Latin alphabet in runic style as well as as the basic Elder Futhark real rune alphabets are included, in both a normal and a bold version. Three ancient Germanic sun symbols can be generated in the font.

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Totem Forms is based on a series of aluminum and rubber wall constructions currently showing in Europe and the United States.

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Newgrange is a distinctive Celtic-style font designed as a companion to our Stonecross font. It has the same size and weight as Stonecross and the same carved/chipped style, but rather than being based on traditional insular minuscule letter forms, it’s based on a squared uncial style similar to our Lindisfarne font.

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Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts.

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In Brazil, young people sign their gang names on the top of São Paulo City buildings. Their letters are tall and structured just like the buildings that they have to scale. For them, typography has become an extreme sport.

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As you'll find, these fonts weren't really meant for actual type and document uses. This font was designed with the idea of supplying elements for art and designs.

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Notdef is an uncompromising experiment, based on the common “.notdef” symbol.

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This set reproduces over 350 of the signs contained in German typographer Rudolf Koch’s “The Book of Signs,” the symbols include Astrological, Christian, Medieval and Runic iconography.

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Lindisfarne Nova is an uncial-like design based on the script found in the Lindisfarne Gospels. Created by Harry Pears and Margaret Layson, it is available in two weights, regular and bold. Lindisfarne Nova is Harry’s first completed font.

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As you'll find, these fonts weren't really meant for actual type and document uses. This font was designed with the idea of supplying elements for art and designs.

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Adrenalina was created in 2003-2007. The character set was drawn through digital manipulation from photos of pichações taken in São Paulo - Brazil.

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Salt was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a lesser spotted version of Pepper.

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Pepper was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a greater spotted version of Salt.

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This font draws its inspiration from handwriting, in order to maintain a certain dynamism and irregularity.

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Linotype Cethubala is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by the Portuguese artist Patricia Carvalho, it is a playful and unusual font. Its roots lie in the characters of runes and old alphabets and the font is, in the words of the designer, ’an attempt to interpret and carry the knowledge of the magic world.’ Linotype Cethubala is intended exclusively for headlines in large point sizes.

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