Inspired by the Jack Daniel’s Black Label Whiskey logo from 1866, the Black No.7 has over 400 glyphs including ligatures, alternates and special characters.
Download the font for the price of a bottle Tennessee Whiskey.

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Rock and Cola’s design is clearly inspired by the sinuous shapes of the world’s most famous drink’s logo. It however does not pretend to copy it faithfully or to serve as a platform to generate the logo itself.

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The Crew Pro is based on the logo of the seminal punk band 7 Seconds. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets so it will work with most languages in Europe and the Americas.

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This fun font has a lightning bolt on many of the uppercase letters.

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Equal parts Sabbath and Blackletter.

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There are many fonts inspired by Lucian Bernhard. I have always admired his 1906 award-winning poster: ‘Priester’— believed to be the birth of the ‘Sachplakat’ (or Object Poster). I have interpreted the hand lettered “Priester” logo into a formal typeface and only hope I have done it justice.

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The design of Graublau Sans Pro took Georg Seifert over 5 years. With 7 weights and over 1000 glyphs per style, Graublau Sans is a type family that suits all typographic tasks. The regular styles have a rather clean and neutral appearance. The italics on the other hand, have a vivid design based on handwriting. For the use in headlines or logotypes Graublau Sans Pro offer 6 additional display styles with rounded corners and tighter spacing.

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Developed by Comicraft’s Dutch Masters to give DC’s BATMAN & ROBIN ADVENTURES a crisp, clean, Art Deco look, all four pints of DUTCH COURAGE are available as one font family.

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Eco is a personal development of the lettering used in a 1970s logo of a little known company named Ageco. The only letters faithful to the logo’s ones are E, C and O.

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Rinse is a textured, vintage t-shirt font based on Goudy Heavyface Italic. The OpenType format features letter pair autoligs to help break up the monotony of obviously-repeating letters.

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A new gothic with the look for today.

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Some like it hot. Others play it cool, clean and laid way back. You say Soap looks familiar? Sure, it looks a bit like Cooper Black but Soap is much more. It’s so slick lowercase won’t even stick to it. And check out the top of the C and G. That’s a beautiful thing. Soap’s numerals line up with the capitals making it right-on for t-shirts and titles. Soap has real tight spacing for that pseudo-seventies look. Groovy dingbats? Soap’s got ‘em.

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This jaunty display face was discovered in one of the many books on sign writing produced by Eric Matthews. The work was signed “King Cole,” hence the font’s name.

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SB Vibe started life as a piece of custom lettering for a UK based techno label and was also used for a house and garage mix compilation before being developed into a full typeface. Vibe was designed, primarily, as a typeface for the music industry, taking its inspiration from the current fashion for retro styles.

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Inspired by a characteristic handlettered ad from 1909, as well as the single word “Robusto” drawn for Oz Cooper’s own amusement and a perusal of his better-known work, Christian Schwartz designed Fritz as the friendly text sans serif that Oz Cooper never finally drew, with the addition of an eccentric extra bold face for display only.

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One in the series of fonts celebrating the halcyon days of handlettering. Mrs. Bathhurst is based on a lettering from 1916, prepared by Fred G. Cooper. Warm, endearing, and a little quirky, Mrs. B will brighten up any occasion.

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The Gramma font family provides about 240 very basic graphic structures. Compilation of of this set has
been inspired not by symblic but by graphical-morphological concerns. Therefore the three fonts (A, B, C) represent the entirety of all possible and simple graphic forms.

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Uni Sans is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an alphabet for texts. Although the type family has a geometric or “technological” construction, the rounded finish provides it a warm appearance, making the typefaces nicer and nearby.

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It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin).

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Zag is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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The Sommet series has been updated with a rounded variant.

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Sauna, a typeface for all sizes.

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Gloriola is a monolinear sans serif, whose extremely broad range of nine cuts offers endless creative possibilities.

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Houschka has the humanist qualities reminiscent of Gill and Johnston but is quite unique. It is more monolinear with rounded corners giving it a softer appearance, and has a few interesting character quirks like the capitals A, G, Q, W and lower case u and w.

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Colo Pro is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Skolar is a text serif which has been originally designed with scholarly and multilingual publications in mind. The typeface maintains its credibility while incorporating a subtle personal style, neither neutral nor conspicuous. Prominent serifs and low-contrast modulation add to its robustness, and together with relatively large x-height, they improve the typeface readability in small sizes. Skolar family of six weights and large character set is flexible enough for complex text settings and editorial work. It becomes distinctive in bigger sizes, thus fitting corporate design demands.

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Le Havre is a geometric sans serif inspired by the golden era of the passenger ship, when getting to your destination was a delight in and of itself.

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Project a powerful image with Sommet.

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Geogrotesque Stencil is the newest member of the popular Geogrotesque family, it has been thought as a display typeface, but it goes one step further and tries to solve some of the typical problems of stencils fonts.

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This font takes its name and the overall shape from modern bentwood furniture, namely Scandinavian designs since the 1940s. The curved corners of the letterforms are practically hyperbolic, to convey the tension and strength of the bent plywood. These curves are meant to appear more dynamic than circular or elliptical segments of traditional sans serif fonts.

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Bello is a brush typeface for headline point sizes - it’s big & beautiful. Bello has lots of ligatures and start and ending swashes. They are automatic in Bello Pro, which is a cross-platform OpenType font with many OpenType features.

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Sonora is a new profonts script typeface family supplied in the new OpenType Pro font format. Sonora contains six styles as light, medium, bold and the corresponding italics. The character set covers about 1.500 glyphs for the complete Latin character set (West, East, Baltic,Turkish, Romanian), and a huge number of handmade ligatures and alternates to make it a perfect OpenType Pro connecting script.

