Long since replaced by computers, the mechanical lettering kits used by draftsmen and amateur sign makers served as the inspiration for the Bryant family of typefaces.

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It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin).

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The Sommet series has been updated with a rounded variant.

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This typeface is based on ISO 3098, a technical documentation issued in 1974 by ISO (International Organization for Standardization), which proposed a set of characters for use on technical drawings and associated documents. Isotext is based on the original standards but is completely redesigned to fit typographic requirements. This new ‘Pro’ version is further improved and now comes with a complete set of redesigned true-italics. Furthermore, the width of the glyphs has increased in order to establish a more balanced and readable text. The result is a contemporary font which works well in small sentences as well as long texts. Isotext Pro is loaded with all the good stuff a designer needs to create documents with attitude. It supports 19 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

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Estilo is a very elegant headline typeface in a 30s style with plenty of ligatures for better design possibilities and includes Greek.

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Hiruko is a full family of 16 different styles. Inspired by the early Swiss movements, Hiruko offers creativity and clarity within many media. Influenced by Japanese culture, Hiruko is based on the idea that less is more, however this applies in other directions when referring to the amount of work gone into producing the type family.

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Estilo Text is the best companion to the multi award-winning Estilo.

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Maline is a line. Letters, words, paragraphs are linked to each other.

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Estilo Script is the perfect companion to Estilo.

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Register Sans is a typestyle family inspired by the draft-letter handwriting samples from old Speedball booklets, with a little variation for a more friendly flair.

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Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

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BAQ Rounded is a fully developed solid typeface which contains full Latin characters, is highly legible, and always good for extra impact.

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Oval is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

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The Le Havre series is a series of geometric sans serifs inspired by the dignified era of the passenger ship, when getting to your destination was a delight in and of itself.

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A truly fun typeface that emerged in the 1970’s and remains popular to this day. This heavy sans serif face with curved terminals has been used extensively in display typography where a modern, but informal appearance is needed. Designed by talented designer Bob Newman in the Letraset Type Studio.

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Tesca is a condensed modern grotesque typeface. Tesca is great for uses such as headlines or text body. Features Latin and non-latin glyphs.

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Glow Gothic BF, like its predecessor Subliminal BF, represents further exploration into typographic special effects. In its original form, it features letters that are transparent, with an opaque glow. Glow Gothic Overlay and Glow Gothic Underlay share identical spacing values and are designed to be used together. Though “Overlay” can certainly be employed as a separate, stand-alone, solid font, using these two together allows for greater color and (tighter) kerning possibilities —see Gallery Images.

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A rounded sans-serif with even stroke thickness, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century. Accented letters for Western and Central European languages are included.

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Duplex is a custom font which is applicable for any type of graphic design - web,
print, motion graphics etc and perfect for t-shirts and logos.

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Simple and effective font for various graphic designs, type treatments and others.

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The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America.

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Pauline is a sans serif with a strong influence from retro scripts. Pauline is a geometric face formed with slow and deliberate rounded brush strokes. The tall ascenders give it a useful touch of naïveté. It’s a face suitable for some interesting titling and short bits of copy.

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Avatar is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

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As the philosopher and typographer Geoffroy Tory considered during the “Renaissance”, each character can be drawn by a circle and a straight line.

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It’s 1984 and everything has sideburns. Shoulder-padded “dress for success” is in, with power suits for women, black and white layers for men, neon brights for the youngsters. Maggie’s “enemy within” and “no society” speeches preface the arrival of shopping malls and corporate status symbols. The economy is a philosophy and accountants carry ambiguous but very sophisticated-sounding titles. Thousands of words and expressions are reduced to initials or monosyllabic sounds. Synthesizers are very refined and the music is very catchy. The Macintosh and MTV are making waves. Brands are lifestyles. “Yuppy,” Yummy," “Bobo,” “Dinky” and “Woopie” are standard consumer categories in advertising lingo. The Volkswagen identity, only 5 years old now, is all the rage in design. VAG Rundschrift, by all appearances a rounded and slightly condensed Futura, is everywhere. Tube design is king.

