Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

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With childlike simplicity and incredible versatility, Carrotflower is King.

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T-Hand Monoline is an idiosyncratic semi-script that combines forms from both script and printing in a manner the defies logical explanation. It’s just the way I print. I like the way it looks. Nothing whatever should be inferred from the fact that idiosyncratic and idiot start with the same four letters. So does idiom.

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Y'know the real trouble with Spider-man, Superman and the rest of the soulful superheroes, gloating supervillains and musing muckmonsters is They Just Don't Shut Up! For Crying Out Loud, give those iron jaws a REST willya?!? Yak Yak Yak! Blah Blah Blah! Yada Yada Yada... “With Great Power Comes Great Responsibility!” "You won't get away with this, Luthor!" "I'm the best there is at what I do!" SHUT UP!!! Letterers don't get paid by the WORD you know! QUIT YER WHINING! Yeah, yeah, yeah this font IS the much requested typeset -- featuring upper AND lower case characters -- created by Starkings & Roshell for the X-Men back in the Age of Apocalypse. Hell’s Squakkin' Teeth -- The X-MEN... don't even get me started on THOSE guys!

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Designed by Les Usherwood. Digitally engineered by Steve Jackaman.

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It’s Wacky Action.

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Candy Buzz is the jumpy, sugared-up cousin of the classic Candy family which is inspired by vintage confectionary packaging yet yields a modern look and is a perfect display typeface for any use, even at small sizes.

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Designed in 1993 by Ann Chaisson and Mark Altman, this script typeface was based on a proposal by Rudolph Ruzicka to the Mergenthaler Linotype Company in 1939. (Ruzicka designed the Fairfield typeface, and was also an artist and book illustrator.)

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Tara is a bold, fun handwriting font that scales really well to large point sizes.

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Jellygesh was initially drawn by hand, then digitized using straight lines only - making the letters look like they were carved out.

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Cuckoo was first seen in 1988 when I painted it on a record shop’s window. Since then this hand lettered font has been there and done that.

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Pleasant Hand is designed as a condensed hand-lettered font. The family is casual and informal and is ideal for use in conveying these qualities.

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Gomoku is a set of sweet paper cut-out fonts: a foreground font and optional background layer.

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A handwritten font created with a 0.5 - 1 mm felt tip pen that works great with illustrations and comics.

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Kings in Disguise is a chunky, balloon font of the sort used extensively during the 1970s. It has a retro, disco feel and is ideal for signs and logos. The name comes from a great comic book series published in the late 1980s.

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When you want to express unhappiness, this font may be useful.

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Sudestada is a typeface with distinctive handwritten style and personality. An alternate weight provides a large number of lowercase character variations and swashes for more realistic-looking handwritten text.

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Mirielle is curvy yet angular at the same time. Whimsical yet orderly. As with all Typadelic fonts, this script typeface is unique and original, with a playful twist.

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Tally Text Light is an early photolettering type, sometime in the 1940s, when words were hand assembled from individual film positives of the letters, then re-photographed.

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A loose fun design; great for childrens' books and happy ads!

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A typeface based on my own handwriting, Fontographer-ized. Fun, quirky and very legible.

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Laramie Pro is a new profonts script typeface family supplied in the OpenType Pro font format.

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Cheddar Salad is a scrapper’s dream. This playful typeface is ideal for both journaling and lettering for all your scrapbook layouts.

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Alie is a casual textured script with sophisticated flair.

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A soft-edged shortcaps typeface with enough funk to lighten any mood.

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Cordial is a solid, friendly font. Like other informal script fonts, Cordial works in nearly any context.

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Infilto is a scribbled font, simulating hasty written letters. Comes with loads of ligatures for both double letters/numbers and the most common letter combinations...

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Powdermonkey comes in just the 4 standard versions (unusually for Aah Yes
font families). It is a slightly-altered sans-serif font, with extensions in
some of the uprights and diagonals, making it an exuberant and eye-catching
fun-font for display situations.

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Based on the lettering and graphic design of the Beat Generation era, Daddy-O was produced in conjunction with the Whitney Museum of American Art to coincide with the exhibition Beat Culture and the New America: 1950-1965. These way gone fonts and extras both capture and affectionately satirize the graphic design of the era. Package now features poet Rod McKuen in an updated version of the Beatsville album cover from 1959.

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A sunny little face in which all the letters smile at you.

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Humble Bee brings funny, informal and typewriter-esque together in one super decorative font!

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Butterfool is a swirly, curly and playful font.

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Based on Mr. Hubbard’s own hand printing, Richfont Medium is an extremely casual design. Actually light in weight, it renders best at 14 point and above. Richfont Light and Bold are available from the designer.

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Walcome is a simple, informal handwriting font.

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Designed at Polygraphmash in 1953 by Igor Zhikharev, based on his handwriting.

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Script font developed for ParaType in 2007 by Gennady Fridman based on informal handwriting.

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Very Loose is a new alphabetic font. A casual display face with a design personality providing great versatility of association. Thoroughly pair-kerned, including all accented characters for use in western European languages.

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Bounce Script is a nice hand lettered upright font. This font has an appealing “bounce” characteristic which gives it its charm.

