<![CDATA[MyFonts Search: tag:"festive"]]>

<![CDATA[MyFonts Search: tag:"festive"]]> en-us Thu, 03 Dec 2009 15:17:39 -0500 Thu, 03 Dec 2009 15:17:39 -0500 http://blogs.law.harvard.edu/tech/rss 1440 ©2009 MyFonts, Bitstream Inc. webmaster@myfonts.com <![CDATA[Jabberwub]]> family of 1 font from Sentinel Type

A fresh new decorative display face bubbling with life & spontaneity, Jabberwub belongs to a rare genus of creature fonts that time forgotócasual animated. A fun & bouncy eye-catcher that crosses into the land of the zany, dancing a whacky line between discord & rhyme, Jabberwub packs tons of fun into a state-of-the-art OpenType font loaded with 270 extra glyphs, including stylistic alternates, discretionary ligatures, word ligatures and capitalized ligatures, allowing creative typographers to achieve a custom hand-lettered look without all the mess & spilt glue of a manual paste-up job. Just like using rub-down type but it never cracks or splits, and it never runs out. The moment you start using Jabberwub you'll be laffing!

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]]> Tue, 24 Nov 2009 08:02:20 -0500 <![CDATA[Sibyl]]> family of 3 fonts from Sentinel Type

Sibyl is a beautiful display letter rich in structure, sumptuous in finish, and exquisitely detailed throughout. What amounts to a rarity among rarities—an inline schwabacher—required many hours study of traditional schwabacher fonts. The resulting Sibyl type hews much closer to authentic schwabacher forms than its “scanned and fonted” progenitor, the Verzierte Schwabacher designed by Carl Kloberg, 1891.

]]> Mon, 16 Nov 2009 06:45:48 -0500 <![CDATA[Apple Boy BTN]]> family of 3 fonts from Breaking the Norm

Apple Boy is a comic style typeface with a bold hand-drawn look; awkward and playful, yet strong and dominant.

]]> Thu, 15 Oct 2009 20:49:43 -0400 <![CDATA[Manic Mood PB™]]> family of 1 font from Pink Broccoli

An offbeat alternate caps typestyle inspired by the cover of a vintage LP titled, Organ Moods by Jerry Thomas. A playful and childish font from a sexy cheesecake album! Go figure.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Freak]]> font style from Freak by Cool Fonts

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Velvet Teen™]]> family of 1 font from Pink Broccoli

An art deco style typeface inspired by the poster from the 1971 film, Velvet Vampire.

]]> Tue, 24 Nov 2009 08:02:21 -0500 <![CDATA[Monster Fiesta PB™]]> family of 1 font from Pink Broccoli

An offbeat, fun, and frightful serif typeface inspired by the 1969 Rankin Bass animagic classic titled, Mad Monster Party.

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]]> Tue, 24 Nov 2009 08:02:21 -0500 <![CDATA[Sunitials JNL]]> family of 1 font from Jeff Levine

Sunitials JNL contains twenty-six initials inside of a sunburst pattern for monograms, page headers, stationery and other creative projects.

]]> Tue, 24 Nov 2009 08:08:21 -0500 <![CDATA[Le Havre™]]> family of 10 fonts from insigne

Le Havre is a geometric sans serif inspired by the golden era of the passenger ship, when getting to your destination was a delight in and of itself.

]]> Mon, 23 Nov 2009 16:58:58 -0500 <![CDATA[Snow™]]> family of 1 font from Kapitza

The inspiration behind Snow, Kapitza’s 2009 festive font, is the beauty of snow crystals and the interplay between their unique designs.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Youngblood™]]> family of 3 fonts from insigne

Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

]]> Mon, 16 Nov 2009 06:46:44 -0500 <![CDATA[Luxus Brut™]]> family of 1 font from phospho

Luxus Brut breathes the spirit of hand lettered signage of the Fifties. It’s a formal script, inspired from a well concealed shop portal in Vienna/Austria. Large and distinctive capital letters (that won't share the baseline with lowercase letters), wide spacing as well as a low x-height make it an excellent choice for posters, magazine headlines, logotypes, branding and any design that requires a touch of luxury and sensuality.

]]> Tue, 24 Nov 2009 08:08:25 -0500 <![CDATA[Le Havre Rounded™]]> family of 10 fonts from insigne

The Le Havre series is a series of geometric sans serifs inspired by the dignified era of the passenger ship, when getting to your destination was a delight in and of itself.

