The Ctoxina family is growing.

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Copperplate Classic Light Floral is the latest addition to my Copperplate Classic Group of fonts. The floral decorations go perfectly well together with the classic forms of the Copperplate. Your decorative designer Gert Wiescher.

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Rimouski is a light geometric font family. The OpenType version features class-based kerning and autoligs. If your software supports OpenType autoligs, certain letter pairs will be automatically replaced with custom letter pairs as you type. You can also use the OpenType titling and stylistic alternates feature to access right and left flipped variations of A, M, V, W, v and w.

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Museo Sans is based on the well-known Museo.

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Hiruko is a full family of 16 different styles. Inspired by the early Swiss movements, Hiruko offers creativity and clarity within many media. Influenced by Japanese culture, Hiruko is based on the idea that less is more, however this applies in other directions when referring to the amount of work gone into producing the type family.

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Seravek is a linear sans serif designed for identity, editorial and information design. Five weights spanning Bold to Extra Light with italics and small caps allow for a range of applications both typographic and utilitarian in nature.

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Tussilago’s girth gives words strength. Even words like fluffy, bunny and pillowy become leather-jacketed, knife-wielding toughs when imbued with Tussilago’s broad machismo. Seven weights, old-style/lining numerals, fractions and ordinals: all part of the deal, man.

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Lynda is a post-modern, monoline rounded sans ideal for club flyers, music covers and fashion publications.

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Midnight Kernboy is a 21st century interpretation of City.

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A great headline face very bold and graphic.

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Helvetica grew in popularity throughout the 1960s and 1970s, and more versions of the family were introduced. This led to vast confusion: the same weight is often referred to by two different names, design features often vary from one face to another, and so on.

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Helvetica is one of the most popular typefaces of all time. It was designed by Max Miedinger in 1957 for the Haas foundry of Switzerland (the name is derived from Helvetia, the Latin name for Switzerland).

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Herb Lubalin and Tom Carnase based their 1970 design of ITC Avant Garde Gothic on Lubalin’s logo for Avant Garde Magazine. The condensed fonts were designed for the International Typeface Corporation in 1974 by Ed Benguiat. ITC Avant Garde Gothic is a geometric sans serif type, that is, the basic shapes were made with a compass and T-square; the design is reminiscent of the work from the 1920s German Bauhaus movement.

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The standard American sanserif of the first two thirds of the twentieth century, prepared for ATF by Morris Fuller Benton in 1908 under the name News Gothic, with a matching lightface known as Lightline Gothic. Linotype’s Trade Gothic follows News Gothic except for its widely-spaced straight-sided boldface based on ATF Alternate Gothic No.3. Linotype matches News Gothic Bold, a boldface version that originated at Intertype, with Trade Gothic Bold No.2. Ludlow Record Gothic follows News Gothic more loosely.

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The Sommet series has been updated with a rounded variant.

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Secca is a fine and simple typeface honoring the roots of early German grotesque type designs but mastered for the needs of today.

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Project a powerful image with Sommet.

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News Gothic was the standard American sanserif of the first two thirds of the twentieth century with narrow proportions and a large x-height.

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In 1952, Aldo Novarese and A. Butti designed Microgramma for the Nebiolo foundry. It was a popular face, but was available only in capitals. In 1962, Novarese produced a full character set, including lowercase letters, and the foundry renamed the family Eurostile.

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Sweet Gothic is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century. 

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Morris Fuller Benton’s 1931 design, reworking the model of Memphis for ATF.

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Designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals.

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Scotch Modern is a revival of the typeface used in the book New York State Cabinet of Natural History.

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MVB Solano Gothic Bold was originally designed as a display face for the City of Albany, California, located on the San Francisco Bay facing the Golden Gate Bridge and bordering the the Berkeley hills. Named for the City’s main street, the typeface needed to work on signage in proximity to older buildings, in contemporary settings, and for general print and web use. Rather than creating a neutered design to cover all bases, Mark van Bronkhorst chose to develop a simple, strong, condensed face that would offer flexibility of style by providing both retro and neutral forms.

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Based on Hispalis from the Spanish foundry, Nacional.

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In 1908, Morris Fuller Benton designed News Gothic for American Type Founders. The original design, with two condensed faces, is essentially a light version of Franklin Gothic.

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Montag is an extended, rounded sans-serif.

