Created in Minneapolis in 1996, Chunder is inspired by the hand-painted cursive signage of urban boutiques where a shopkeeper can't afford to hire a very good sign painter.

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Sweater School is a friendly teacher’s font based on Cardigan. The structure is similar to the print style elementary school teachers prefer but with subtle compromises to improve readability.

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P22 ST.G Shrift is a font series based on the type designs of Stefan George with an italic version designed by Colin Kahn. Stefan George (1868-1933) was a German poet who led the revolt against realism in German literature. All of his works were privately published and the typefaces that were used reflected his neo-classic and anti-industrial (progessive) aesthetics; oftentimes consisting of his own hand lettering designs. The original font was cast in 1907 by a small foundry in Germany and was used primarily for the works of George as well as other books including a monumental edition of Dante’s Divine Comedy.

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Chittenden is a painstakingly hand-crafted, hand-drawn decorative font that get its inspiration from classic serif fonts, and adds some double-stroked panache of its own.

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Houseguest is fun, childish, heavyweight offbeat sans serif font with an alternate caps set, and a stylistic alternates to swap in a handful of lowercase styles for a unicase mix.

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JokerWild is a thematic typestyle reminiscent of Christmas Stories, sixties Cocktail Parties, and playing jacks when you were younger. A retro inspired typeface of nostalgic memories, the good old days. A fun and funky typestyle full of life, sure to add spark to your designs. Add a little festive mayhem to your designs, and remember, the Joker is WILD!

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Iguana Lover was inspired by the lettering on the movie posters for Night of the Iguana. It goes overboard and creates a narrow, regular, and wide style of the lettering.

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A dynamic font inspired by cartoons.

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This revival of Harry is based on the original design by Marty Goldstein (and C.B. Smith).

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Helvetica’s 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that “HELVETICA IS NOT AN ADOBE FONT”. We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties (“Ah, that mermaid of an R!”). We rehashed decades-old debates about “Hakzidenz,” “improvement in mind” and “less is more.” We dutifully cursed every single one of Helvetica’s knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial — using a Swiss Army knife, no less — with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica’s role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed √ la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: “We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher.”

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Le Havre is a geometric sans serif inspired by the golden era of the passenger ship, when getting to your destination was a delight in and of itself.

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In 1952, Aldo Novarese and A. Butti designed Microgramma for the Nebiolo foundry. It was a popular face, but was available only in capitals. In 1962, Novarese produced a full character set, including lowercase letters, and the foundry renamed the family Eurostile.

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A set of square capitals developing from the interest in geometric forms stimulated by the Bauhaus, Bank Gothic was designed by Morris Fuller Benton for ATF in 1930, the same year that Georg Trump designed City for Berthold.

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In 1992, Red Rooster Typefounders created Block Gothic Extra Condensed based on the TP Collection Block Gothic.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Influenced by the 1960’s typeface, Design Fineline.

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Dovde is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

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Beautiful and elegant, Black Swan BF lives equally in bliss as entrance signage for an exclusive housing subdivision, as it does on the cover of a hot new music CD.

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Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This typeface is used by a famous European car company in all their marketing!

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Re-tooled from the QBF Collection.

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Hemingway designed by Alessandro Segalini was inspired by the prize winning novel The Old Man and the Sea by Ernest Miller Hemingway.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact.

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This beautiful new sansserif is named after the well-known New York resorts synonymous with style and elegance.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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The Le Havre series is a series of geometric sans serifs inspired by the dignified era of the passenger ship, when getting to your destination was a delight in and of itself.

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Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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Weird Bill is Squid’s tribute to his most prominent influence, Bill Campbell, model kit box illustrator extraordinaire and creator of the Weird-Ohs!.

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An offbeat comic latin typestyle inspired by old cartoon titling.

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Kvant is a custom font which is applicable for any type of graphic design - web,
print, motion graphics etc. and perfect for t-shirts and logos.

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Savage Hipsters was designed by German pinstriper Tom Plate for Sideshow and all you retro kustom beatniks.

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Designed by Les Usherwood. Digitally engineered by Paul Hickson. Another typeface from Les Usherwood that was released after his 1983 death.

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Colo is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

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Cubic is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc.

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Teaspoon was originally designed by Haley Fiege as a project-specific font in 2007, then completed and produced by Canada Type for commercial viability in 2008. With a personality that can only be described as “ironic cute”, it serves as a much needed alternative for the old overused poster faces, such as Cooper Black and Gill Sans Extra Bold. Words that look good set in Teaspoon include puppies, rainbows, salmonella poisoning and Tom Cruise.

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In the United Kingdom, Virgin Trains uses various weights of Generation Gothic extensively.

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Sweet Upright Script is the first release for Sweet Fonts Collection, published by MVB Fonts. It is an interpreted revival of a vintage, social engraving lettering style that was popular during the 20th Century. It is probably the first digital version of the design.

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Based on an early wood type design. An original creation.

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Deisgned by R.H. Middleton. Digitally engineered by Steve Jackaman. Based on the original Ludlow drawings, circa 1938.

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With all the aloha you could ask for, famous tiki artist and sculptor Squid has created Bamboozle! It looks like real bamboo because it’s made from real bamboo! Really! Bamboozle is perfect for any Hawaiian luau, pig roast, tropical gathering, or enjoying strong rum drinks with friends!

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A graffiti inspired comic font.

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Based on the original design by Robert Hunter Middleton. Digitally engineered by Steve Jackaman and Ashley Muir from the Ludlow drawings, circa 1931–1942.

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Creaky Tiki was created for the rum-swillin' castaways out there who crave exotic tribal rituals with a crazy jungle beat!

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Creaky Solid is for all you hipsters that prefer a nutty retro font that’s a little less freaky and a lot less tiki. Dig 'em all daddy!!

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Rolka is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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Inspired by mid-century greeting card hand-lettering, Sheree is a unique serif font with some really fun qualities. While some characters are distinctly calligraphic and conformist in nature, Sheree bounces all over the baseline, displaying an unconventional attitude all her own.

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Hamburger Font BF is an endearing tribute to the lettering style of a logo, long retired, from a certain chain of fast food restaurants.

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Based on the ATF typeface by Morris F. Benton, circa 1934. Steve created two additional new weights.

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An original design.

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Kidela is an exuberant and eccentric serif typeface reminiscent of hand painted signage.

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Digitally engineered by Steve Jackaman. Originally in five weights, Steve produced three additional weights.

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Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Many of the weights and the italics were created after Les’ death.

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Yet another member of the Weird Bill dysfunctional font system!

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Future Bugler is a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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Handmade Bugler is a font based on the first logo created by Harry Warren in late 1974 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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