]]> Mon, 16 Nov 2009 06:46:59 -0500 <![CDATA[Londonderry Air NF]]> family of 3 fonts from Nick's Fonts

An elegant face with dashing swash caps, based on an old American Type Founders typeface called Canterbury.

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]]> Thu, 15 Oct 2009 20:49:43 -0400 <![CDATA[Canterbury Old Style™]]> family of 4 fonts from Red Rooster Collection

Originally designed by Morris F. Benton for ATF in 1920, it was not completed for production until 1926.

]]> Mon, 16 Nov 2009 06:41:31 -0500 <![CDATA[Jezebel™]]> family of 5 fonts from Canada Type

Jezebel is all dressed up for you. And if she can't make your mouth water and eyes light up with love, nobody else can. She’s got bigger hair than Dolly and Elvira together, more tongue than a Kiss concert with Jagger opening, more leg than a Moulin Rouge premiere, more sword than a pirate ship, and more loop than a chartered accountant. She’s the queen of now, the essence of cool, the twenty-first century fox. She’s the ever playful and creative girl with so much talent her art just cannot be restrained. She’s got popular culture on a long but strong leash. She looks gorgeous and positively glamorous no matter what color she wears. And last but not least, she’s got the charisma to make people of all ages want more of whatever it is she feels like offering.

]]> Mon, 16 Nov 2009 06:45:39 -0500 <![CDATA[MVB Cafe Mimi®]]> family of 2 fonts from MVB

Curly brush script]]> Thu, 15 Oct 2009 20:49:43 -0400 <![CDATA[Canterbury Sans™]]> family of 6 fonts from Red Rooster Collection

Based on the Morris F. Benton for ATF in 1920, it was not completed for production until 1926. The serif version we released a few years ago was so popular, that we decided to design a complementary sans serif version in three weights, along with three corresponding Swash fonts.

]]> Mon, 23 Nov 2009 09:15:04 -0500 <![CDATA[Byron™]]> family of 6 fonts from Red Rooster Collection

Based on a turn of the century design.

]]> Mon, 16 Nov 2009 06:41:30 -0500 <![CDATA[Ribbon 131]]> family of 2 fonts from Bitstream

]]> Mon, 16 Nov 2009 07:33:26 -0500 <![CDATA[Chikita™]]> family of 3 fonts from Canada Type

Chikita greets you with big, happy eyes, and all the energy in the world. She wants to skip the talking and get to the dance floor, where she owns the beat and sways like a tongue of fire. She doesn't settle for anything less than everyone in the room fixating on her, and every pair of eyes is indeed happy to oblige. Being both the noumenon and phenomenon of the party, she remains in your mind long after closing time. And you just know the next time you see her your heart will skip a beat and a welcome wave of contentedness will wash over you.

]]> Mon, 16 Nov 2009 06:46:29 -0500 <![CDATA[Dubbeldik]]> family of 1 font from Mecanorma Collection

]]> Tue, 24 Nov 2009 08:01:50 -0500 <![CDATA[Caslon Extra Condensed]]> family of 2 fonts from Red Rooster Collection

Based on the Ludlow/ATF versions of this great typeface.

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]]> Mon, 16 Nov 2009 06:41:31 -0500 <![CDATA[Jeeves™]]> family of 2 fonts from Red Rooster Collection

The inspiration for Jeeves came from Leslie Carbarga’s wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit.

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]]> Mon, 16 Nov 2009 06:47:01 -0500 <![CDATA[Ice Flowers™]]> family of 1 font from Kapitza

Kapitza’s 2009 Ice Flowers font is a derivative of their snowflake font Snow. It is a much bolder interpretation of the theme, with strong black and white contrasts.

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]]> Tue, 24 Nov 2009 08:02:29 -0500 <![CDATA[Cooper Black Swash Italic]]> family of 2 fonts from Wordshape

There has never been a publicly available digital version of Cooper Black’s original swash characters.

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]]> Mon, 16 Nov 2009 06:46:14 -0500 <![CDATA[Ballerina Pro™]]> family of 1 font from profonts

Ballerina Pro… sounds like music, ballet, elegance and classic quality. That’s exactly how Ballerina Pro carries the message to the reader. Ballerina Pro is more of a formal script, light-weighted and quite beautiful, redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Kidela™]]> family of 4 fonts from insigne

Kidela is an exuberant and eccentric serif typeface reminiscent of hand painted signage.

