PF Champion Script Pro is the most advanced and powerful script ever made.

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The design of Beau Sans was inspired by Bernhard Gothic which is considered one of the first contemporary American sans serifs and was designed by Lucian Bernhard in the late 1920s.

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An old extended Grotesque.

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The typeface was designed at ParaType (ParaGraph) in 1989–2003 by Vladimir Yefimov and Olga Chaeva.

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Leksa Sans is a humanist sans-serif face with some contrast.

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Oksana Text Swash has swashed initials and ampersand for Oksana Text italics in six weights from Thin to Heavy.

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Futura was designed for Bauer company in 1927 by Paul Renner.

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An original script font designed by Victor Kharyk and licensed by ParaType in 2006.

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“Agrus” in Ukrainian means “gooseberry”. The letters are rounded like the berries and the sharp end elements remind of the barbs.

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Minotaur is an original monoline design based on an Oscan (http://en.wikipedia.org/wiki/Oscan_language ) votive inscription from the second century B.C.E.

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JoAnne Display is an elegant, open face, display font in 1 weight.

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Tooting Sans is a well-crafted, contemporary humanist sans. Designed for the needs of editorial, advertising and signage, Tooting Sans is not only suitable for setting large amounts of text at small sizes, it also has a presence and robustness for powerful headlines.

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An original text and display type family was designed for ParaType in 2008 by Manvel Shmavonyan to be used together with Susan and Susan Classic, earlier released type families by the same author. This is a low-contrast sans serif font with open letterforms.

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Story is a modern magazine typeface equally suitable for large pieces of text, headings and everything in between. It includes four styles.

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Another stencil font? Oh, yes. Circular trip time of bus number 17 is so long and designer has one relaxation: look over the letters in bus. It so much tables with bus stop names in it!

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The Bender font family was created in Russia specially for graphic designers.

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The Zheldor typeface was designed specially for the Railroad movie credits, but wasn’t used there. As a result, here comes an original type product that fits nicely into the urban environment.

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Norberto, a CastleType original, is based on a Russian design from the late 19th century that in turn appears to be based on Bodoni. However, Norberto is a much warmer design than most Bodonis, with many soft touches such as very gentle curves from the serif at the top of B, D, P, and R; a jaunty cap on the ‘A’ (and Cyrillic ‘El’, ‘De’, etc); charmingly quaint numerals; hairline accents, and other subtleties that make it a wonderful addition to the Modern typefaces.

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Back in 1936 the German Standards committee Deutsches Institut Normung (DIN) proposed DIN 1451 as the standard type of lettering for road signage. As the original manual states ‘the purpose of this standard is to lay down a style of lettering which is timeless and easily legible’.

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Back in 1936 the German Standards committee Deutsches Institut Normung (DIN) proposed DIN 1451 as the standard type of lettering for road signage. As the original manual states ‘the purpose of this standard is to lay down a style of lettering which is timeless and easily legible’.

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Centro Pro is the winner of the prestigious European Design Awards 2008 for original typeface.

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Colo Pro is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Centro Pro is the winner of the prestigious European Design Awards 2008 for original typeface.

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While Din Display seems to retain DIN’s basic characteristics, it shines with its sharper corners and contemporary look. Completed in 2002, it was first released and published in Parachute’s award-winning 2003 catalog and immediately was a hit.

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Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright an‚ six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps.

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Back in 1936 the German Standards committee Deutsches Institut Normung (DIN) proposed DIN 1451 as the standard type of lettering for road signage. As the original manual states ‘the purpose of this standard is to lay down a style of lettering which is timeless and easily legible’.

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Designer Panos Vassiliou created Square Sans Pro in his quest for a true square-like text typeface which could balance simplicity with vitality and enhance with its subtle power the identity of any product or service, without compromising its characteristics as a text typeface.

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Centro Pro is the winner of the prestigious European Design Awards 2008 for original typeface.

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Oksana is a Ukrainian female name.

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The typeface was created for TypeMarket in 1998 by Natalia Vasilyeva. Based on Lainie of Soft Horizons.

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Oksana Text is the demure version of Oksana, with shorted serifs, higher contrast, more slender proportions.

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This typeface was inspired by the rough surroundings of a modern city and reflects the contradicting nature of an emerging global youth culture.

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Designed at ParaType in 1997 by Andrey Kryukov and Dmitry Kirsanov.

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Country Western is a revival of the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells.

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News Gothic was the standard American sanserif of the first two thirds of the twentieth century with narrow proportions and a large x-height.

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Oksana Sans is a gothic sister of the Oksana Text typeface.

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Country Western is a revival of the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells.

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Country Western Script is a new font based on the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells.

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Blackletter typefaces follow certain fixed rules, both in respect to their forms and to the orthography. Possibly, they were a reaction to the half-developed Carolingian minuscule which was soon to end in the Latin script. Narrow, ordered script was to replace the round, hesitant and shattered shapes of letters in order to simplify writing, to unify the meaning of individual letters, and to save some parchment, too. Opposed to the practice common in monasterial scriptoriums where Uncial, Irish and Carolingian inspiration flew freely and as a result, the styles of writing differed in each monastery, the blackletter type was to define one, common standard. It was to express spiritual verticality, in perfect tune with the architecture of the Gothic era. Typography became an integral part of the overall style of the period. The pointed arch and the blackletter type were the vanguard of the spectacular transformation from the Middle Ages towards the modern era, they were a celebration of a time when works of art were not signed by their makers yet.

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The BDR A3MIK is an uppercase alphabet with alternatives including European/Eastern European, Russian Cyrillic and Japanese Katakana characters.

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These Oksana Text Swash Cyrillic fonts have swashed initials and ampersand for Oksana Text italics in six weights from Thin to Black.

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Bolshy is a stroppy font whose x-height has got ideas above its station, it’s ended up being equal to the cap height. Bolshy doesn’t go completely Bauhaus, and although the boundaries are somewhat blurred, the distinction between upper and lower case just about remains intact.

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Based on informal handwriting. The face resembles sophisticated but naive childish hand and brings associations of summer vacation and meadows spread with daisies. It may be useful in designing of invitations, picture-cards, posters, funny headers and certainly in advertising.

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Informa is a comprehensive sans serif text family based on traditional lettering in contrast, proportion, rhythm and stroke. In particular its proportions were based on a 1978 award-winning flare-serif film type called Signa, by Swiss design trio Team 77.

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The best of both worlds: good for small screen resolutions and nice output at larger sizes.

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Funny font for decorating posters, logos and small headings.

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Huxley Cyrillic is based on our Huxley Amore Bold, retaining all the Western and Central European characters of the latter, while adding upper and lower case Cyrillic characters.

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This fat and vivid typeface with broken lines has a great ability for uppercase setting.

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Oksana Sans Narrow is a space-saving addition for Oksana Sans Roman faces.

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Oksana Sans Condensed is designed for tight-fitting text.

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The best of both worlds: good for small screen resolutions and nice output at larger sizes.

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