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Seravek Basic is a linear sans serif designed for identity, editorial and information design. Five weights spanning Bold to Extra Light with italics for each allow for a range of applications both typographic and utilitarian in nature.

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Paz, a squarish 4-weight industrial family, ranging from extreme hairline to black.

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The classical nineteenth century engravers’ form, with corners sharpened with a flick of the burin. F.W. Goudy captured the design as a typographic series for ATF in 1901.

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Produced by ATF in 1904, Morris Fuller Benton’s personal version of the heavy sanserifs first made popular by Vincent Figgins in 1830. Franklin Gothic remains popular after nearly a hundred years of use.

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The Cinio family was specially designed for sign applications.

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A Swiss Sanserif designed for FotoStar with traditionally straight elements deliberately curved.

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Register Sans is a typestyle family inspired by the draft-letter handwriting samples from old Speedball booklets, with a little variation for a more friendly flair.

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Kathleen Sans is a geometric sans-serif display font and works best in text and display applications, such as posters, headline, magazine, logos, titles, product branding, corporate branding and publishing.

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Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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BAQ Rounded is a fully developed solid typeface which contains full Latin characters, is highly legible, and always good for extra impact.

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Tempo was a popular newspaper typeface in the mid 20th Century. Problem: mismatched styles. Individually, they were brilliant. As a family: chaotic. Except for a recent stint as Neuzon, Tempo Bold Extended was abandoned by the cruel tides of history.

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Vox, an extensive monoline sans serif family, is the manifestation of the idea for a typeface that can be both precise and friendly, yet contain enough choice of totally interchangeable variation for a more defined appearance, ranging from the clean and nondescript information relayer to the angular, futuristic and sleek headline maker.

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Updated in 2009, Chennai has new weights and OpenType features. Chennai is a simplified sans-serif with a full complement of OpenType alternates. The typeface is rounded, slightly extended and geometric. Over fifty OpenType alternate characters are available, including swashed lower forms, traditional caps and a traditionally formed lowercase. Chennai also includes seven style sets, oldstyle figures, and small caps. Please see the sample .PDF to see these in action.

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A set of three condensed sanserifs prepared for ATF as text and titling by Morris Fuller Benton in 1903 and popular for the next half century.

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A rounded sans-serif with even stroke thickness, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century. Accented letters for Western and Central European languages are included.

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Serifa was designed by Adrian Frutiger for the Bauer foundry in 1967. The letterforms are based on those of Frutiger’s earlier sans serif design, Univers. Square, unbracketed serifs have been added, making this a slab serif (or Egyptian) typeface.

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Developed by Adrian Frutiger for Bauer in 1966, Serifa is a slabserif based on the principles that led to the success of Frutiger’s 1956 sanserif, Univers. Glypha, designed by Frutiger for Stempel in 1979, is a version of Serifa with a moderately larger x-height; Stempel has paid royalties on Glypha to Neufville since 1984.

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Based on the Ludlow/ATF versions of this great typeface.

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Dienstag is an extended sans-serif and a new companion to insigne’s popular Montag family.

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Urbana is a contemporary sans-serif typeface inspired in the traditional lettering seen in one of the most popular, massive transportation mediums available in Bogotá (Colombia): “busetas” (small city buses).

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Based on the original design, circa 1951.

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Egon is non-traditional slab-serif contemporary typeface family, which includes three weights in roman and italic respectively, making six font styles in total.

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Here is an extremely efficient and uncluttered typeface that you can use in a variety of situations.

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Friz Quadrata was originally designed in a single weight by Swiss designer Ernst Friz for Visual Graphics Corporation in 1978. International Typeface Corporation worked with VGC to produce a bold weight, and now both are available. Friz Quadrata is an unusual design with curved stroke endings and lowercase letters with bowls that do not close.

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Roger Roberson skillfully adapted the sanserif to the monospace IBM typewriter at Lexington, Kentucky, in 1956.

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The characters in this font are composed of rounded lines with even thickness, giving an impression of neon tubes. Although the design is completely new, it has its stylistic roots in the modernistic 20th century world of steel-tube chairs and fluorescent lamps.

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Oporto is a modern font which blends the cosmopolitan and bohemian mood from Oporto city in a elegant and timeless design.

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Sweet Gothic Serif is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century. It is a serif variant of Sweet Gothic.

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FranklinGothicHandDemi is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked.

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The first sans serif types were made in London in the early 19th century. They were severely modern, all caps and bold.

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