Cascabel was built on a modular harmony and creates visibly maze-like geometric structures. When typeset in complete words, it conveys an unmistakable architectural approach to a design project.

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Hand drawn font inspired by years of doodles in Math and Science class.

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A simple rough font. Kraft is a rough techno-style sans serif meant for setting text in all capitals.

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Print quad paper and cross-stich chart grids, as large as your printer will allow. These blank grids are in sizes to match four fabric thread counts, plus 1/10", 1/8", and 1/2" grids.

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Exablock is a display typeface based on a 6x6 grid, highly modular and geometric.

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Wood Body w/ Electric Heart & Synthetic Mind...

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Amber is a minimal font which is built on a grid of 3x3 squares. It was an experiment to see if I could build legible glyphs out of such a small grid. The 3 weights can be layered over each other to create interesting designs.

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One of the odder things I remember from high school (40+ years ago) is the tile floor of hexagons in the bathroom. There is something fascinating with the way hexagons fill the plane.

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Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an alphabet for texts. Although the type family has a geometric or “technological” construction, the rounded finish provides it a warm appearance, making the typefaces nicer and nearby.

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Geogrotesque Stencil is the newest member of the popular Geogrotesque family, it has been thought as a display typeface, but it goes one step further and tries to solve some of the typical problems of stencils fonts.

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Future Bugler is a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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A modern digital typeface inspired by the 1976 sci-fi film Logan’s Run.

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Project Fairfax is a unique stencil typeface designed on a strict grid.

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Drunken Hour is not your everyday-ransom-note font!

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Axionhero is an experiment which include a simple grid built font. I took the font, and smashed it into grunge letters.

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Jesus Saves is a font designed by Harry Warren based on the familiar old logo that has “JESUS” hidden within a maze-like set of multi-branched vertical bars.

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Bigfoot is the fattest font ever made.

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A geometric san serif typeface influenced by Theo Van Doesburg and the De Stijl movement.

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The Flim font comes in 22 different styles!

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Drunken Shower is a follow up upon my Drunken Hour font. Whereas Drunken Hour was a mix of upper- and lowercase letters, this font has got a seperate lower- and uppercase...with LOADS of extras:

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Thenofreak is a techno-grid font, probably most useful as logo text - but try playing around with the font for massive texts as well.

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Lunarmod is an attempt at creating a full font from a single basic shape, a box with oval ends.

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Dr.Black is an extremely fat, square typeface, which looks best set in a very graphic grid. Because of the size, and the white spaces between the characters being so small, it looks good letting an image show through the characters.

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Squarish could have been the Universe or Helvetica of the 1980’s, if only it was designed then.

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A modern geometric typeface influenced by the Dutch designer Wim Crouwel.

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Hydrogen is a clean geometric unicase family that expresses the mechanics, expansive technologies and conflicted ethics of the rapidly changing 21st century. By popular demand, it is the round and streamlined counterpart of Oxygen. Coupled with the right measure of Oxygen, Hydrogen becomes water, the ace of elements — rhythmic, dynamic, ever-flowing, and understood by everyone.

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Just like the M.C. Escher impossible figures and optical illusions, “Denedo” is a font that is impossible to construct in three dimensions because it only exists as a drawing. This font is based on the “0, 1, 2, 3, 4, 5, 6, 7, 8, 9” characters of one of the alphabets published by Nedo Mion Ferrario in the “Letromaquia” exhibition that was shown in Caracas, Venezuela in the 70’s.

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Draughtwork is a special decorative font designed to have the look of a work in progress, showing the process of constructing letters using a ruler and a compass on a grid.

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Taboo is a versatile font family inspired by the magnificent geometric experiments made by Armenian lettering artist Fred Africkian during the late 1970s. Virtually unknown in the west, Africkian was one of the most talented eastern block artists. Though mainly a calligrapher working with traditional tools, he embraced geometry on multiple occasions for the sake of drawing simple modern Armenian and Cyrillic alphabets. Though he normally tried to maintain in his work a certain homage to Mesrop Mashtots (5th century Armenian monk who invented the Armenian alphabet), his late 1970s experiments made use of so many modern elements that the results were hailed as “real art mingled with science.”

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Maychurch is a draftsman-themed font. It would be at home in Georgian, Neo-classical, Federalist or Victorian architectural themes. It conjures images of The White House and The British Museum.

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ArcticPatrol is a modern angular font influenced by military related computer games.

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Quadrate is a simplified grid typeface that retains legability fairly well at smaller sizes.

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Stretto (Italian for wood) is a revival and expansion of an Aldo Novarese font called Sintex, done for VGC in 1973.

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A minimal san serif typeface inspired by the work of Herbert Bayer and the Bauhaus Movement.

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BlockOut is a family of fonts strongly influenced by old school video games.

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Cusp is a display font that was initially inspired by austere Art Deco lettering. After the capitals were refined, then the lowercase was designed with a bit of techno flair. From these basic letterforms a variety of styles were created, ranging from the rigid DeStijl to the whimsical Loose.

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ALS Rundgang is a decorative font designed specially for advertising purposes that reminds one of electronic display boards and bitmap typefaces.

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A very angular font, not one curve in sight - it’s hip to be square!

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An industrial-weight typeface inspired by graphics laser-cut from sheet metal.

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A linear modern typeface suited for branding & advertising projects. The variations in weight give great contrast when used across body
copy & headlines.

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A modern rounded typeface inspired by Japanese computer console games.

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Funny font for decorating posters, logos and small headings.

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An isometric grid of a font, Gridlock takes an italicised modular approach to its letterforms.

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A family of extra compressed styles designed at ParaType in 1993 by Alexander Tarbeev. For use in advertising and display typography. Decorative versions were added in 1996.

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Oxygen is a square and strict grid-based unicase design that expresses the 21st century with an unmatched clinical precision and clarity.

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Dixplay, a typography based on a pixel grid, is available in two weights: regular and black. Inspired by videogame aesthetics of the 80s, intended for screen use in multimedia projects and, even it is not its primary application, it works fine on paper.

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80s PXL is a computer font designed to emulate computer terminals from the early 80s.

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Hexagona Digital is based on a net of regular hexagons, thinking of a Liquid Crystal Screen whose pixels are illuminated to conform the letters.

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Gridiot is a constructed, semi-serif, two-weight stencil family that expands an approach taken by Josef Albers.

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This typeface was originally inspired by Art Deco lettering. During the development of the letterforms a strick DeStijl grid was imposed. The lowercase letterforms were created with the influences of rave/techno design styles. The result is a distinctly contemporary display font.

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A computerized typeface inspired by the Matrix trilogy.

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Segmenta, a sans serif typeface developed from the gridbased type of the Hamburg S-Bahn (metro). The type is originally used for diplaying informations about the trains.

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Xiphoid is the “unofficial” typeface of the Raelians.

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