Museo... it all started with my love for the letter ‘U’. This uppercase letter just came to me as an image in a daydream. The top of both stems bent into semi-slab serifs. From this principle I worked out the rest of the uppercase letters. My first intention was to make it an all-caps display font but after a while I changed my mind. I wanted it to be a bit more versatile, so I decided to add lowercase and adjust spacing and kerning to increase legibility.

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Long since replaced by computers, the mechanical lettering kits used by draftsmen and amateur sign makers served as the inspiration for the Bryant family of typefaces.

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The Sommet series has been updated with a rounded variant.

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NewJune is a very strong unique character. It is already used in many magazines all over the world.

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This typeface is based on ISO 3098, a technical documentation issued in 1974 by ISO (International Organization for Standardization), which proposed a set of characters for use on technical drawings and associated documents. Isotext is based on the original standards but is completely redesigned to fit typographic requirements. This new ‘Pro’ version is further improved and now comes with a complete set of redesigned true-italics. Furthermore, the width of the glyphs has increased in order to establish a more balanced and readable text. The result is a contemporary font which works well in small sentences as well as long texts. Isotext Pro is loaded with all the good stuff a designer needs to create documents with attitude. It supports 19 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

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Zag is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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Marzo is a monoline, minimalist, modern typeface, that tries to take its forms to a state of natural purity, definitively elegant.

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One can never be too tall or too thin, the old adage goes. Sympathique is quite fashionably both.

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RiptCure is a futuristic, but usable typeface for everything from logotypes to magazine headlines.

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Radium is a versatile geometric typeface drawing influence from sci-fi, graffiti and 70s typography.

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Register Sans is a typestyle family inspired by the draft-letter handwriting samples from old Speedball booklets, with a little variation for a more friendly flair.

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Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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A rounded sans-serif with even stroke thickness, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century. Accented letters for Western and Central European languages are included.

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Angel Script is a light, contemporary monoline script.

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A paper-clip-inspired typeface with character.

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Simple and effective font for various graphic designs, type treatments and others.

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Kulturista is related to our Nudista typeface. Both faces share the elementary shapes, proportions and weight alternatives. While Nudista is a sober display face, Kulturista is a distinct linear typeface with sturdy serifs. Kulturista is a display typeface well suited for use in magazines and certain newspapers; five available weights are a perfect for the layout of various columns, titles, and supplements. The face may also work well as a basis a corporate style, it may be used on heavy machinery and equally well on the cover of a book dedicated to graphic design.

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Aldrans Medium is a homage to the poster style used in the 1920’s to promote skiing in Austria.

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Hand Cursive design is a cute cursive font, written by hand—careful writing with a steady pen!

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Tesca is a condensed modern grotesque typeface. Tesca is great for uses such as headlines or text body. Features Latin and non-latin glyphs.

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Oporto is a modern font which blends the cosmopolitan and bohemian mood from Oporto city in a elegant and timeless design.

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Maline is a line. Letters, words, paragraphs are linked to each other.

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Snail is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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As the philosopher and typographer Geoffroy Tory considered during the “Renaissance”, each character can be drawn by a circle and a straight line.

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A simple modern script.

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Toothpaste is a font based on the idea of a continuous line creating connected script, as if written by a squeezed tube of toothpaste. Every letter and number connects, and there are 48 contextual alternate characters and ligatures to make the script flow even more smoothly.

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Tourette comes in two versions and is a progression of the Expletive Script family.

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What do you imagine the ideal casual invitation font would look like? It has to be cheerful, inviting, legible, creative, and loads of fun. But first and foremost, it has to look like real handwriting. Fonts seeming like real handwriting are always a major task, and although Canada Type already has plenty of fonts that solve the “looks like handwriting” issue in a variety of ways, we're once again raising the bar a little higher with this one.

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Alright is a cursive font is based on the handwriting alphabets used in education, but with modern short ascenders and descenders.

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Now showing at your local picture house is the latest romantic comedy coupling featuring Matinee Idol and Matinee Idol Bold; famous faces you've come to know and love in features like Warners' “Hush” and Columbia’s “The Evil That Men Do.”

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Jillsville is a sweet, delicate font with a fine lines and feminine overtones. She’s light and lithe, but “she ain’t no wallflower.”

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Pure, rounded and eclectic, almost abstracted letterforms. A monoline typeface with a soft, organic edge.

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This font is a classic scholastic handwriting font designed to help students learn to write.

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Blandly glowing strings of letters in chemical colors call forth endless memories of bars and restaurants, of beer and hot dogs, of casinos on the Las Vegas Strip, the acme of neon.

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A tribute to calligraphy, with the thinness of modern times. So Prolix is presented as a calligraphic typography with uniform sketches and very particular features.

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This elegant monoline script is based on a font called Médicis from a Deberny and Peignot catalog, circa 1920. Graceful but robust, it is equally suited for invitations, announcements and headlines.

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The idea for Granat goes back to my mysterious typeface Telepiu and later Teleneue. The straight horizontal bars in combination with the round joins create a very unique character.

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Decima is a new display face designed in 2008. The designer’s inspiration was a previous creation, PR41, a monoline condensed typeface developed for use on instrument panels. This time, the intention was to create a typeface with a more modern, yet soft, look while retaining PR41 characteristics.

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A rounded geometric font of uniform stroke weight.

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Tobacco came about from the drawing programs and the way they display a line with control points.

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Salso Mangos is a smooth, deco typestyle inspired by the logotype for an old video game called Kangaroo.