]]> Mon, 16 Nov 2009 06:46:00 -0500 <![CDATA[Cooper]]> family of 8 fonts from Tilde

]]> Thu, 15 Oct 2009 20:49:43 -0400 <![CDATA[Glowworm]]> family of 2 fonts from Mecanorma Collection

]]> Mon, 16 Nov 2009 06:43:32 -0500 <![CDATA[Ortem]]> family of 1 font from Mecanorma Collection

]]> Tue, 24 Nov 2009 08:01:44 -0500 <![CDATA[Madrid™]]> family of 4 fonts from Red Rooster Collection

Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.

]]> Thu, 19 Nov 2009 23:33:13 -0500 <![CDATA[Cooper BT™]]> family of 11 fonts from Bitstream

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

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]]> Sat, 28 Nov 2009 09:43:14 -0500 <![CDATA[Los Alamos™]]> family of 5 fonts from Red Rooster Collection

Although Los Alamos was originally designed as a complementary sister typeface to Grand Canyon, it evolved into a comprehensive and unique type family in its own right.

]]> Mon, 16 Nov 2009 06:46:05 -0500 <![CDATA[Lourdes™]]> family of 2 fonts from insigne

Lourdes is an informal script font drawn with quick, thick brush strokes. The script appears to be quickly dashed down, and the characters were carefully designed to create a subtle rhythm. The strokes are slightly muted to avoid an overly aggressive appearance.

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]]> Mon, 16 Nov 2009 06:45:52 -0500 <![CDATA[Commercial Script]]> family of 3 fonts from URW++

]]> Thu, 15 Oct 2009 20:49:43 -0400 <![CDATA[Houndcats PB™]]> family of 1 font from Pink Broccoli

A light hearted comic sansserif typeface inspired by a 1972 cartoon of the same name.

]]> Tue, 24 Nov 2009 08:02:21 -0500 <![CDATA[Fantini™]]> family of 5 fonts from Canada Type

Fantini is the revival and elaborate update of a typeface called Fantan, made in-house and released in 1970 by a minor Chicago film type supplier called Custom Headings International. In the most excellent tradition of seriously-planned American film faces back then, CHI released a full complement of swashes and alternates to the curly art nouveau letters. Fantan didn't fare much among the type scene’s big players back then, but it did spread like electricity among the smaller ones, the mom-and-pop type shops. But by the late 1980s, when film type was giving up the ghost, most smaller players in the industry were gone, in some cases along with little original libraries that existed nowhere else and became instant rarities on their way to be forgotten and almost impossible to resurrect for future technologies.

]]> Mon, 16 Nov 2009 06:45:19 -0500 <![CDATA[Chop Phooey™]]> family of 1 font from Pink Broccoli

An offbeat typeface inspired by the titling of the 1969 Pink Panther cartoon starring the Aardvark, “Technology, Phooey”.

]]> Thu, 26 Nov 2009 18:20:47 -0500 <![CDATA[Classic Script]]> family of 1 font from Mecanorma Collection

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Artdeco]]> family of 1 font from Mecanorma Collection

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Candombe]]> family of 1 font from Sudtipos

Prolific calligrapher Angel Koziupa and designer Alejandro Paul charm us once again with an imaginative typeface.

]]> Tue, 24 Nov 2009 08:02:09 -0500 <![CDATA[Milton]]> family of 1 font from Mecanorma Collection

]]> Tue, 24 Nov 2009 08:01:44 -0500 <![CDATA[Sonata Pro™]]> family of 2 fonts from profonts

profonts Sonata and profonts Concerto are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. profonts Concerto’s upper cases are more complex, swashier than those in profonts Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate.

]]> Mon, 16 Nov 2009 06:45:42 -0500 <![CDATA[MVB Chanson d'Amour®]]> family of 1 font from MVB

Rustic script]]> Tue, 24 Nov 2009 08:02:18 -0500 <![CDATA[Polytype Art Deco]]> family of 2 fonts from Prime Graphics

]]> Mon, 16 Nov 2009 06:43:48 -0500 <![CDATA[Staccato 222]]> family of 1 font from Bitstream

]]> Tue, 24 Nov 2009 08:08:13 -0500 <![CDATA[Houseguest PB™]]> family of 1 font from Pink Broccoli

Houseguest is fun, childish, heavyweight offbeat sans serif font with an alternate caps set, and a stylistic alternates to swap in a handful of lowercase styles for a unicase mix.