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Poppl College is a casual, legible script created by German graphic designer and professor Friedrich Poppl and released by Berthold in 1981.

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Many variations of these two decorative display type styles have existed for over a century. Most are either similar to the Adam Gorry duo but plainer, or of the retro variety (1940’s - 1950’s roadside diner or ‘Hotel Reno’ style). The Adam Gorry duo differ with semicircular stroke ends and a dual upper case letter set, including some useful alternates and ligatures.

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Looking like happy frosting on a cupcake at a twiddle bug party, this bouncy food entry from Canadian designer Haley Fiege turns the original Jellybrush type into organic happiness you can spread on pancakes, ice-cream, sorbets, sauces and condements, oh peanut butter! Yeah, all kinds of sandwich fillings. Anything really.

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Skirt picks up where conventional rounded sans serifs let designers down. Effeminate but classy, Skirt is distinguished by bespoke design and finishing touches to lend an individual feel to compositions, without being sassy. Proportions are neat and the numbers are sweet. The lower case “a” sports a proper curled tail, and the tasteful open tail binocular “g” will get you and your clients upstairs at the Savoy. OpenType features include: class-based kerning, numeric ordinals, fractions and alternate italic “a” & “g”.

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Teaspoon was originally designed by Haley Fiege as a project-specific font in 2007, then completed and produced by Canada Type for commercial viability in 2008. With a personality that can only be described as “ironic cute”, it serves as a much needed alternative for the old overused poster faces, such as Cooper Black and Gill Sans Extra Bold. Words that look good set in Teaspoon include puppies, rainbows, salmonella poisoning and Tom Cruise.

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Churchward Marianna and Churchward Marianna Shadow are two more OpenType font releases by BluHead Studio, LLC from the exciting and unique library of Joseph Churchward type designs.

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This font was designed for an identity project, but wasn't used, so now it’s for sale.

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Silicone is a soft, synthetic family of display fonts. Soft ends, soft shapes . . . nobody gets hurt.

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Chaman is a “hybrid” font. On the one hand serifless, temperate and readable, and on the other hand quick and livily as a manual script, thanks to many unexpected ligatures.

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Toothpaste is a font based on the idea of a continuous line creating connected script, as if written by a squeezed tube of toothpaste. Every letter and number connects, and there are 48 contextual alternate characters and ligatures to make the script flow even more smoothly.

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A rounded geometric font of uniform stroke weight.

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This font is a classic scholastic handwriting font designed to help students learn to write.

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Blandly glowing strings of letters in chemical colors call forth endless memories of bars and restaurants, of beer and hot dogs, of casinos on the Las Vegas Strip, the acme of neon.

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Report is geometric font with rounded ends, custom designed for education.

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Today’s heavy infoscape demands a viewer-friendly rounded sans serif with sweet-but-understated style. Scheme’s work-a-day character set puts it on solid ground. Bark-bark, woof. Its even-width capitals are solid and dependable, and the lower case features subtly curled stroke ends, for understated sweetness.

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Gelato is expressive, and fun fusion between calligraphy and stencil producing a unique and exciting effect.

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Who needs counters? Although this typeface is bold as hell, it is still absolutely legible. If You are looking for fat curves, this is may be Your choice! There are also extra letters (A, V, v) to let You make better logos and headlines.

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Croog is a rounded geometric monoline typeface, built in three weights with true italics.

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Creamery-fresh Debusen is soft. Soft like a kitten soaked in butter. That’s what makes Debusen so friendly. It’s nothing but a friendly, buttery kitten. Mmmmm.

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ArgonType is the first commercial font produced by Vic Fieger. It features thick vertical strokes, soft curves, and incomplete loops. It was designed to be used as an alternative for serif fonts where appropriate.

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Salso Mangos is a smooth, deco typestyle inspired by the logotype for an old video game called Kangaroo.

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Think: Roller skating in the park, hot sticky summer days, car washes, wet t-shirts, being crushed out, blue skies and white puffy clouds and Japanese kawaii!

