Poodle Tails PW is suitable for display use for titles, etc. This font contains the basic characters. Uppercase, lowercase, numerals, and basic punctuation. See the character map for all of the included characters.

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A nice legible, slanted handwritten font with occasional rough lines. That is exactly what Ankertill Brewer is!

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One waxy black crayon was used up, entirely down to the tiniest nub, by the making of this font.

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Fun and quirky yet highly legible, Peach Fuzz invokes a sense of playfulness to your documents or projects. The varying slant of the letters and its rough edges give it an energetic quality. Great for scrapbook pages or for those times when you want to communicate a casual feeling.

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With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind.

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Nightclub is a fresh take on an old typeface originally called Ad Lib.

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Whumsy is a romantic font with strokes of magic.

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Flixuble is a mess! It was made involving an inky pen and sandpaper!

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A light hearted comic sansserif typeface inspired by a 1972 cartoon of the same name.

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Seasoned Hostess is a perfect blend of playful penmanship meets ink lettering!

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Desiring to create a scrapbooking font, I based Sweet Pea loosely on my own handwriting. The characters don't sit on the baseline but tend to rise above or below it, giving a casual, handwritten appearance.

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This attractive handwriting typeface from Typadelic exudes casualness and informality. Very readable at small and large text sizes...perfect for scrapbooking, greeting cards and casual letter-writing.

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A light hearted unicase typeface inspired by the titling of the 1977 Pink Panther cartoon, Therapeutic Pink.

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Think of Garamouche as Garamond’s drunken cousin. This font replicates a long lost document ravaged by time and the elements (with a little sloppy printing for good measure.)

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Hunniwell is a handwriting font, more like a felt-tip than a pen, but legible and easy-to-read. It’s almost like a script for school or children, with big serifs to clearly delineate the letter shapes.

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Super Delicious is one funky number. This fantastic typeface is a super-fun playful nod to Summertime.

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My new font Hot Fudge BV oooozes a syrupy sensuality. Fun flips and an undulating base line combine to create a whimscial typeface that can be used anywhere you want to add a touch of sweetness. Ride the brown panther today!

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Family Cat is a handmade typeface, comes in three different versions and just wants to be your friend!

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A casual marker handwritten style refined and developed from some old letters.

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Ulsteros was inspired by old horror movie posters.

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Stampoo is a happy rubber stamp font in OpenType, Mac PostScript and Windows TrueType format. The OpenType format includes custom letter pairs or autoligs which, in OpenType savvy applications, are automatically substituted as you type.

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Otoboke was hand lettered on the sides of adorable white ponies. Letter pair thingamajigs (autoligs) make repeating letters less obvious. They really, really do, but only if an OpenType savvy application is involved. Look closely: you can see real (sort of) pony fur texture. Otoboke’s curly-whirly letter forms were inspired by Louis Minott’s 1965 classic, Davida.

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FG Ronja should be used in a kids book. It has that naive appearance that makes it perfect for fairytales!

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This downloadable font has silly written all over it.

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FG Noel works great at small and large sizes. I can imagine a kids' book with this font and it will be perfect for cute quotations on greeting cards.

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Megaxoid is a grunge Open Type font - full of different auto ligatures!

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Wild Ketchup is a spicy, bold, fun display typeface and a perfect complement to its fraternal twin: Hot Mustard!

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A typeface made from vintage typewriter samples and meticulously compiled into a complete character set.

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Aprilfuel is a crunchy comic font; works very well in both small and large sizes.

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FG Smilla is a two face font, one regular and one light.

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With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind.

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Malihini Tahitian is a playful, exotic typeface for any island visitor.

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Roast Beef is one tough customer. This rough-and-tumble typeface is a big saucy dish with a bold spicy flavor.

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A playful font that just smells like love!

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Nick Cooke’s G-Type foundry continues to trailblaze and top of the sales charts is the fabulous Olicana typeface.

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It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin).

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Get creative with the adventurous new brush casual Alpine Script from Charles Borges de Oliveira. This stunning typeface contains 29 alternate characters waiting to be explored.

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Sweetheart Script revives handwriting from the mid 20th century with a lot of bounce and personality.

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Grilled Cheese was cooked up to be one of the most versatile display typefaces ever created.

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I wrote Freedom Writer out of a desire for a handwritten script that’s all-connecting. It’s partly based on my own handwriting style, and somewhat influenced by hand-lettered scripts of the 1940s and 1950s.

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Le Havre is a geometric sans serif inspired by the golden era of the passenger ship, when getting to your destination was a delight in and of itself.

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Sonora is a new profonts script typeface family supplied in the new OpenType Pro font format. Sonora contains six styles as light, medium, bold and the corresponding italics. The character set covers about 1.500 glyphs for the complete Latin character set (West, East, Baltic,Turkish, Romanian), and a huge number of handmade ligatures and alternates to make it a perfect OpenType Pro connecting script.

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The designer-favorite Blue Goblet series has been extended once again with Blue Goblet Frames and Vignettes.

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Bounce Script is a nice hand lettered upright font. This font has an appealing “bounce” characteristic which gives it its charm.

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With Spud AF relive those fun-filled childhood days of potato printing - but without the mess!

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Sweet Gothic is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century. 

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Louisiana originated from the lovely handwriting style of Melanie Snedeker. Lettering Artist Charles Borges de Oliveira then refined the letter forms to produce this one of a kind handwriting script. When you need a legible handwriting font, Louisiana is the perfect choice.

