This font is for architects everywhere. This all cap font with fractions was created for use with CAD programs. It gives the handlettered look of old to computer generated blueprints.

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An elegant informal script.

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WIP FirstLady depicts the handwriting of a young woman with a consequent stroke representing ambition, open mindedness and talent.

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Tshikona is casual and vigorous font with a taste of African spice.

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It is the point that creates the expression from the writer via the pen unto the paper. The artist guides the point in unique ways to not only communicate, but also to make the resulting expression unique. The point can take the form of a quill or a marker or a pencil or chalk or a fountain pen or a chisel or a brush.

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Joules is a handwriting font with verve.

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Captain Comic is very loosely based on lettering from 1967 to the early 1970s found in the very first Star Trek comic series ever published, the Gold Key one. By very loosely we mean most letter shapes were changed, rounded and tweaked for a more contemporary comic text look. The original lettering was uncredited, as was the entire series artwork for a whole decade, though research shows that four Italian artists were mainly responsible for it: Nevio Zeccara, Alberto Giolitti, Giovanni Ticci and Giorgio Cambiotti.

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Designed at ParaType in 1995 by Tagir Safayev. Based on an informal handwriting. For use in advertising and display typography.

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Galicia is a looser serif that has unusual forms that are seen to good effect in characters like the lower case a.

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Luxe is a casual, script style font designed to provide hep and playful results.

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P22 Stanyan Autumn is a set of three fonts based upon a casual hand lettering text created for the deluxe 1969 edition of “...and autumn came” by Rod McKuen.

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CA 12C13C was designed by sticking letters together with tape.

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A lone figure stands behind a national monument, in the shadows thrown by half-broken, flickering streetlights. A car passes, and the lurker takes out a fat marker, dripping with noxious ink. Black lines, smooth but slightly broken by the texture of marble, appear underneath the marker...

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The long awaited and much requested revival of Robert Hunter Middleton's very popular classic is finally here. Mayfair Cursive was an instant hit for Middleton in 1932, and it went on being used widely until late into the 1970s, in spite of it never having crossed over to film type technology.

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Meskyle Laid Back is based upon the handwritng of Mesk One.

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The dynamic design duo of Koziupa and Paul strikes again.

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Susa is an elegant and flowing brush script typeface.

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Rosadelia is a family of Calligraphic grunge origin, consisting of 4 styles: Uno, Dos, Blanca and Dingbats (Dingbats includes 26 illustration characters).

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Mercearia is a bold typestyle font, based on a 1944 Brazilian book about alphabets and letterings styles.

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The two styles in the Lowery Auto font family are designed to work separately or overlapped. The Fill style was created to facilitate layouts on a non-white background, but is a useful font in its own right. A unique effect can be created by offsetting the Fill style a small amount behind the Regular style. This gives the illusion of a mis-registered stencil or screen print.

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Public Works JNL emulates the hand-made lettering found on older signs printed by silk screen for local governments.

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A Rough, home use typeface.

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Bouwsma Script, based on Philip Bouwsma’s own handwriting, was originally released in 1994 and settled for nothing less than being an instant classic. One of Bouwsma’s widely used works in the 1990s, Bouwsma Script finds its home now at Canada Type, where it was updated with the Euro symbol and complete support for Turkish, Baltic, and Central and Eastern European languages. It now also comes in all popular font formats, including OpenType.

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A great UGLY font.

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Arca is a whimsical font, based on a Brazilian children’s album cover.

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Dear diary, what a day it’s been. Dear diary, it’s been just like a dream. Woke up late. Wasn't where I should have been. For goodness sake what’s happening to me? Write lightly, yours truly, dear diary.

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A calligaphic font designed with that old flavor of penmanship documents such as
announcements, diplomas and invitations.

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Its manuscript and informal profile emphasizes its sweet and feminine style.

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WIPEU The President depicts the handwriting of a versatile and energetic man of vision at the highest stage.

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Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting. Formerly known as PT Tagir. For use in advertising and display typography.

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Imagination Theory is an informally elegant handwritten font, crafted with informal, elegant love and care.

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PT Vesna™ was designed by Natalia Vasilyeva in 2000. Licensed by ParaType. An original calligraphic script for use in advertising and display typography.

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20g Rosadelia + 200g Alcira + 2 tablespoons Heleodora + 1 cup ninja stock + 100g Lucrecia + 2 tablespoons lirrot.

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Working on the font “Guava Juice” I wanted to create a font slightly out of the ordinary, a little bit fun and unique in its own way.

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Whether you prefer Drip or Automatic, there is nothing quite like quality Coffee Service!

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Wrap your chilly fingers around this ultra cool swingin' typeface! Cocktail Shaker is a swanky retro connecting script born out of 1950s lounge culture. Often referred to as the ‘googie’ look, Cocktail Shaker blends a casual loungy script with clean readability and a twist of modern Atomic Age charm.

