Nesobrite is a mechanical, linear font family consisting of 25 styles: 5 weights and 5 widths. Clean, neutral and stark, Nesobrite was inspired by classic square-sans fonts such as Bank Gothic and Microgramma.

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And now something completely different. Keks has broken elements like a blackletter typeface, but the actual forms are roman. That keeps it very legible although there is no curve at all.

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Structia pays tribute to the classic font, Machine. Structia includes four styles: regular, italic, panel and war. Panel features thin stencil lines. War has a spraypainted stencil effect.

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R5D8 is seven weights of hot capitals, inspired by events which occurred in the distant past in a galaxy which could be described as being somewhat distant.

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Gendouki is a wide, futuristic sans-serif display font with filament stencil lines inspired by spaceship access panels.

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Neuropol X, a futuristic font recalling sci-fi, video games, Vectorbeams, and flatbed plotters. Neuropol X bridges the style gap between the geometric sans serif fonts of the late 20^th century and superelliptical futuristic fonts.

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The idea for Granat goes back to my mysterious typeface Telepiu and later Teleneue. The straight horizontal bars in combination with the round joins create a very unique character.

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A bold sans serif typeface influenced by Ed Benguiat's work for the 1968 movie poster for Planet of the Apes.

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Zekton was inspired by the futuristic fonts found on electronic gadgetry. Zekton imparts a serious, high-tech look by its rounded curves and even line widths.

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Neuropol is a futuristic font family inspired by science fiction video games and flatbed plotters. Designed by Ray Larabie in 1997, the original Neuropol was an instant hit with younger graphic designers, neatly filling the void between Microgramma, the universal geometric sans serif of the late 20th century, and the fast approaching 21st century.

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Codiga is perfect for titles and badges that need to show a futurist and space sensation. Its angles formed by straight lines and its san serif monolineal design allows its solid and rigid shapes stress its industrial and technology Look.

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Nikona is a typographic family composed of eight fonts. The leading thread that typifies this family is its “mutant spirit”; a result of my personal and typographic interpretation of the three robotic laws created by Asimov in 1940, and reflected many times in sci-fi movies, comics and Japanese anime.

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Future Bugler is a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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Introducing Tank, a display font so big and massive you won't know what hit you. Rugged, readable and stocky, Tank has a heavy mechanical look and tight spacing for a precision impact effect.

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Antigen is a forceful and fresh typeface with a strong futuristic feel. Its characters have a wide stance, and the lettering is subtly rounded.

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Here’s a unique new sans that’s infused with the discernible flavor of Blackletter Style.

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Laserjerks is a brutal, polygonal display font.

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Jesus Saves is a font designed by Harry Warren based on the familiar old logo that has “JESUS” hidden within a maze-like set of multi-branched vertical bars.

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Barge is massive and compact. Bold, non-retro monoliths with smooth chamfers deliver bunches of punches.

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Atomgeek is inspired by old arcade games.

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Rexlia is seven weights of ruggedness. Tough. Smart. Armed to the teeth with robot-precise curves.

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In the early 1980s, Steve worked at Typographic House in Boston, Massachusetts. At the time, ‘Typo’ House, as it was affectionately known, was the largest type house in New England. This font was designed and produced during his tenure. The design was so popular that it became available commercially through VGC, and was known as TH Alphabet Soup.

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Based on the popular VGC typeface from the early 70s.

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An industrial-weight typeface inspired by graphics laser-cut from sheet metal.

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Betaphid is a wide, futuristic sans-serif display font. After the singularity, when the robots send in their letters of resignation, they’ll be printed in Betaphid.

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This font, as indicated by its namesake, was designed and started by the late Bob Alonso. It represents the first of his unfinished work to be completed by friend and colleague John Bomparte, following Bob’s passing in December of 2007.

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Taking into consideration some complaints about lack of capital letters and deficiency of heavier weight styles, the Fermo typeface was redesigned to replace the existing font, dated 2002.

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Aldo is a 5 font family. A bold stylized type face re-worked from the original 1970s movie poster The Battle For The Planet Of The Apes.

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A round modular typeface inspired by British movie posters of the 1970s such as Stanley Kubrick’s A Clockwork Orange.

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QueueBrick is an 8 font family consisting of 4 weights Open & 4 weights Closed. A block-work typeface inspired by East European movie posters.

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Alien Segment has got rounded corners and even though being built up upon geometry, it deserves rich text - and works well in both upper- and lowercase.

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