A tough and industrial jack chain typeface, easily one of the most detailed chain typefaces available.

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Updated in 2009, Chennai has new weights and OpenType features. Chennai is a simplified sans-serif with a full complement of OpenType alternates. The typeface is rounded, slightly extended and geometric. Over fifty OpenType alternate characters are available, including swashed lower forms, traditional caps and a traditionally formed lowercase. Chennai also includes seven style sets, oldstyle figures, and small caps. Please see the sample .PDF to see these in action.

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Dienstag is an extended sans-serif and a new companion to insigne’s popular Montag family.

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Montag is an extended, rounded sans-serif.

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Boopee bursts off the page with all the zeal of a seven year old exploding out the door at recess. About as tidy as the school cafeteria after lunchtime, Boopee gives you the impression that mistakes are part of its charm. Not big on staying on the lines, Boopee is freckle-faced friendly and easy to read.

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A Slap Happy font for Wrong Doers you just haveta smack in the face!

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Owned has the look of marker scrawl before the cops arrived.

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Teaspoon was originally designed by Haley Fiege as a project-specific font in 2007, then completed and produced by Canada Type for commercial viability in 2008. With a personality that can only be described as “ironic cute”, it serves as a much needed alternative for the old overused poster faces, such as Cooper Black and Gill Sans Extra Bold. Words that look good set in Teaspoon include puppies, rainbows, salmonella poisoning and Tom Cruise.

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Uniwars is 16 styles of Japanese corporate technical minimalism: ideal for electronics, military, robots, spacecraft, videogames, construction or sci-fi.

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Meloriac is a pseudo-retro, unicase display font. An obvious tribute to Futura Ultra-Mega-Freakin’-Black and Avant Garde Heavy Heavy Heavy Heavy; Meloriac is ideal for tight headlines and logos. Squish! When we say tight kerning, we mean disco-slacks-tight 1970s kerning . . . track it wider on subheadings. Japanese katakana letters are included so you can grace your designs with pretentious new rave slash J-pop flair.

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Hamburger Font BF is an endearing tribute to the lettering style of a logo, long retired, from a certain chain of fast food restaurants.

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Some like it hot. Others play it cool, clean and laid way back. You say Soap looks familiar? Sure, it looks a bit like Cooper Black but Soap is much more. It’s so slick lowercase won’t even stick to it. And check out the top of the C and G. That’s a beautiful thing. Soap’s numerals line up with the capitals making it right-on for t-shirts and titles. Soap has real tight spacing for that pseudo-seventies look. Groovy dingbats? Soap’s got ‘em.

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Croteau features 250 OpenType autoligs and OpenType class-based kerning. If your software* supports automatic OpenType ligatures, custom letter pairs and interlocks are automatically substituted as you type creating the illusion of hand drawn lettering.

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It seems that once a year, when the weather’s good, Patrick Griffin gets the urge to come up with a new comic book lettering set of fonts. Now the man who brought you the Captain and the Collector offers up his latest, the Caper Comic family.

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Good Eatin' was inspired by a range of kids cartoons, comic books, and toy packaging.

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Handtraced comic font. Supersteady and perfect for massive text or just headlines.

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Inspired by the graffiti of “CEYS” comes the Gobe Family, a Geometric/Thematic typestyle. WIth it’s bulky blocklike appearance, it comes with Regular and Compressed styles with their respective Oblique versions. Heavy handed, yet surprisingly readable at even small sizes, Gobe is perfect for designs from Offbeat Display to Childrens books. Graffiti is all around us wherever we go, get the Gobe Family and put it to work in your designs!

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Now, don’t get all bowed up when yer next project’s needin’ a font that’s all cattywampus and walking on a slant. When ya gets a hankering for a heap o’ characters with a bucketload of sass, I hear tell Zalderdash may be just up yer creek. This slab serif font sends a purdy how’do to Clarendon but I reckon it’s sprightlier than a chicken a’runnin’ from the axeman at dinnertime. Zalderdash is one frollicksome fella. Give him a holler and, sure as shootin’, he’ll show up every time. Whee doggies!

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Welcome to Wubble labs where the future of fonts is today. We have something new and very exciting to show you; Wubble, the finest liquid font we’ve ever produced. This font is the result of years of meticulous research to duplicate the precise characteristics of colloidal glopulation. In layman’s terms: it looks like puddles of water.

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Alepholon is futuristic techno font with a tip of the hat to a 1970s classic: Handel Gothic.

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Injekuta a family of 4 square-sans fonts. In tune with contemporary industrial design, Injekuta’s sleek, technical style will send your headlines, titles and logos decades into the future. The Injekuta family includes: light, regular, bold and black weights.

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It’s 1984 and everything has sideburns. Shoulder-padded “dress for success” is in, with power suits for women, black and white layers for men, neon brights for the youngsters. Maggie’s “enemy within” and “no society” speeches preface the arrival of shopping malls and corporate status symbols. The economy is a philosophy and accountants carry ambiguous but very sophisticated-sounding titles. Thousands of words and expressions are reduced to initials or monosyllabic sounds. Synthesizers are very refined and the music is very catchy. The Macintosh and MTV are making waves. Brands are lifestyles. “Yuppy,” Yummy," “Bobo,” “Dinky” and “Woopie” are standard consumer categories in advertising lingo. The Volkswagen identity, only 5 years old now, is all the rage in design. VAG Rundschrift, by all appearances a rounded and slightly condensed Futura, is everywhere. Tube design is king.