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Zephyr is a sinuous Roman font available in both Regular and Openface (inline) versions. This classically inspired font set conjures up a gentle, relaxing breeze from the West and Southwest. Subtle and not-so-subtle variations offer a refreshingly modern take on these age-old letterforms.

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An offbeat comic latin typestyle inspired by old cartoon titling.

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Calligraphic, hand-lettered script.

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The glyphs of AndrijScript typeface are based on usual calligrapher’s handwriting, my own native Cyrillic. This strange mix of freedom and professionalism looks vivid but a bit elegant.

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You have got to be joking! Fun and frolics in a medieval court. A bracketed serif family that bounces along the base-line.

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A playful and offbeat papercut font.

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Elegant and refined, Rendezvous has a smooth, calligraphic appearance and can be used in a variety of design settings.

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ButtWriter is based on a typewriter’s type with a rough halftone pattern applied to it.

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Ocalla Hand comes from the hand of a seasoned Creative Director who uses this style during concept meetings to critique comps and layouts internally.

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The design process of OkayPaint began as hand-painted letters on paper. Thus, a variety of distressed paint effects can still be seen in the details, from splatters to dry-brush. This makes for a textured, artistic look.

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Friz Biz is an handwritten font; your designs will be really funny and fancy!

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Gargoyle is designed for use in headings, informal announcements or any project where a friendly look is desired,

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Wild Ketchup is a spicy, bold, fun display typeface and a perfect complement to its fraternal twin: Hot Mustard!

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Kickshaw is definately a hardcore tagfont.
Its rough edges and hard lines makes it perfect for imitating writing on the walls!

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Not Too Shabby comes boxed or not. The boxed letters are meant for titling and display purposes whereas the plain version is excellent where you want a rough, unrefined look. Not Too Shabby Plain can be used in large blocks of text very effectively.

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This delightfully playful font is based on a single-stroke pen font from the 1922 tome Heberling’s Basic Lettering, and elements of composition, color harmony, gilding, embossing-processes, etc. by Walter A. Heberling.

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All you need is love, you know ;)

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This font is dedicated to my girlfriend Mona. Just like this font she’s funny, spiky, clumsy, adorable and a total knock-out!

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Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting (caps-only). For use in advertising and display typography.

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This script has almost no historic roots. It is named after hajdamakas, Ukrainian guerilla fighters from past times.

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Zugarbody is brushdrawn and compliments all kinds of texts!

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SarahfSlob is a crudely drawn, serifed typeface, complete with italics and bold versions.

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These letters were developed to decorate the novelty font Bowling.

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Typedesigner Hannes von Döhren created Brevia, a soft sans serif type family consisting of seven weights plus matching italics. The fonts have a hint of a brushed feeling and come across casual and friendly. Nevertheless Brevia’s architecture is straight, making it perfect for longer texts. Because of its big x-height, it also performs nicely in very small sizes. Brevia’s heavier weights are slightly more curved and have an eye-catching appearance. They unfold their strength especially in bigger sizes. This contemporary type family is intended to be used in applications like: Cosmetics, Service, Food and Advertising – basically everywhere where a pleasant feeling should be conveyed.

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News Gothic was the standard American sanserif of the first two thirds of the twentieth century with narrow proportions and a large x-height.

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Satisfaction Pro is the vastly expanded and improved version of the popular font Satisfaction, inspired by cigarette ads from the 1930s.

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Designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals.

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Persimmon is elegant and semi-formal with some very unusual letter shapes. Calligraphic in nature, Persimmon can be used where you want a distinctive and unique lettering style.

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Mister Sirloin is one meaty customer without a lick of gristle to spare.

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A light-hearted fun handwritten script.

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An endearing upright script with outspoken shapes, casual connections and generous swashes. Somewhere between very legible handwriting and calligraphy, Dominique captures the attention of a much larger audience than either strictly elegant calligraphy or regular everyday handwriting.

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Where the heck does a name like Chaloops come from? You know that Chihuahua that used to sell the tacos? Chank’s mother-in-law calls him Chalupa. And the American pluralization for that must be Chaloops, because that’s her nickname for her two little spoiled fuzzball dogs.

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Its manuscript and informal profile emphasizes its sweet and feminine style.

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Hopeless Heart isn't really all that hopeless! With it’s jumpy baseline and the different sized serifs, it’s a font full of fun and games, suitable for your next wedding invitation or loveletter.

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Born out of an insatiable addiction to handwriting fonts, Andrea’s Handwriting fonts are simple, readable and easy on the eyes.

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A stylish handwritten script.

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David Siegel began thinking about Graphite in 1982, looking for an architect’s handwriting with a “chiselled pencil” look, much like Tekton exemplifies the architect’s “pen and ink” metaphor. The handwriting of San Francisco architect Anthony Celis LaRosa became Siegel’s choice.

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Joachim Müller-Lancé’s Flood is not just another handwritten face. At smaller point sizes it exhibits the natural, dynamic, and spontaneous flow of felt tip marker writing. At larger sizes Flood is immediate, urgent, and provocative in its stylized detailing, without being overly dramatic.

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