]]> Tue, 24 Nov 2009 08:02:18 -0500 <![CDATA[Good Eatin AOE™]]> family of 1 font from Astigmatic

Good Eatin' was inspired by a range of kids cartoons, comic books, and toy packaging.

]]> Tue, 24 Nov 2009 08:02:18 -0500 <![CDATA[Symphony Pro™]]> family of 2 fonts from profonts

Symphony Pro… sounds like music, elegance and classic quality. That’s exactly how Symphony Pro carries the message to the reader. Symphony Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

]]> Mon, 16 Nov 2009 06:45:51 -0500 <![CDATA[Coliseum]]> family of 1 font from URW++

]]> Fri, 27 Nov 2009 20:03:38 -0500 <![CDATA[Cooper Black]]> family of 2 fonts from Adobe

Cooper Black is a very heavy version of Cooper Oldstyle (also known simply as Cooper), an innovative typeface with rounded serifs and long ascenders designed in 1919. The Cooper family was the work of Oswald Bruce Cooper, co-owner of the Bertsch & Cooper design firm in Chicago. Cooper Black was first released by the Barnhart Brothers & Spindler foundry of Chicago in 1922. Oz Cooper was fond of saying that the Black fit the needs of far-sighted printers with near-sighted customers. Cooper Black set a trend in ad types which prompted such designers as Fred Goudy (one of Coopers early teachers) to follow suit with their own black faces (compare Goudy Heavyface).

]]> Mon, 16 Nov 2009 06:39:48 -0500 <![CDATA[Sweet Upright Script™]]> family of 1 font from Sweet

Sweet Upright Script is the first release for Sweet Fonts Collection, published by MVB Fonts. It is an interpreted revival of a vintage, social engraving lettering style that was popular during the 20th Century. It is probably the first digital version of the design.

]]> Tue, 01 Dec 2009 16:03:10 -0500 <![CDATA[Hot Streak PB™]]> family of 1 font from Pink Broccoli

If you're looking for something offbeat and animated with an attitude, well, you've found it!

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Mardi Gras]]> family of 1 font from BA Graphics

A Festive look creates that happy feeling!

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]]> Tue, 24 Nov 2009 08:01:46 -0500 <![CDATA[Tiny Butler™]]> family of 1 font from Pink Broccoli

A light hearted unicase typeface inspired by the titling of the 1977 Pink Panther cartoon, Therapeutic Pink.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Chorizo PB™]]> family of 1 font from Pink Broccoli

An offbeat typeface inspired by some of the wild lettering of comic creator Paul Coker, Jr.

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]]> Tue, 24 Nov 2009 08:02:18 -0500 <![CDATA[Kid Captain PB™]]> family of 1 font from Pink Broccoli

A spunky slim typeface inspired by a 1958 Dell Comic, The Captain and the Kids featuring the Katzenjammer Kids as a spinoff from the original comic which was in turn inspired by the famous children’s story from the 1860’s, Max and Moritz.

]]> Tue, 24 Nov 2009 08:02:21 -0500 <![CDATA[Valentine™]]> family of 4 fonts from profonts

Valentine is new profonts script typeface family with versions in light, light italic, medium and medium italic, supplied in the new OpenType Pro font format. Valentine contains about 1,100 glyphs for every weight, covering the complete Latin character set (West, East, Baltic,Turkish, Romanian), and a huge number of handmade ligatures, character combinations and alternates to make it a perfect OpenType Pro connecting script.

]]> Mon, 16 Nov 2009 06:44:41 -0500 <![CDATA[Adagio Pro™]]> family of 1 font from profonts

Adagio Pro… sounds like music, elegance and classic quality. That’s exactly how Adagio Pro carries the message to the reader. Adagio Pro is a rather formal script with very beautiful, generous and swashy upper case that were redesigned, digitized, completed and expanded as OpenType in the profonts type studio.

]]> Tue, 24 Nov 2009 08:08:17 -0500 <![CDATA[Pia]]> family of 1 font from Baseline Fonts

Pia is a new typeface named in honor of one of the most fun people we know, Sophia Williams aka Pia.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Campus]]> family of 1 font from Mecanorma Collection

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Fairway™]]> family of 7 fonts from Alan Meeks Collection

The thinking behind Fairway was to create a relatively conventional soft sans with a certain amount of movement at the top of the x-height line.The face is casual and quirky but can still be used as a text face.