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Report is geometric font with rounded ends, custom designed for education.

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The Lanston Christmas Ornaments collection has a definite nostalgic feel for classic Christmas and Winter iconography.

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Darkheart is an OpenType interlock font. In OpenType savvy applications, certain letter pairs are automatically substituted with custom letter pairs or autoligs.

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Kairengu is a casual and lively rounded sans serif. The characters are “gloopy” as if ink was poured onto page surface. Kairengu is a great choice whenever you need an amusing face with a lot of character.

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Meet Bleeker. Bleeker is the casual, happy-go-lucky hand-lettered font you’ve been looking for.

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The archetype of the Brush Script, designed for ATF by R.E. Smith in 1942.

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Inspired by the titling of the classic cartoon, “Mother was a Rooster”, comes this offbeat typeface, the perfect lettering to add some spunk to your designs!

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At last! An ALL CAPS font that transforms the meekest text into WORDS OF ACTION. Heroid proudly flexes its letterforms in regular and bold. Endowed with a selection of alternate caps, this is one super typeface strong enough to punch its way through a steel door! Zowie!.

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Contemporary industrial design calls for a contemporary font. Zosma is function-driven, reflecting the silhouette of today’s modern tech accessories. Wide, square letters with subtle curves brand this font as a product of the 21st century.

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Fido is the official font of dog owners everywhere. Woof!

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Stampoo is a happy rubber stamp font in OpenType, Mac PostScript and Windows TrueType format. The OpenType format includes custom letter pairs or autoligs which, in OpenType savvy applications, are automatically substituted as you type.

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Another informal script designed in 1939 by M.K. Kaufmann for ATF.

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In the early 1980s, Steve worked at Typographic House in Boston, Massachusetts. At the time, ‘Typo’ House, as it was affectionately known, was the largest type house in New England. This font was designed and produced during his tenure. The design was so popular that it became available commercially through VGC, and was known as TH Alphabet Soup.

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Antigen is a forceful and fresh typeface with a strong futuristic feel. Its characters have a wide stance, and the lettering is subtly rounded.

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Fatty Fatty Boombalatty PW is suitable for display use for titles, as well as short paragraphs of text.

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Happy Trails is a font designed by Harry Warren, based on the lettering (all upper case) that was used on most Trailways buses from 1936 through the very early 1960s.

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A revival of sorts, Freaky Frog BF is modeled after an 1887 design from Central Type Foundry, called Grimaldi.

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An original design.

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The PIXymbols™Baby Blocks font is designed to create both single color, and two-color titles or initials. Each package includes a document showing the full character set with key codes.

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This strange novelty font is descended from one of the very first typefaces I designed.

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If your assignment is Barking Mad Banana Fritters, what kind of type style are you going to use? Zupiter belongs to a rare genus of display fonts that time forgot — casual animated. Nowdays they're generally confined to retro, but we don't care about that because Zupiter is a bouncy attention-getter who crosses into the land of the zany, straddling the line between discord and rhyme, performing a scintillating flipped-out dance for advertising and packaging in search of a hip and fun mood.

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The great and brutal Kadonk features 800 OpenType autoligs and OpenType class based kerning. If your software supports automatic OpenType ligatures, custom letter pairs are automatically substituted as you type creating the illusion of hand drawn lettering . . . that makes Kadonk even more terrifying!

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Celebrity is a new execution of a film type concept put forth by Willy Wirtz in 1971. The original idea, called Latus, had many irregularities and unfit characters that are now fixed and expanded in this digital version.

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Apple Juice has a straightforward, childlike simplicity, but has been divided in the middle to create a bottom-heavy contrast.

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This font was originally created by talented illustrator and lettering artist Molly Z for ToyLab, an actual wacky workshop where kids invent new toys using old toy parts.

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Llandru is a 21^st century display typeface consisting of mechanical shapes inspired by floppy disks and digital memory cards used to store data in ancient times. When a TRS-80 dreams, it dreams in Llandru.

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Brush Script was designed in 1942 by Robert E. Smith for American Type Founders. It has a spontaneous, brush-written look, and the lowercase letters are connected as in handwriting. Brush Script is ideal for casual display work where an informal, handwritten style might be advantageous, such as posters and signage.

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A toy-train font.

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TapedUp, Tinkerer, and Rumpled are based on the template I used for some of novelty fonts -- fonts made of wrenches and bolts, hammers, or paper clips. TapedUp can be thought of as a font made from masking tape, and Rumpled is the same design but the tape pieces are wavy. Tinkerer is the same design but with elements that resemble what might happen if one constructed letters from TinkerToys.

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Caslon Antique was designed by Berne Nadall and brought out by the American type foundry Barnhart Bros & Spindler in 1896 to 1898. It doesn’t bear any resemblance to Caslon, but has the quaint crudeness of what people imagine type looked like in the eighteenth century. Use Caslon Antique for that “old-timey” effect in graphic designs. It looks best in large sizes for titles or initials.

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