This font opens a new era of typewriting and type design.

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When I was in high school, I would wreck my notebooks with multiple layers of graffiti tags, which would start in the margins, and then creep in to cover the entire page. I developed a sensibility towards a very fast, expressive use of my hand, which later easily and naturally translated into brush. I used this style typographically on several projects throughout the years, and even turned it into a signature illustration style. Recently, by repeating letters hundreds of times each with brush on paper, this ad-hoc brush style became Streetbrush.

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Drawzing is a font designed by Ethan Dunham that mimics the looks of either chalk or crayon.

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Carve a new path with Expressway. Engineered to hug the road, it features a tight new frame with redesigned lines and curves. Reflecting the sleek lines of the U.S. Department of Transportation’s “Standard Alphabets” font, Expressway has superior readability. It combines the best features of the famous highway sign font while breaking away from monotonous government specifications.

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Owned has the look of marker scrawl before the cops arrived.

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This sticky blackletter font owes its street credibility to the texture of torn adhesive tape. Designed to support rehabilitation of the historically tainted Fraktur, its pragmatically shaped majuscules guarantee legibility to a 21st-century readership. they even forgive all-caps usage - a thing you better not try with most blackletter types around.

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Based in Manuel Corradine’s handwriting, Salpicon is a very spontaneous font.

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Shababa is a hand-drawn 3-D font. The linework is still kept fairly relaxed, mostly smooth with some distressed edges. There is lots of texturing from the pen strokes which becomes more evident at larger point sizes. This looseness enhances the smooth technicality of the properly extruded forms.

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This handwritten font is the result of trying to write in a different way to what I'm used to: sometimes taking a left turn when going straight was the more obvious way. Or the other way around.

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Bubbly Hills is the classic style bubble letter font!

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Based in Manuel Corradine’s handwriting, Masato is a very spontaneous font.

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BMX Radical is inspired by the titles of the cult 1980s BMX movie “Rad”. The characters R, A and D were designed after this, with the rest of the character set being completely made up. The font is uppercase only, but with two different alphabets. In OpenType-capable applications, engaging contextual alternates will make the alphabets automatically switch between each other, meaning double letter combinations always contain two different glyphs to give the text a much more handmade feel.

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Based in Manuel Corradine’s handwriting, Mucura is a very spontaneous font.

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One of the first messy typewriter fonts to hit the market, Chandler 42 was compiled with forensic care from the voluminous output of a circa 1942 portable.

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Oh,no - Oh, yes.. here is the new font “oh, no”.

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Rumba is ideal for any informal projects when youthful and free style are required.

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Bapalopa is inspired by classic graffiti “blockbuster” letter forms. These letters are made to look as big and as wide as possible. Bapalopa’s linework is kept very loose & relaxed, mostly smooth with some distressed edges.

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The design process of OkayPaint began as hand-painted letters on paper. Thus, a variety of distressed paint effects can still be seen in the details, from splatters to dry-brush. This makes for a textured, artistic look.

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Off the Wall JNL is a unique typeface that combines graffiti-style lettering with a brick wall background. special keystroke features give you a complete “wall of text”:

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Alta California became designer steve mehallo’s "vector-based artist’s response" to the early Apple Macintosh bitmapped font San Francisco. Alta California was developed using “sampled” wood type and letters from numerous historical sources.

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Stefani EHYO was designed ultimately with pure simplicity in mind, to carry an inviting, friendly style. The result is an ultra clean look with versatility: useful for either full bodies of text or for a nice headliner. The simplified smooth forms are highly legible and carefully well-matched, so can even be used over a busy background or at very small point settings.

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3D Blocky is a hand-drawn 3-D font. Composed of friendly & fun letters, this font is sure to become a favorite for you.

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Jamaistevie black is a very grungy but interesting 3D font, definitely better for a title than journaling, but particularly good for digital layouts as overlay text.

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Ruelles is a handwriting font from the French group La Goupil.

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Japoneh is a dynamic font set in all bold heavy brushed characters. It practically jumps off the page with the action of these fluid strokes!

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Vandalism Alternate is an authentic graffiti font designed by experienced French graffiti artists.

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Grunge Decay is an urban font with a unique look.

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A grungy and narrow bad-boy tagfont.

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Antikka draws some inspiration from the style of the Art Deco movement of the 1920s and 30s. The vision behind making Antikka was to revitalize the style of this bygone era -- making it funky and relevant to our 21st century times.

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Roadway is based on US highway lettering observed on New York street signs.

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As seen on Typophile.com, DTD Hefeweizen is a contemporary take on the textura blackletter style. Comprised of straight lines and angles sloped at ratios of 1/2 or 2/1, Hefeweizen is a highly geometric design with extensive alternates and ligatures.

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Brush Writing OC creates a look of lettering written freehand, from the brush of a skilled calligrapher.

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Parche is an urban font ideal for any informal projects when impact and youthful style are required.

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Road Stencil is a font based on painted street markings.

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Skulebuk is a decorative typeface ideally created for use on edgy/street/urban or sports related design projects.

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TagBanger WADE1 is the first in a short graffiti font series. This series will showcase the hand-styles of various mature street artists that Okaycat is working with. This first release highlights the style of one such graffiti writer, WADE1, who has an eclectic writing style after many years proliferating street art. Long-term graffiti artists develop their own style over their careers, spending as many endless hours honing their letter-forms as any full-time professional typographical artist.

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Lost Souls is intended to represent something old, retro and innovative at the same time.

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Masha is a new 3D font notable for its unique style and attractiveness.

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Geisha Holiday is an urban font with a unique look. The letters express slightly the formalized strokes of kanji characters but the overall tone is relaxation.

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Rev up your engine and tear up the pavement with the Blue Highway gang of fonts. Don't be fooled; the classic highway sign font has been rerouted, Typodermic-style. Blue Highway rebelled against the rigid DOT spacing of the authentic Highway Gothic font. It took a sharp right turn, and took off in its own direction. Blue Highway is upright without being uptight and its an easy reader from a distance. For a total trip try it white on black. Four fonts lead the team each with their own unique style:
Lens: with bowls rounded like headlights, he’s the leader of the pack.

Ink: a little rough around the edges but still razor sharp.

Outline: just a shadow of himself but you can't ignore him.

3D: deep, dimensional and not to be taken lightly.

Take your pick from 3 weights; light, regular and bold and 3 widths; condensed, regular, expanded with italics for each. Altogether, Blue Highway is packed with 22 styles all including numerals, punctuation, accents and directional arrows. Blue Highway gives you more variety than bugs on your windshield. For punched-up headline text, rockin' DVD menus, edgy package design, store signage that packs a wallop, distinctive t-shirt slogans, and whenever cool is the rule, take Blue Highway.

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