Developed from Superbastone and designed to be used with all the weights of Superbastone. The letters are designed with “pois” of three different diameters.

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Lucecita was inspired in LED screens.

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Containment is a multilayered font system for creating headlines with fizz, gravel, snow, sand etc. With Containment, you get four fonts: A plain layer, a shadow layer, a crunchy-little-dots layer and a mix of all three. Looking for a companion font for Containment? Try Tandelle.

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With Puzzler, Zuzana Licko revisits and expands upon some of her earlier forays into decoration and geometric constructions of abstract elements.

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Funny font for decorating posters, logos and small headings.

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A creative dot matrix font reminiscent of Abacus counters.

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Paltime is a casual, all-caps font that comes in: plain, dots, hearts & stars.

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This dotty delight, with its exceptional x-height, is based on handlettering presented in one of Hal Martin’s many Idea Books “for Signmen, Artists and Displaymen,” published in the 1930s.

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Yet another hand-drawn font. Another exiting font from illustrator Christopher Metcalfe.

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Insigne Abstractions is a break from working with letterforms and a chance to play with pure abstraction.

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Bubblewrap is based on a 10 x 14 dot matrix grid and is perfect for projects where a little care and attention is the order of the day.

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DB Smartypants is a fun DoodleBat with flowers, dots, and stars!

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A new font in the style of a dot matrix/needle-printer.

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An interpretation of the modern serif.

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Glow Gothic BF, like its predecessor Subliminal BF, represents further exploration into typographic special effects. In its original form, it features letters that are transparent, with an opaque glow. Glow Gothic Overlay and Glow Gothic Underlay share identical spacing values and are designed to be used together. Though “Overlay” can certainly be employed as a separate, stand-alone, solid font, using these two together allows for greater color and (tighter) kerning possibilities —see Gallery Images.

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Inspired by the logotype from the movie Staying Alive, comes this digital broadway lights style font family known as Digital Disco, (ok, so it was really Saturday Night Fever, the Prequel that was Disco). My favorite scene is when John Travolta bumps into Sylvester Stallone in the beginning of the film. Just look at this typeface and think...“You could be dancing, YEAH!”.

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Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.

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Based on Alan Dempsey’s design for Letraset in the 70s Pinball, these dots will add dash to any headline.

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Subliminal BF presents a cool, distinctive look that’s a superb selection for a wide variety of uses from music CD covers to packaging.

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Vactic recalls the era of room-sized computers and ticker tape parades.

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A creative dot matrix font with more likeable and funny types of dots.

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Abigail is a font designed by Ethan Dunham that looks like it is made of ribbons. It comes in two versions, plain and dots.

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As seen on Typophile.com, DTD Seriatim is a new and innovative take on the geometric sans-serif, with a wide variety of alternate characters and elegant ornaments to make it a highly versatile type for display or more discreet text use.

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The best of both worlds: good for small screen resolutions and nice output at larger sizes.

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Sans-serif with ornate capitals, AcornSwash is an unusual decorative face.

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A single line of type, identified as Ornamented No. 5 and spelling out ROPE ONIONS, from the 1888 MacKellar, Smiths & Jordan specimen book provided the pattern for this whimsical face.

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A new font in the style of a dot matrix/needle-printer.

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A great UGLY font.

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As the name implies, FindReplace is the result of substituting different shapes into the Find and Replace function within the Fontlab software program. Normally reserved for the task of globally replacing unwanted curves or elements, Find and Replace can also function as a design element.

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ArgentaBobbed is an informal, "hand-printing" font with little balls at the ends of strokes.

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Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.

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A two version type family, Intimo One is a serif dot matrix typeface, letterforms made up of grid-based dots. Intimo Two is also made up of dots, but in this case the lines are curved, giving a softer, more organic feel.

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This charming little number is based on a rubber-stamp alphabet set, sold in the early 1900s under the name “Perfection,” which suits it.

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Good for small screen resolutions and nice output at larger sizes.

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DTC FunWorks consists of 450 extraordinary fonts divided into eight chapters: seven of which include 50 fonts each, and one of which includes 100 fonts*:

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Ingram BT might be described as Deco, or Arts & Crafts in style. Created by Alex Marshall, it is a very condensed design with high-waisted uppercase glyphs that feature dots rather than straight lines for the middle hairlines.

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Cusp is a display font that was initially inspired by austere Art Deco lettering. After the capitals were refined, then the lowercase was designed with a bit of techno flair. From these basic letterforms a variety of styles were created, ranging from the rigid DeStijl to the whimsical Loose.

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Where’s the party? Don't forget Contempo Elan! This stunning new font comes with it’s own party ornaments. The right solution for any festive occasion, this super innovative face comes in two flavors.

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A casual style influenced by the ball-and-rod or ‘atomic’ imagery that was so popular during the 1950s. Called Telegram because it reminds the designer, Timothy Donaldson, of lines and knobs. This playful alphabet communicates an almost child-like innocence and is ideally suited for work directed toward the younger generation.

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Cypher is a techno looking font that attempts to employ the Gestalt principal of closure. It may, at larger sizes look like some sort of code or a bunch of dots and dashes, but when viewed at smaller sizes it falls together into legible words.

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80s PXL is a computer font designed to emulate computer terminals from the early 80s.

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The best of both worlds : good for small screen resolutions and nice output at larger sizes.

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The roly-poly serifs, inspired by West Banjo, designed by Dave West, add such irrepressible charm to this typeface that you just want to pinch its little cheeks, if you are so inclined.

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This typeface was originally inspired by Art Deco lettering. During the development of the letterforms a strick DeStijl grid was imposed. The lowercase letterforms were created with the influences of rave/techno design styles. The result is a distinctly contemporary display font.

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The best of both worlds : good for small screen resolutions and nice output at larger sizes.

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Based on the blobby lettering printed on the sheets of plasterboard (drywall) used in a garage conversion during the summer of 2004.

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A humourous typeface that, like my mind, is rather dotty.

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The WebType family was designed to be used on screen with web design applications.

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TapedUp, Tinkerer, and Rumpled are based on the template I used for some of novelty fonts -- fonts made of wrenches and bolts, hammers, or paper clips. TapedUp can be thought of as a font made from masking tape, and Rumpled is the same design but the tape pieces are wavy. Tinkerer is the same design but with elements that resemble what might happen if one constructed letters from TinkerToys.

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The best of both worlds: good for small screen resolutions and nice output at larger sizes.

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Display Dots One is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications.

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Telegram is the work of British designer Timothy Donaldson, a casual style influenced by the ball and rod, or atomic, imagery popular during the 1950s. Donaldson called the typeface Telegram because it reminds him of dots and dashes. Telegram is a play alphabet which communicates an almost childlike innocence and is ideal for work directed at younger people.

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