. Discovering a lost typeface by one of the major designers of the 20th Century, was the discovery of a buried treasure, and being the first type company to release it was an honor.

More…

Originally, Arabella Pro was designed by Arnold Drescher around 1936/1939. Drescher created this wonderful script for former Germany typefoundry Joh. Wagner. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio by Ralph M. Unger.

More…

Everything is a simple, yet beautiful handwritten font.

More…

Valentine is new profonts script typeface family with versions in light, light italic, medium and medium italic, supplied in the new OpenType Pro font format. Valentine contains about 1,100 glyphs for every weight, covering the complete Latin character set (West, East, Baltic,Turkish, Romanian), and a huge number of handmade ligatures, character combinations and alternates to make it a perfect OpenType Pro connecting script.

More…

Ballerina Pro… sounds like music, ballet, elegance and classic quality. That’s exactly how Ballerina Pro carries the message to the reader. Ballerina Pro is more of a formal script, light-weighted and quite beautiful, redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

More…

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Many of the weights and the italics were created after Les’ death.

More…

Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.

More…

Based on the original Stephenson Blake drawings.

More…

In searching for a Roman to use there were bits of Bembo,Times,Garamond etc., that I liked and bits that I did not. So I set out to take the best bits of all my favorite Romans and tried to create the ultimate Roman typeface.

More…

Designed by Les Usherwood. Digitally engineered by Steve Jackaman.

More…

Based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris’ Golden Type.

More…

Stefania Antique is an aged version of Stefania, an elegant italic script.

More…

Designed by Les Usherwood. Digitally engineered by Steve Jackaman.

More…

Scentogram is a deco font inspired by some 1950-60 ads.

More…

Condé Nast commissioned the FB version of this popular oldstyle for Traveler magazine.

More…

A beautiful free flowing informal hand-written design, but yet still elegant enough for many applications.

More…

Discover why Pickle Sans is the font the makers of Comic Sans don't want you to know about! Why not convey a casual professionalism that is a step above the competition?

More…

Arendahl is a natural-looking, irregular connected handwriting script.

More…

Stephanie is a rounded geometric display font and works best in display applications, such as posters, headline, magazine, product branding, corporate branding, signage, logos and titles.

More…

The original Ronsard Crystal began its life as a single-weight VGC photo display font in the 1950s.

More…

Courier is the king of typewriter faces. But if you want an alternative, something with a look reminiscent of the older, manual typewriters, consider TiredOfCourier. The family includes true italics, something very unusual in a typewriter face.

More…

This font was created for the birth of a baby in June 2008. It’s a melting font, including various types : blackletter script, bastarde, humanistic... a joyful interpretation for a joyful event.

More…

Ever think that supermarkets are becoming less personal and more clinical and cold? What will cost you less than a trip to the supermarket and put a smile on your face?

More…

Designed by Nick Shinn. Digitally engineered by Steve Jackaman.

More…

Euroscript Pro is the digital version of Ralph M. Unger’s handwriting, a very talented and hard-working German type designer. Unger has redesigned a large number of beautiful ancient typefaces during the last few years. Peter Rosenfeld of profonts persuaded him to try and design his own very beautiful handwriting. Kind of hesitant at the beginning of the design process, Unger’s joy and excitement about the project was continuously growing during the design process. He designed not only the standard character complement West, but added all of the Eastern European Latin glyphs and, on top of that, even the complete Cyrillic characters. Born and grown up in Thüringen, former East Germany, Unger has a fair knowledge of Polish and also Russian (Cyrillic).

More…

The thinking behind Fairway was to create a relatively conventional soft sans with a certain amount of movement at the top of the x-height line.The face is casual and quirky but can still be used as a text face.

More…

A light destructive sans typeface created from an old damaged ATF Specimen Book from 1912 containing a complete alternate core character set for a slightly more random look.

More…

This script font was inspired by the type called “Bastarde Flamande”, a very appreciated one in the Duke of Burgundy’s court in the end of 1400s for hand written books. A book titled Histoire Romaine (Roman history), from roman author Tite Live, translated in French by Pierre Bersuire, circa 1475, was our main source for drawning the lower case characters and a lot of upper case. Each character was written by hand with quill pen on rough paper to look like the originals as better as possible.

More…

Based on ‘Players,’ a typeface from English designer Adrian Williams, circa 1976.

More…

Revelation is a text typestyle that offers a diversity of usage and settings through its wide array of variants in weight and width, from condensed to expanded, regular to bold, and even outline versions.

More…

An original design.

More…