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Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts.

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The inspiration for Jeeves came from Leslie Carbarga’s wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit.

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Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.

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Originally created by the Tart Workshop’s own Crystal Kluge as a logo for an online tea store for chicks, Henparty Serif and Henparty Sans are sure to delight!

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This typeface was created by writing with a brush pen, selecting the best characters, scanning and tracing exactly to maintain maximum character integrity. Extensive kerning ensures an even flow when set as text, so Gizmo appears as quickly-written handwriting.

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MVB Solano Gothic Bold was originally designed as a display face for the City of Albany, California, located on the San Francisco Bay facing the Golden Gate Bridge and bordering the the Berkeley hills. Named for the City’s main street, the typeface needed to work on signage in proximity to older buildings, in contemporary settings, and for general print and web use. Rather than creating a neutered design to cover all bases, Mark van Bronkhorst chose to develop a simple, strong, condensed face that would offer flexibility of style by providing both retro and neutral forms.

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Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

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Genial is an elegant, contemporary script font in nine styles, specifically designed for maximum versatility. All of the styles, ranging from condensed thin to expanded fat, are clear and legible. The font conveys a feeling of relaxed elegance.

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Persimmon is elegant and semi-formal with some very unusual letter shapes. Calligraphic in nature, Persimmon can be used where you want a distinctive and unique lettering style.

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Silken is a stylish and contemporary handwriting font that combines the elegance of fonts such as Zapfino with the immediacy of handwriting fonts such as Affable. There are many handwriting fonts out there, but many of them border on being grungy and irregular. This font combines beauty with individuality and spontaneity.

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Grandma is a lovely hand-drawn serif font.

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Originally created by the Tart Workshop’s own Crystal Kluge as a logo for an online tea store for chicks, Henparty Serif and Henparty Sans are sure to delight!

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An antique letterpress typeface digitally recreated with various grunge variations for a versatile font family.

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An elegant face with dashing swash caps, based on an old American Type Founders typeface called Canterbury.

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Based on the hit album by Glen Campbell, Southern Nights is the font with a style that’s “free as a breeze,” as the song says.

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The Le Havre series is a series of geometric sans serifs inspired by the dignified era of the passenger ship, when getting to your destination was a delight in and of itself.

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Mister Sirloin is one meaty customer without a lick of gristle to spare.

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Inspired by retro propaganda posters from the 60s to 80s.

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An elegant, contemporary and quirky handwriting font inspired by fonts such as Satisfaction and Nothing. There are many handwriting fonts out there, almost all of them tending to highlight the individuality of a particular person’s handwriting. I wanted to go beyond this.

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Coral had its origins in the font Leah. I had requests from users that I create a cursive version of Leah. (In a cursive font the letters are joined together as in handwriting). In the process of development it changed sufficiently that I decided to release it under its own name. Hence “Coral”.

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Mahalia draws inspiration from vintage hand-lettering, but adds a modern, European twist.

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Dolce is the next step in Elena Albertoni’s ongoing exploration of handwritten letterforms that started with her typefaces Dyna and Scritta.

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Monograms are a classic way to graciously make one’s mark. Especially popular for wedding stationery, baby announcements & gifts, custom calligraphy monogram designs by lettering artist Crystal Kluge were the inspiration for Darling Monograms. They are simply darling, Darling!

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Arabesque is a romantic, ornamental font, in which intertwining, flowing lines and generous loops enhance the beauty of the basic shapes. Arabesque successfully combines legibility with a decorative, sumptuous style. In its European interpretation it was also called “Moresque”.

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Lorelei is an exuberant and bouncy script.

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This is the last version of the dearJoe 5 series; dearJoe 5 Casual.

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Kigara was Elena’s first attempt at designing a text typeface. The result is not exactly a conventional book face.

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Based on the Morris F. Benton for ATF in 1920, it was not completed for production until 1926. The serif version we released a few years ago was so popular, that we decided to design a complementary sans serif version in three weights, along with three corresponding Swash fonts.

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On the one hand Chateau is almost palatial but at the same time it has a quite earthy personality as represented by the stenciled strokes.

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Wild and free as usual, but now with a touch of sharp focus presented in
curled ascenders and descenders, swashy care-free caps, and very unique
figures.

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Felt tip-written and full of expressive lines, Brandy BF exudes much verve and energy; and unlike many scripts, sets rather well in all caps situations.

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From farmers markets to Summertime gardens, Silverstein brings life to your designs like fresh spring peas from a pod.

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A casual retro script refined and developed from some old handwritten letters.

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Mark van Bronkhorst designed Celestia as an alternative to Caslon Antique at a time when few rough-edged fonts were available. He borrowed the basic forms from an early attempt he’d made at designing an oldstyle roman typeface, this time redrawing the letterforms with stronger serifs and adding the rough-edges. Designed to be more open and readable in text settings than Caslon Antique, Celestia’s gentle roughness becomes more apparent when used in display settings. An italic design, based on van Bronkhorst’s calligraphy, complements the roman character set.

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Named after her 1968 Volkswagen Bug “Emma,” Kanna Aoki’s Emmascript reminds us of the unmistakable quirks of everyday handwriting. Idiosyncrasies of this whimsical ballpoint script include the looping lowercase “r”, the “A” resembling an oversized “a,” and the curlicue question mark.

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