]]> Mon, 16 Nov 2009 06:46:52 -0500 <![CDATA[Jolly Roger™]]> family of 3 fonts from Red Rooster Collection

Steve Jackaman has refined and optimized Jolly Roger for digital release. The original design was created in 1970 by the legendary American type designer Phil Martin, founder and creator of the Alphabet Innovations and TypeSpectra type collections.

]]> Mon, 16 Nov 2009 06:43:57 -0500 <![CDATA[Celtic]]> family of 3 fonts from Mecanorma Collection

]]> Mon, 16 Nov 2009 06:43:32 -0500 <![CDATA[Alys™]]> family of 3 fonts from Red Rooster Collection

An original design. A memorial typeface by Pat for her mother, Alys, who was tragically killed.

]]> Mon, 16 Nov 2009 06:41:30 -0500 <![CDATA[Polytype Artimus II Frames]]> family of 1 font from Prime Graphics

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Artworld]]> family of 1 font from Mecanorma Collection

]]> Thu, 03 Dec 2009 15:17:39 -0500 <![CDATA[Carplate]]> family of 1 font from Mecanorma Collection

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Zambesi]]> family of 1 font from Mecanorma Collection

]]> Tue, 24 Nov 2009 08:01:44 -0500 <![CDATA[Polytype Brutus II Frames]]> family of 1 font from Prime Graphics

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Insigne Fleurons™]]> family of 1 font from insigne

Insigne Fleurons offers a wide range of diverse text ornaments to enhance your designs. These 52 ornaments can be used as components of a logo, background patterns or elements, border patterns or to add flourishes and refinement to your designs.

]]> Tue, 24 Nov 2009 08:02:21 -0500 <![CDATA[Choc]]> family of 2 fonts from URW++

]]> Tue, 24 Nov 2009 08:03:13 -0500 <![CDATA[Viant™]]> family of 1 font from URW++

]]> Tue, 24 Nov 2009 08:08:12 -0500 <![CDATA[Mistral]]> family of 1 font from URW++

]]> Tue, 24 Nov 2009 08:08:05 -0500 <![CDATA[Trochera™]]> family of 1 font from Sardiez

The agressive moves, the lateral spurs and the heavy leaf endings of Trochera resemble the silvan plants behavior giving it a very expressive and festive personality.

]]> Thu, 03 Dec 2009 09:39:25 -0500 <![CDATA[Ribbon 131]]> family of 2 fonts from Tilde

]]> Thu, 15 Oct 2009 20:49:43 -0400 <![CDATA[Choc]]> family of 1 font from Letraset

Mildly abstract letterforms constructed with a decisive, flamboyant brush stroke are the hallmark of revered French designer Roger Excoffon. Choc was designed in 1955 by Fonderie Olive, but has only recently come into widespread popularity as the trend for casual display typography has grown.

]]> Tue, 24 Nov 2009 08:08:10 -0500 <![CDATA[Calamity Teen BTN]]> family of 6 fonts from Breaking the Norm

Calamity Teen is an oddity of a typeface with a seemingly basic lowercase, but Capitals that have flowing decenders all over to create a dated retro feel to it.

]]> Thu, 15 Oct 2009 20:49:43 -0400 <![CDATA[Hip Hopper™]]> family of 1 font from Pink Broccoli

An offbeat typeface inspired by the lettering on an art poster by Patrick Owsley for the cartoon character Hoppity Hooper. This typeface goes beyond the basic opentype features you've seen (i.e. extended language character sets, stylistic alternate character variations, etc) and offers not only a ligature feature that automatically alternates between the Capitals & Lowercase (Alt Capitals) sets, but also a unique Contextual Alternates feature that enables an automatic alternating BOUNCING effect.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Blackball™]]> family of 1 font from Schizotype

Blackball is an attractive blackletter font with ball terminals. Yes, it did take a while to think up the name!

]]> Thu, 26 Nov 2009 05:30:00 -0500 <![CDATA[Jester]]> family of 3 fonts from Drewfonts

You have got to be joking! Fun and frolics in a medieval court. A bracketed serif family that bounces along the base-line.