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Flavour is an elegant brush script headline typeface.

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I wrote Freedom Writer out of a desire for a handwritten script that’s all-connecting. It’s partly based on my own handwriting style, and somewhat influenced by hand-lettered scripts of the 1940s and 1950s.

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When I was in high school, I would wreck my notebooks with multiple layers of graffiti tags, which would start in the margins, and then creep in to cover the entire page. I developed a sensibility towards a very fast, expressive use of my hand, which later easily and naturally translated into brush. I used this style typographically on several projects throughout the years, and even turned it into a signature illustration style. Recently, by repeating letters hundreds of times each with brush on paper, this ad-hoc brush style became Streetbrush.

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Mustang is a powerfully expressive brush font that combines an edgy urban aesthetic with a smooth feminine flow. Some have suggested that Mustang is romantic. Some say it has something to do with speed or freedom. While precisely what Mustang expresses is up to debate, there’s no doubt that it’s expressing it with intensity.

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Tasty is an strong self-confident brush script headline typeface.

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Buffet Script is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time.

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Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.

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Luxus Brut breathes the spirit of hand lettered signage of the Fifties. It’s a formal script, inspired from a well concealed shop portal in Vienna/Austria. Large and distinctive capital letters (that won't share the baseline with lowercase letters), wide spacing as well as a low x-height make it an excellent choice for posters, magazine headlines, logotypes, branding and any design that requires a touch of luxury and sensuality.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Mahalia draws inspiration from vintage hand-lettering, but adds a modern, European twist.

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It comes with an EPS Set with 16 vector ornaments.

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In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since.

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Mittwoch is an extended modern serif and a new companion to insigne’s Montag and Dienstag extended sans serifs.

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This frilly script has been acid dipped, scratched and destroyed for use in grungy design jobs or any other use that calls for a ragged script.

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Originally created by the Tart Workshop’s own Crystal Kluge as a logo for an online tea store for chicks, Henparty Serif and Henparty Sans are sure to delight!

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Originally created by the Tart Workshop’s own Crystal Kluge as a logo for an online tea store for chicks, Henparty Serif and Henparty Sans are sure to delight!

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Inspired by an example of French handwriting ca. 1935.

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A casual retro script refined and developed from some old handwritten letters.

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Swan Song is a digitization of gorgeous free form calligraphy by British artist Rachel Yallop. It first appeared in The Calligraphy Source Book edited by Miriam Stribley (Running Press, 1986).

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Created for our friend and Beatsville Collaborator, Mr. Rod McKuen. This font has the unique feature of being a very readable roman at small point sizes and when used at larger sizes, becomes very decorative and sketchy.

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All good things happen After Dark!

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An endearing upright script with outspoken shapes, casual connections and generous swashes. Somewhere between very legible handwriting and calligraphy, Dominique captures the attention of a much larger audience than either strictly elegant calligraphy or regular everyday handwriting.

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This is the last version of the dearJoe 5 series; dearJoe 5 Casual.

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Pauline is a sans serif with a strong influence from retro scripts. Pauline is a geometric face formed with slow and deliberate rounded brush strokes. The tall ascenders give it a useful touch of naïveté. It’s a face suitable for some interesting titling and short bits of copy.

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Coral had its origins in the font Leah. I had requests from users that I create a cursive version of Leah. (In a cursive font the letters are joined together as in handwriting). In the process of development it changed sufficiently that I decided to release it under its own name. Hence “Coral”.

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Riposte is a powerful and carefully-integrated handwriting font. You should use it where you want to create a strong impact but want to avoid heavy, boxy, formal fonts.

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Chikita greets you with big, happy eyes, and all the energy in the world. She wants to skip the talking and get to the dance floor, where she owns the beat and sways like a tongue of fire. She doesn't settle for anything less than everyone in the room fixating on her, and every pair of eyes is indeed happy to oblige. Being both the noumenon and phenomenon of the party, she remains in your mind long after closing time. And you just know the next time you see her your heart will skip a beat and a welcome wave of contentedness will wash over you.

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Malbeck is a script which is both as elegant as it is unique. Very playful typographic treatments can be produced using the large selection of alternate characters.

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From farmers markets to Summertime gardens, Silverstein brings life to your designs like fresh spring peas from a pod.

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Weird Bill is Squid’s tribute to his most prominent influence, Bill Campbell, model kit box illustrator extraordinaire and creator of the Weird-Ohs!.

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Betabet was drawn using traditional serif fonts as a guideline. The scribbled style and serifs combine to make an unusual font.

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A. R. Bosco made Romany for ATF in 1934, when there was much demand for script types in advertising and publishing. It was the high times of Speedball lettering, and a casual script in that fashion was naturally very welcome. It became an instant hit and was used widely for a good part of the 1930s and 1940s.

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