Bello is a brush typeface for headline point sizes - it’s big & beautiful. Bello has lots of ligatures and start and ending swashes. They are automatic in Bello Pro, which is a cross-platform OpenType font with many OpenType features.

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Snicker (2007) is a playful 1940s-style brush-lettered sans serif. It was inspired by hand-lettered titles in Fleischer Brothers' Superman cartoon series. The font includes some extra features when used with OpenType-savvy applications including case-sensitive punctuation, automatic fractions, and extended language support. A handy user guide is included to help get the most out of Snicker’s OpenType features.

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Junegull is a smart, hugworthy, allcaps rounded sans.

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Secca is a fine and simple typeface honoring the roots of early German grotesque type designs but mastered for the needs of today.

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The name says it all. It is aesthetically located between American Gothics and European Grotesques and features small caps, a Central European character set and four number formats plus small caps numerals.

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Designed to be layered, DeepFried is a multi-weight geometric sans-serif with a 70’s pop feel.

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Ryno Slab is a superslab that was born out of a need for an aggressive, heavy, geometric display face that did not appear clunky. Its serifs are so thick, you could create reasonably legible word shapes by using all caps and masking the words out.

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Mercearia is a bold typestyle font, based on a 1944 Brazilian book about alphabets and letterings styles.

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This cuddly face is based very loosely on Dave Farey’s Beesknees. This version is a little more regimented but no less fun, and is notable for the addition of a lower case, not found in Farey’s design.

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Colo Pro is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Secca Art recovers some of the expressive forms of early art nouveau and art deco grotesques — not copying it, but carefully adapting it for today.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact.

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Originally conceived as part of a unique display design created for Hershey’s Times Square flagship store, the PowerStation family is the perfect choice when looking for a font that speaks of strength, solidity and character. It comes in two “faceted” 3-D versions: “Block” where the dark side is dominant, and “Wedge” where you see more light than shadow. The family also includes both “Solid” and “Outline” versions of the font. They are all available in both normal and wide versions.

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Avatar is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

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Kare is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Prisma is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Clou is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Force is a contemporary sans serif ultra-black family designed by Ricardo Esteves.

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BAQ Rounded is a fully developed solid typeface which contains full Latin characters, is highly legible, and always good for extra impact.

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Match and Kerosene is proud to present its debut font, Slab Sheriff.

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Fatty Fatty Boombalatty PW is suitable for display use for titles, as well as short paragraphs of text.

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Arco is a brand new fat-face with some geometrical tweaks grabbing fresh and ideal for fashion editorial headlines.

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A bold sans serif typeface influenced by Ed Benguiat's work for the 1968 movie poster for Planet of the Apes.

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Akimoto is a fat slab typeface.

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Tubby came about when I made a book with Cooper Black as a headline font. I started playing with heavy forms, and as a result was Tubby.

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PyeMan is a rounded block typeface influenced by home computer games from the 1980s. Examples include Asteroids, Defender and Pac-Man.

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Acid Haus is a fat, geometric face inspired in equal measure by 1920s Bauhaus geometric design and 1980s rave culture.

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JoyRider is an 8-font family consisting of 4 weights with italics.

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Dr.Black is an extremely fat, square typeface, which looks best set in a very graphic grid. Because of the size, and the white spaces between the characters being so small, it looks good letting an image show through the characters.

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Michael Stipe and Chris Bilheimer have been creating all of the art and design for R.E.M. together for 15 years. Their work together has garnered 3 Grammy nominations for Best Package Design and sold more than 15 million copies world-wide. Both attended the fine arts program at the University of Georgia. Michael Stipe, singer and lyricist, formed R.E.M. in 1980. Bilheimer began working with the band in 1994. While continuing to sing with R.E.M., Stipe is also an avid photographer and film producer. Bilheimer continues to work in the music industry, art directing bands such as Green Day and Weezer.

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Portal is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Poleno is a custom typeface originally designed in 2006 for the Slovak folk dance ensemble Poleno, as a part of their corporate identity. Ever since, new weights have been added to complete six variables and two different options for accents.

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Dodgy Ultra is a fat typeface for headlines and eye-catchers.

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First developped for a logo that was rejected we made a font of it!

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CA Cula Superfat is a distinctive fatty typeface, mainly intended for display purposes.

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Pentangle is a complete font freely based on the eight characters used for the title of the 1967 folk/jazz/rock album.

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Magical Mystery Tour and the Outline Shadow version are fonts based on the lettering used for the Magical Mystery Tour record sleeve. A full-fat and bulbous casual sans with a 1960s feel.

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Klique is a furturistic display font with Japanese undertones.

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A twice-painted sign in Tobago’s back country was the seed for this weird grab-bag of chunky, slightly sleazy letterforms.

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PiS VinoZupa is based on a logo found on an old Slovenian bottle of brandy.

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