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Tummy is part of the Game font set I made few years back; this one is for game packaging and logo design.

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Richard Miller Rounded started out as just a logo for a website/business card. It is a modular sans that works well in both print and web design.

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Alright is a cursive font is based on the handwriting alphabets used in education, but with modern short ascenders and descenders.

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REALLY fat faces seem to be popular these days, so here’s my take on one. The strokes have been expanded to the brink of illegibility, but the letters remain distinguishable, especially in context. Also included are alternate versions of the letter A—suitable for use as first and last letters in a word— in the ASII circumflex and ASCII tilde positions.

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HiH Large is another “Hey, Look at me” font, somewhat similar to our Shout, but with rounded corners. As a result it is softer and friendlier than Shout. It is appropriate to similar applications requiring an attention-getting font, such as posters, flyers and ads.

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Used in advertising posters for the Soviet state foreign trade company named ‘Soyuzchimexort’ in the early 1980s.

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Lombriz attempts to bridge the gap between different kinds of typography - including packaging, signage, and sporting. The result is a heavy, yet casual, 1950s-inspired semi-connected script.

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Zolano Serif is a futuristic, serif font family that takes a clean, simple straightforward approach to legibility.

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Contemporary websites look fresh with a rounded sans fonts and for good reason: rounded stroke ends harmonize with today’s Web 2.0 rounded box shapes and shiny plastic buttons. The same rounded sans font on every web site? Not acceptable. Turn on Headlight. Not your everyday, straight-up rounded sans. Signature design features: Warm, unique letter forms, familiar stroke widths, inorganic line treatment.

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Art Deco turned mundane objects into graceful, sensual works of art, with a nod towards the opulent and extreme. Art Deco sought to build upon the elements of Modern Art movements by focusing on the principal object and removing the extraneous elements found in the Victorian era and in Art Nouveau. The concept of “form following function” and the technological advances of the early 20th century played a very important role in defining the direction of Art Deco. Popular images included stylized people, svelte animals, tall buildings, sleek vehicles and exotic scenes. Art Deco typographic designers were also inspired by these diverse themes. P22’s new Art Deco font set shows the influence of a cross section of some of the various European and American Art Deco styles.

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Most cursive fonts try to create the look and feel of real handwriting: Letters have a specific shape, depending on surrounding letters, or its position at the beginning or the end of the word.

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Based on custom design work by DTP Types Limited in 1999.

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Greatest Hits JNL is Jeff Levine’s serif version of his 50s style font, Doowop JNL... complete with the same fun look and "good-time-rock-and-roll" feeling as the original!

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A simple, elegant semiscript…enough said.

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Now showing at your local picture house is the latest romantic comedy coupling featuring Matinee Idol and Matinee Idol Bold; famous faces you've come to know and love in features like Warners' “Hush” and Columbia’s “The Evil That Men Do.”

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A font designed by Christian Acker (2002), based upon neon signage in downtown New York. 24Hrs was an exercise in creating flat artwork from the inspiration of neon’s three dimensional forms. All of the tubing’s overlapping and twisting is documented and taken into account in the design of the letterforms.

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Wavy Rounded is a stylized sans serif display typeface by Japanese designer Hajime Kawakami. Some of the characters possess quirky features that randomly create fun visual “waves”. There is a handful of alternate characters including an old style figure set in the OpenType version. Catch the Wave.

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Adesso is a humanistic sans serif very generous & comfortable. It has been created for very young readers. With its wide opened & rounded shapes it is particularly peaceful & legible especially in small sizes.

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Concerto Rounded is based on a 1920s concert program lettered by Lucian Bernhard. In many respects Concerto is a toned-down version of the exceptionally light Bernhard Fashion. Concerto makes use of extensive crossbars and rounded terminals. It has two sets of lowercase letters, the alternate letters being slightly higher and wider than the ones in the first set. Cap alternates are consistent in approach with the work of this talented poster artist. His characteristically flamboyant display style is now available where legibility and readability are big issues. Concerto is equipped with lining and non-lining figures.

