Milano is definitely in the upper echelon of display typography with its superb, engraved chromium style, italic lowercase and extravagant initials. The lowercase is designed to be closely set. From the talented hand of British designer David Quay.

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Royal, majestic, elegant. These letters are based on Roman and Greek characters carved on stone. They come in 3 different styles. Normal and Shaded are designed to have serifs with a finer thinning. On the other hand, Metallic is bolder and simulates in the most realistic way three-dimensional metallic lettering. There are some alternate characters placed at lowercase positions as well as a few stylistic alternates which are accessed through the OpenType features. Pay attention to letters like Greek Omega (lowercase position) and Greek Xi (lowercase position) as well as B, R, K (lowercase position). Monumenta Pro was recently upgraded to support Latin, Greek and Cyrillic.

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Addlethorpe is a metal font in three layers.

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Chrysotile is made of delicious cookie tiles and contains alternate letters for variety. The OpenType format includes custom letter pairs or autoligs which, in OpenType savvy applications, are automatically substituted as you type.

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A stylized typeface directly inspired by the movie poster artwork for The Man Who Fell To Earth starring David Bowie.

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This sticky blackletter font owes its street credibility to the texture of torn adhesive tape. Designed to support rehabilitation of the historically tainted Fraktur, its pragmatically shaped majuscules guarantee legibility to a 21st-century readership. they even forgive all-caps usage - a thing you better not try with most blackletter types around.

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Nobody knows what God looks like but we know that the Devil has a thousand different faces.

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Gusto comes in three related variants that go from hot-dog to melted chocolate, a gastronomic combination not to be passed up (or thrown up).

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The IronOn fonts are a collection of geometric display faces that were inspired by the iron-on t-shirt lettering of the 70s. The original source came from a submitted sample to the MyFonts “What the Font” forums, and while it had similarities to ITC Machine, it could not be tied to any existing typeface. And so, this new geometric sans family was born, exhibiting a more open letterstyle with several weights and widths, with a complete capital and lowercase set, no allcaps set here.

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Derailer’s eclectic character set is comprised mainly of disparate sans serif characters that claim to play well together, OpenType users also benefit from 26 ligature features that automatically substitute a unique pairing of letters when any lower case character is keyed twice in a row.

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A rounded geometric font of uniform stroke weight.

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Neuzon is an inky, textured font based on a an old metal type called Tempo Bold Extended. The OpenType format features letter pair autoligs to help break up the monotony of obviously-repeating letters.

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Gritty heat-forge stamped metally goodness. Can withstand up to 255 pounds of pressure psi, it even says so right on the graphic. This is a fun display font inspired by the stamped text on barbells, sewer drains, and of course boiler-plates, not that we see many of those anymore, but I digress...

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Nyxali is a damaged metal stamped font in OpenType and Windows TrueType format. Nyxali contains alternate letters for variety. The OpenType format includes custom letter pairs or autoligs which, in OpenType savvy applications, are automatically substituted as you type.

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Ceroxa is a filth encrusted stencil font. The OpenType format features letter pair autoligs to help break up the monotony of obviously repeating letters.

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Charbroiled is a charred, antiqued font based on American Italic from 1902. The OpenType format features letter pair autoligs* to help break up the monotony of obviously-repeating letters.

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You've got another thing coming: Graveblade, a head-over-heels heavy metal font.

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Octynaz is more than grungy: It’s been to hell and back . . . more than a couple of times.

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SavoryPaste is a grungy sans serif from insigne. SavoryPaste includes 64 discretionary ligatures of the most common letter pairs for a more natural look without distracting repeating characters. The typeface family also includes OpenType small caps, old style figures and alternates without filled counters. The SavoryPaste family also includes a completely interchangeable and more restrained alternate.

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A handful of these spiky, sprightly letters made up the twittering title page of ‘Message Of The Birds’, a song by one Flora Warner, found in stacks of crumbling scores on an old upright piano in the basement of a favorite London bookstore.

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PiS Hansch has its origin on a small graveyard in Salzburg, Austria. The hand-carved epigraph on a weathered tombstone inspired PiS to create this slightly twisted serif monster.

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Based on the popular VGC typeface from the early 70s.

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Lerku is a crispy font based on a Morris Fuller Benton oldie called “Bold Antique” from 1904. The OpenType format features letter pair autoligs to help break up the monotony of obviously-repeating letters.

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Crooked stencilled, painted, letters. Rusted, flaked, scraped & still fading away.

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Gargantua is the definition of Tuff Type.

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A strange design very mysterious and bizarre but sets extremely well even in text.

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Decorative three-dimensional display font with cap and lowercase. Originally designed for a shoe company. Works with colors, gradients and filters. Cullens Shoes was designed for all media and works best at 30 point and above. Cullens Shoes requires subjective display kerning and compensation.

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Pitshanger is loosely derived from a shop sign in Limogues, France.

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This typeface creates a strong, highly polished chromium impression as its name implies and was originally inspired by airbrush technique. A highly stylized and unusual display face that can be used across a variety of commercial applications. Created by the well-known British lettering designer David Harris.

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UB Vlad is fiendishly delightful.

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Metalista is an expression of undying admiration at the persistency of the metal culture. The angular face of nearly monolinear proportions combines upper and lower case letterforms. The strengthened horizontal strokes are aimed at softening of the “gothic” feel of the face, and add to its contemporary character.

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A highly decorative slab-serif that is combat ready. The steady contrast and sharp angles make it great for titles and posters. Mechanical and aggressive but can easily be used for static background text and shapes.

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Chromium One is the work of British designer David Harris. With their rounded edges and shiny appearance, the characters seem to be made of smooth pieces of chrome joined seamlessly together. The unusual and distinctive Chromium One can be used for a variety of display applications.

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