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Grim is a display family with a lot of room for application, most obvious being the tightly fitted headlines with impact. It works especially well as a counterpart to a serious, refined serif font. Each family member comes with a set of useful pictograms: arrows, triangles, hands, smilies and a heart.

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CamingoDos Pro Condensed was designed to achieve a more powerful impact for the use in headlines. The compact appearance and the tight letter spacing makes it an ideal solution for display settings on a limited space.

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Stylishly handsome, devilishly clever, Spills has a forties flair that is guaranteed to add class and distinction to movie posters, packaging & invitations to soirees, nightclubs and weddings.

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Designed at ParaType in 1997 by Andrey Kryukov and Dmitry Kirsanov.

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Montag is an extended, rounded sans-serif.

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Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

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Helvetica’s 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that “HELVETICA IS NOT AN ADOBE FONT”. We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties (“Ah, that mermaid of an R!”). We rehashed decades-old debates about “Hakzidenz,” “improvement in mind” and “less is more.” We dutifully cursed every single one of Helvetica’s knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial — using a Swiss Army knife, no less — with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica’s role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed √ la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: “We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher.”

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It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin).

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Scotch Modern is a revival of the typeface used in the book New York State Cabinet of Natural History.

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Beautiful and elegant, Black Swan BF lives equally in bliss as entrance signage for an exclusive housing subdivision, as it does on the cover of a hot new music CD.

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Based on Hispalis from the Spanish foundry, Nacional.

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Mahalia draws inspiration from vintage hand-lettering, but adds a modern, European twist.

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Neuropol X, a futuristic font recalling sci-fi, video games, Vectorbeams, and flatbed plotters. Neuropol X bridges the style gap between the geometric sans serif fonts of the late 20^th century and superelliptical futuristic fonts.

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Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983.

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What started out as my thesis project is now a complete sans serif typeface family in 14 styles.

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Updated in 2009, Chennai has new weights and OpenType features. Chennai is a simplified sans-serif with a full complement of OpenType alternates. The typeface is rounded, slightly extended and geometric. Over fifty OpenType alternate characters are available, including swashed lower forms, traditional caps and a traditionally formed lowercase. Chennai also includes seven style sets, oldstyle figures, and small caps. Please see the sample .PDF to see these in action.

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In Cooke’s ongoing quest for simplicity and elegance he developed this striking alternative sans family.

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Based on the hit album by Glen Campbell, Southern Nights is the font with a style that’s “free as a breeze,” as the song says.

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An original design.

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A new design inspired by the various mastheads used in children’s comic books in England, published by D.C. Thompson of Dundee, Scotland.

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Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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CamingoDos Pro is provided with tight shapes and elliptic roundings. With the aspect of legibility on mind these attributes were applied carefully. Along with a subtle contrast between thick and thin strokes CamingoDos has a strong, humanistic appearance. It comes in a wide range of seven weights from ExtraLight to Black which makes it perfectly suitable for editorial and corporate design.

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The Le Havre series is a series of geometric sans serifs inspired by the dignified era of the passenger ship, when getting to your destination was a delight in and of itself.

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Dovde is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

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An elegant face with dashing swash caps, based on an old American Type Founders typeface called Canterbury.

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Wild and free as usual, but now with a touch of sharp focus presented in
curled ascenders and descenders, swashy care-free caps, and very unique
figures.

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Register Sans is a typestyle family inspired by the draft-letter handwriting samples from old Speedball booklets, with a little variation for a more friendly flair.

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The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products.

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Glow Gothic BF, like its predecessor Subliminal BF, represents further exploration into typographic special effects. In its original form, it features letters that are transparent, with an opaque glow. Glow Gothic Overlay and Glow Gothic Underlay share identical spacing values and are designed to be used together. Though “Overlay” can certainly be employed as a separate, stand-alone, solid font, using these two together allows for greater color and (tighter) kerning possibilities —see Gallery Images.

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Inspired by a piece of cigarette pack lettering by the great A. M. Cassandre, Nick designed the rest of the characters as an experiment. Geetype evokes the 1920s & 30s and is an unusual, eye-catching display face.

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A Slap Happy font for Wrong Doers you just haveta smack in the face!

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Introducing... SPEEDING BULLET -- featuring SPEED TRAILS for increasing the, ah, speed of your bullets!

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Driver Gothic is based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this face is very similar to, if not outright identical with, the face used on car plates in 22 American states: Arizona, California, Connecticut, Florida, Illinois, Iowa, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Mexico, Ohio, Oklahoma, Vermont, Washington, and West Virginia.

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Dienstag is an extended sans-serif and a new companion to insigne’s popular Montag family.

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CamingoDos is provided with tight shapes and elliptic roundings. With the aspect of legibility on mind these attributes were applied carefully. Along with a subtle contrast between thick and thin strokes CamingoDos has a strong, humanistic appearance. It comes in a wide range of seven weights from ExtraLight to Black which makes it perfectly suitable for editorial and corporate design.

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Re-tooled from the QBF Collection.

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Based on the Robert Wiebking design for either Western or BB&S, circa 1918.

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Based on an early wood type design. An original creation.

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Crown Jewels is a massive Super Pro font like no other.

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What started out as my thesis project is now a complete sans serif typeface family in 14 styles.

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Trump Gothic is a revival and expansion of two different takes on Signum, Georg Trump’s popular mid-twentieth-century condensed gothic.

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Clou is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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See also BF Fiona Serif and BF Fiona Slab.

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Future Bugler is a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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