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Love Mom is made for old-school Tattoo designs like old sailors Tattoos.

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Perfect for the private journals locked away from all eyes to chronicle the troubled thoughts of a duality (a double life).

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Art Deco turned mundane objects into graceful, sensual works of art, with a nod towards the opulent and extreme. Art Deco sought to build upon the elements of Modern Art movements by focusing on the principal object and removing the extraneous elements found in the Victorian era and in Art Nouveau. The concept of “form following function” and the technological advances of the early 20th century played a very important role in defining the direction of Art Deco. Popular images included stylized people, svelte animals, tall buildings, sleek vehicles and exotic scenes. Art Deco typographic designers were also inspired by these diverse themes. P22’s new Art Deco font set shows the influence of a cross section of some of the various European and American Art Deco styles.

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Fox is a completely new typeface based on my previously designed Fox family font, which has been in distribution by T26 type foundry since 2001. Old Fox typeface design decisions were reconsidered in a way to improve legibility without sacrificing its originality. This new Fox family consists two subfamilies: Fox TRF and Fox Sans TRF.

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Most cursive fonts try to create the look and feel of real handwriting: Letters have a specific shape, depending on surrounding letters, or its position at the beginning or the end of the word.

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A simple, elegant semiscript…enough said.

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November Script is a continuously flowing and spinning font family. It was originally designed for an award winning art calendar published by TAIK (University of Industrial Art & Design) In 2007.

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Expletive Script is a modular font based on a circular form, the characters can go above and below the baseline. The name ‘Expletive’ means to swear, it is about the possibility for the violence of language.

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Here is a decorative condensed antique design that is sure to fit a variety of contemporary situations.

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Nymphe is a monoline typeface based on the form and character of an art nouveau illustration from 1907.

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Concerto Rounded is based on a 1920s concert program lettered by Lucian Bernhard. In many respects Concerto is a toned-down version of the exceptionally light Bernhard Fashion. Concerto makes use of extensive crossbars and rounded terminals. It has two sets of lowercase letters, the alternate letters being slightly higher and wider than the ones in the first set. Cap alternates are consistent in approach with the work of this talented poster artist. His characteristically flamboyant display style is now available where legibility and readability are big issues. Concerto is equipped with lining and non-lining figures.

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A crisp, geometric semiscript, based on the font Adonis, originally released by American Type Founders.

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Chaman is a “hybrid” font. On the one hand serifless, temperate and readable, and on the other hand quick and livily as a manual script, thanks to many unexpected ligatures.

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BD Radiogram is a thin lined font in two styles, rounded and narrow. Its curves are like airwaves, light tones in the air, sweet breezes, like notes on a sheet of music.

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Mymra Piano is a monoline serif Roman face, inspired by Charles Robinson lettering from the Art Nouveau period. The enchantment of some of the characters' flamboyant shapes has created an idea to rework the face and bring it to life as a contemporary typeface.

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Willard T. Sniffin deserves the credit for this charming little stationery and greeting card typeface developed for American Type Founders in 1930.

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Rondka is a sentimental reminder for those who have not forgotten what is a pen with a broad, flat nib. Digitalized from a brochure of letter patterns for teachers and clerks, published between the world wars, it is most appropriate for books of folk songs.

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Released in November 2003, Charminette is the Collection’s first face with a consistent baseline and x-height.

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Subroyal was inspired by the official logo of the City of Montreal. The idea came to us while reading an article about a revised version of this logo that didn't have any original typography. We realized it was our civic duty to bring the City logo to life, and the result is a fairly romantic font that reminds us of the many parks around the island, its fragile snowflakes, and its electronic music scene.

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This typeface creates a strong, highly polished chromium impression as its name implies and was originally inspired by airbrush technique. A highly stylized and unusual display face that can be used across a variety of commercial applications. Created by the well-known British lettering designer David Harris.

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Re-tooled from the QBF Collection.

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The Submarine family is based on a custom designed typeface for website navigation and headlining purposes, hence its geometric structure. In contrast to most other typefaces, where increase of boldness of the lighter weights expands externally in the width, the Submarine heavier weights expand internally, leaving the length of words and texts pretty much the same. The open structure of the lighter weights make it reasonable text face as well.

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The Ctoxina family is growing.

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An unusual angular vertical script. In late Victorian times it was seen mostly in advertising work, seldom in social stationery and announcements.

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A design reminiscent to school script and handwriting, yet slightly off beat, with a gracious and elegant motion. Originally designed for invitations for a book store, the typeface likes to think it refers refers to book typography of the 40s and 50s of the last century.

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This font draws its inspiration from handwriting, in order to maintain a certain dynamism and irregularity.

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Vektori family comes from those Atari games that had those distinct vector graphics with thin and precise straight lines.

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Digital Kauno is a soft geometric script type. It is recommended for headlines and display use.

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Julmeme-Kun is a fully italic font. This unique characteristic added to its tall and elegant proportions makes it a very dynamic typeface.

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Meskyle Laid Back is based upon the handwritng of Mesk One.

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Sport Numbers contains classic sport number designs, similar to those that appear on sport uniforms and competition vehicles, in the proportions of 6 x 10, 8 x 10, 10 x 10, and 12 x 10, both vertical and oblique. The vertical numbers are located under the character set and the oblique numbers are located under the respective keys of the shift + character set.

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Variable is a sans-serif monoline typeface family that can be used in a variety of typographic environments.

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