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Wevli is a revival from Ray Larabie’s earlier foundry, Larabie Fonts. The design was rebuilt from scratch to make a quality practical typeface free from constraints of the original design. Lower x-height, longer descenders, simplified glyphs and vital corrections to the vowels increase legibility without defeating the character of the original. Style-wise, Wevli has an inky technical pen look that leans toward futurism. Razor-sharp vertices mingle with quarter-squared bowls to contrast with the profusion of rounded forms yet compliment them at the same time. Wevli is deliberately inconsistent with one effect in mind; to get the eye’s attention and force the consumer (victim) to read your message. Wevli italics depart from the normal set with freer forms and cues from widely differing sources, including a cursive s and curled l-a current favourite of many designers. Wevli is an extended family of eight weights, including bold and condensed versions. A bonus Wevli dingbat font can be used in-line for consistent results.

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A revival of one of the popular sans serif wooden type fonts of the 19th century, narrow, rounded strokes at top and bottom, pointed horizontal devices in centers, no lower case designed.

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Occulista began as a modern take on a vintage tri-line style of typeface, but quickly evolved into something quite different.

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Aminta is an eclectic and expressive take on the Courier aesthetic. Aminta mixes the utility aesthetic of Courier, the default computer typeface and subversive piece of non-design graphic designers are presented with in the top left hand corner of Quark documents, and eclectic and expressive letterforms derived from drawing and handwriting.

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Mymra Piano is a monoline serif Roman face, inspired by Charles Robinson lettering from the Art Nouveau period. The enchantment of some of the characters' flamboyant shapes has created an idea to rework the face and bring it to life as a contemporary typeface.

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Opportoonity JNL is loosely based on lettering from 1940s cartoons. It’s the perfect typeface for anything representing fun and carefree situations.

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The BD Jupiter font family contains the four styles: regular, bold, regular stencil and bold stencil.

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Decorative three-dimensional display font with cap and lowercase. Originally designed for a shoe company. Works with colors, gradients and filters. Cullens Shoes was designed for all media and works best at 30 point and above. Cullens Shoes requires subjective display kerning and compensation.

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This typeface creates a strong, highly polished chromium impression as its name implies and was originally inspired by airbrush technique. A highly stylized and unusual display face that can be used across a variety of commercial applications. Created by the well-known British lettering designer David Harris.

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This font is a simple version of my Scripio A.

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The pattern for this typeface was suggested by a poster for beer, designed by German artist Ludwig Hohlwein around 1920.

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Yum, yum, a fat sausage font including plain and highlighted letters and a Stencil style if you need to spray something on walls. No, no!

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Designed by Jochen Hasinger of Frankfurt, Germany, Covent BT is an unconventional geometric sans serif typeface, featuring rounded terminal ends and a stencil-like break of the contour in some glyphs.

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Bollard is a smooth and cuddly font, with the ability to make any title look instantaneously fun and fresh.

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The roly-poly serifs, inspired by West Banjo, designed by Dave West, add such irrepressible charm to this typeface that you just want to pinch its little cheeks, if you are so inclined.

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A design reminiscent to school script and handwriting, yet slightly off beat, with a gracious and elegant motion. Originally designed for invitations for a book store, the typeface likes to think it refers refers to book typography of the 40s and 50s of the last century.

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This is a friendly display typeface with large ink inlets that make it look like the counters have been eaten away from the inside out by hydrochloric acid. It’s legible at small sizes, but at large sizes the nice details make themselves apparent.

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Tempera Rose is a soft contemporary sans typeface with rounded corners.

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This a headline font with three degrees of liveliness. Choose appropriately.

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Digital Kauno is a soft geometric script type. It is recommended for headlines and display use.

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Simple and effective font for various graphic designs, type treatments and others.

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Magical Mystery Tour and the Outline Shadow version are fonts based on the lettering used for the Magical Mystery Tour record sleeve. A full-fat and bulbous casual sans with a 1960s feel.

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