]]> Mon, 16 Nov 2009 06:41:48 -0500 <![CDATA[Lil Rhino™]]> family of 1 font from Pink Broccoli

Lil Rhino is the more reserved but still slightly offbeat sister to the quirky comic Fat Rhino typeface. You can see the resemblance, they work well together, but they also each hold their own.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Charming Charlie PB™]]> family of 1 font from Pink Broccoli

Looking for a fun, offbeat, and fantastic font? Charming Charlie is here to fit the bill!

]]> Tue, 01 Dec 2009 14:42:28 -0500 <![CDATA[Heart Breaker BTN]]> family of 1 font from Breaking the Norm

Heartbreaker is a dingbat typeface loaded with the kind of love-lorn inspiration that tattoos of devotion are made of. Perfect for Valentine’s Day, romantic gestures, and heart-felt designs.

]]> Tue, 24 Nov 2009 08:08:15 -0500 <![CDATA[Commercial Script SH™]]> family of 1 font from Scangraphic Digital Type Collection

]]> Tue, 24 Nov 2009 08:01:45 -0500 <![CDATA[Commercial Script SB™]]> family of 1 font from Scangraphic Digital Type Collection

]]> Tue, 24 Nov 2009 08:08:14 -0500 <![CDATA[Commercial Script™]]> family of 1 font from Bitstream

A bold weight of a moderately flourished script designed for ATF by Morris Fuller Benton in 1908, and an industry standard since then.

]]> Tue, 24 Nov 2009 08:08:05 -0500 <![CDATA[Mrs. Shmelding JNL]]> family of 1 font from Jeff Levine

a fun, novelty sans serif font]]> Sun, 29 Nov 2009 13:17:34 -0500 <![CDATA[Kidela Sketch™]]> family of 4 fonts from insigne

Kidela Sketch is an energetic and eccentric serif typeface rendered in a sketchy style. The typeface includes 64 auto-replacing discretionary ligatures to extend the natural sketched look, oldstyle figures and small caps.

]]> Mon, 16 Nov 2009 06:47:01 -0500 <![CDATA[HenHouse AOE™]]> family of 1 font from Astigmatic

Inspired by the titling of the classic cartoon, “Mother was a Rooster”, comes this offbeat typeface, the perfect lettering to add some spunk to your designs!

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Laughin]]> family of 1 font from GroupType

]]> Tue, 24 Nov 2009 08:02:00 -0500 <![CDATA[Schnitzle AOE™]]> family of 1 font from Astigmatic

Inspired by lettering from a series of old detergent ads, Schnitzle is a stylish and playful typeface.

]]> Mon, 16 Nov 2009 06:38:13 -0500 <![CDATA[Cooper Black]]> family of 10 fonts from URW++

]]> Mon, 26 Oct 2009 16:25:38 -0400 <![CDATA[Sidewalk Cafe BF™]]> family of 3 fonts from Bomparte's Fonts

Sidewalk Cafe will serve up a look from your Font Menu that’s delectably deco.

]]> Mon, 16 Nov 2009 06:46:26 -0500 <![CDATA[Scentogram]]> family of 1 font from PizzaDude.dk

Scentogram is a deco font inspired by some 1950-60 ads.

]]> Tue, 24 Nov 2009 08:08:21 -0500 <![CDATA[Intense Eve]]> family of 1 font from PizzaDude.dk

Intense Eve is a crunchy, girly font with jumpy letters. Romantic indeed, and comes with extra heart swashes to jazz up your text!

]]> Tue, 24 Nov 2009 08:02:17 -0500 <![CDATA[Chop Chop PB™]]> family of 1 font from Pink Broccoli

Inspired by an old matchbook which read: "Chop Suey: Finest Chinese and American Cooking". Chop Chop recreates that matchbook printed feel with soft rounded edges on what one would normally expect to be a sharp and pointy typeface.

]]> Tue, 24 Nov 2009 08:02:23 -0500 <![CDATA[Fat Rhino™]]> family of 1 font from Pink Broccoli

A heavyweight playful typeface with a children’s comic feel.

]]> Tue, 24 Nov 2009 08:08:21 -0500 <![CDATA[Pink Broccoli PB™]]> family of 1 font from Pink Broccoli

A soft-edged shortcaps typeface with enough funk to lighten any mood.

]]> Tue, 24 Nov 2009 08:08:21 -0500