It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin).

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Get creative with the adventurous new brush casual Alpine Script from Charles Borges de Oliveira. This stunning typeface contains 29 alternate characters waiting to be explored.

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Le Havre is a geometric sans serif inspired by the golden era of the passenger ship, when getting to your destination was a delight in and of itself.

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Luxus Brut breathes the spirit of hand lettered signage of the Fifties. It’s a formal script, inspired from a well concealed shop portal in Vienna/Austria. Large and distinctive capital letters (that won't share the baseline with lowercase letters), wide spacing as well as a low x-height make it an excellent choice for posters, magazine headlines, logotypes, branding and any design that requires a touch of luxury and sensuality.

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Louisiana originated from the lovely handwriting style of Melanie Snedeker. Lettering Artist Charles Borges de Oliveira then refined the letter forms to produce this one of a kind handwriting script. When you need a legible handwriting font, Louisiana is the perfect choice.

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Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

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The inspiration for Jeeves came from Leslie Carbarga’s wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit.

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It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin).

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One can never be too tall or too thin, the old adage goes. Sympathique is quite fashionably both.

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An elegant face with dashing swash caps, based on an old American Type Founders typeface called Canterbury.

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The Le Havre series is a series of geometric sans serifs inspired by the dignified era of the passenger ship, when getting to your destination was a delight in and of itself.

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Based on the Morris F. Benton for ATF in 1920, it was not completed for production until 1926. The serif version we released a few years ago was so popular, that we decided to design a complementary sans serif version in three weights, along with three corresponding Swash fonts.

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profonts Sonata and profonts Concerto are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. profonts Concerto’s upper cases are more complex, swashier than those in profonts Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate.

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Symphony Pro… sounds like music, elegance and classic quality. That’s exactly how Symphony Pro carries the message to the reader. Symphony Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

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Adagio Pro… sounds like music, elegance and classic quality. That’s exactly how Adagio Pro carries the message to the reader. Adagio Pro is a rather formal script with very beautiful, generous and swashy upper case that were redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

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Originally designed by Morris F. Benton for ATF in 1920, it was not completed for production until 1926.

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Based on a turn of the century design.

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Balladeer is an elegant, classical script available in several weights.

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Based on the Ludlow/ATF versions of this great typeface.

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Cooper Black is a very heavy version of Cooper Oldstyle (also known simply as Cooper), an innovative typeface with rounded serifs and long ascenders designed in 1919. The Cooper family was the work of Oswald Bruce Cooper, co-owner of the Bertsch & Cooper design firm in Chicago. Cooper Black was first released by the Barnhart Brothers & Spindler foundry of Chicago in 1922. Oz Cooper was fond of saying that the Black fit the needs of “far-sighted printers with near-sighted customers.” Cooper Black set a trend in ad types which prompted such designers as Fred Goudy (one of Cooper’s early teachers) to follow suit with their own black faces (compare Goudy Heavyface).

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Although Los Alamos was originally designed as a complementary sister typeface to Grand Canyon, it evolved into a comprehensive and unique type family in its own right.

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A semiformal “ribbon” script designed by Robert Hunter Middleton, Coronet was first released by Ludlow in 1937. The small proportions of the lowercase letters are part of the elegance implied by the name and work best at medium or large point sizes, such as short blocks of display copy or headlines. The face has a soft, comfortable quality that lends itself to a wide range of applications, from invitations to bubble bath packaging.

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Valentine is new profonts script typeface family with versions in light, light italic, medium and medium italic, supplied in the new OpenType Pro font format. Valentine contains about 1,100 glyphs for every weight, covering the complete Latin character set (West, East, Baltic,Turkish, Romanian), and a huge number of handmade ligatures, character combinations and alternates to make it a perfect OpenType Pro connecting script.

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Ballerina Pro… sounds like music, ballet, elegance and classic quality. That’s exactly how Ballerina Pro carries the message to the reader. Ballerina Pro is more of a formal script, light-weighted and quite beautiful, redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

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Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.

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A gruesome operatic drama is about to unfold, a tragic performance of the macabre!

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Scentogram is a deco font inspired by some 1950-60 ads.

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Intense Eve is a crunchy, girly font with jumpy letters. Romantic indeed, and comes with extra heart swashes to jazz up your text!

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profonts Concerto and profonts Sonata are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. Concerto’s upper cases are more complex, swashier than those in Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate.

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Santini began as an experiment in mixing historical art deco, art nouveau, arts and crafts, and to a lesser extent Bauhaus sources.

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As seen on Typophile.com, DTD Seriatim is a new and innovative take on the geometric sans-serif, with a wide variety of alternate characters and elegant ornaments to make it a highly versatile type for display or more discreet text use.

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In 1910, Friedrich Wilhelm Kleukens designed the namesake for this typeface, which combines medieval letterforms with Art Nouveau sensibilites, for Bauersche Gießerei.

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Stephanie is a rounded geometric display font and works best in display applications, such as posters, headline, magazine, product branding, corporate branding, signage, logos and titles.

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Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is complimented by two other families, Crewekerne Magna and Crewekerne Magister.

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There has never been a publicly available digital version of Cooper Black’s original swash characters.

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Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

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The original Ronsard Crystal began its life as a single-weight VGC photo display font in the 1950s.

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Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones.

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A bold weight of a moderately flourished script designed for ATF by Morris Fuller Benton in 1908, and an industry standard since then.

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An original design, based on a very early turn-of-the-century typeface from the defunct Keystone Type Foundry, Philadelphia.

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The thinking behind Fairway was to create a relatively conventional soft sans with a certain amount of movement at the top of the x-height line.The face is casual and quirky but can still be used as a text face.

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In the early 1980s, Steve worked at Typographic House in Boston, Massachusetts. At the time, ‘Typo’ House, as it was affectionately known, was the largest type house in New England. This font was designed and produced during his tenure. The design was so popular that it became available commercially through VGC, and was known as TH Alphabet Soup.

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Another informal script designed in 1939 by M.K. Kaufmann for ATF.

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Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is complimented by two other families, Crewekerne Magna and Crewekerne Magister.

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An original design.

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Insigne Abstractions is a break from working with letterforms and a chance to play with pure abstraction.

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Designed by R.H. Middleton for Ludlow, circa 1937. Digitally engineered by Steve Jackaman.

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Based on the original design, circa 1927.

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An original idea based on a handwritten Portuguese wine label design.

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Based on the 1898 Ludlow typeface.

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This elegant copperplate script style has the appearance of grace and classical refinement. In a category that abounds with stunning styles, Commercial Script offers a timeless beauty that makes it an ever popular choice. The capitals are designed as initials for a lowercase where letterforms join together in true script fashion.

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